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Pics On Route 66 The photographic eye behind the upcoming USPS Route 66 Centennial stamps. David J. Route 66 is not history sealed behind glass. That’s where the magic lives.

Schwartz has spent over 20 years following the Mother Road as a living legend—finding connection, beauty, and meaning in its light, landscapes, and long horizons. Photography is my lens into the world — a way to be present, to listen, and to create lasting connections with people, places, and moments that matter. My relationship with Route 66 began in 1988, sparked by Depeche Mode’s cover of “(Get Your Kicks) on Route 66.” What started as curiosity became commitment in 2004, when I began photographing the road in earnest. Since then, I’ve made more than forty journeys along the Mother Road, allowing it to shape not just my work, but my way of seeing. It’s living, breathing, participatory history — and it meets you right where you are. My work is rooted in patience, presence, and intention. I plan carefully, but remain open to the moments Route 66 offers when you slow down enough to notice. Over the years, the road has introduced me to extraordinary people, resilient small towns, and uniquely American places that continue to evolve. I photograph Route 66 not as nostalgia, but as an ongoing story — one shaped by legacy keepers, torch bearers, and new voices carrying it forward. Since 2018, I’ve served as Director of Photography and Lead Editorial Photographer for ROUTE Magazine, documenting the culture, energy, and spirit of the Mother Road from the inside out. My work has been featured nationally and selected for the official USPS Route 66 Centennial stamp collection, a profound honor for a project rooted in long-term stewardship rather than quick moments. Back home in Lakewood, Ohio, I also run a portrait studio where I work with professionals, creatives, musicians, and actors. Whether on the road or in the studio, my goal is the same: to help people feel seen, grounded, and authentically themselves. Outside of photography, I sail on Lake Erie and practice yoga — both reminders to stay present, balanced, and open. My family — Shannon, Vivian, and Reed — are the foundation that makes this life and work possible. Route 66 continues to guide me — creatively, philosophically, and personally. My photographs are invitations: to slow down, to look closer, and to experience the road not as a destination, but as something that takes you where you need to go. To explore or license my Route 66 photography, visit picsonroute66.com.

11/04/2026

I wanted to share this one: Bonnie and Clyde Take Gay Parita, set at Gay Parita Sinclair in Paris Springs, Missouri along Route 66. The scene pairs sharp period style and small, telling details with a steady, tense energy. Warm, vintage tones and the careful arrangement of outfits and accessories give it a cinematic, slightly theatrical feel that invites a second look. Learn more here: https://www.picsonroute66.com/warehouse-open-edition-prints/art_print_products/bonnie-and-clyde-take-gay-parita

Really looking forward to giving this talk at the Garfield Perry stamp club a week from Thursday. If you’re nearby I hop...
11/03/2026

Really looking forward to giving this talk at the Garfield Perry stamp club a week from Thursday. If you’re nearby I hope you’ll join me! This is gonna be a lot of fun!

Our next meeting is Thursday, Nov. 5 starting at 7 p.m.
The program will be by photographer David Schwartz, who has traveled the famed Route 66 nearly four dozens times over the last three decades to document the lives and scenes along the route.
His work appears on the set of stamps released by the U.S. Postal Service earlier this year marking the centennial of the iconic highway that stretched from Chicago to Los Angeles.
We meet at the Wyndham Independence Hotel, 6200 Quarry Lane, Independence, Ohio.
You can preview David's presentation in the Stamp Collecting column that GP member Dennis Sadowski wrote for The Chronicle-Telegram, Elyria, Ohio.

I wanted to share this slice of Allen's Fillin' Station, Commerce Oklahoma, along Route 66. A weathered wooden wheel wit...
10/28/2026

I wanted to share this slice of Allen's Fillin' Station, Commerce Oklahoma, along Route 66. A weathered wooden wheel with a cracked tire and rusted rim rests against a brightly painted concrete ledge where green and coral meet flaking plaster and tufts of grass. Strong midday light sharpens shadows and brings out the textures, splintered spokes, pitted metal, and the smooth worn band of the tire. It feels like a small roadside corner that holds a lot of character. See it here: https://www.picsonroute66.com/warehouse-open-edition-prints/art_print_products/ready-to-roll

10/23/2026

A retro neon sign glows against cobalt dusk, the green "Supai" cursive above blocky red "MOTEL" letters and a small orange "VACANCY" tag. It reads like a roadside beacon on Route 66 in Seligman, Arizona. I wanted to share this one because the arc of marquee bulbs and the tiny "NEW COLOR TV'S" emblem anchor it in a particular time and place. There’s a quiet energy here: bold typography and warm light against the cooling sky. See it at https://www.picsonroute66.com/warehouse-open-edition-prints/art_print_products/the-supai-motel-neon-sign-at-dusk

I noticed a weathered red license plate, CX4-921, its raised numbers shaped by sun and rain. Warm late light catches the...
10/21/2026

I noticed a weathered red license plate, CX4-921, its raised numbers shaped by sun and rain. Warm late light catches the chipped white paint and deepens the rusted crevices, while the surface shows pitted metal, flaking enamel, and the smooth matte where hands have worn it. Plates at the edges peek in with faded slogans and tiny rivets, suggesting different trips and local stories. See it up close or preview it on your wall here: https://www.picsonroute66.com/warehouse-open-edition-prints/art_print_products/missoura-licenseplates-at-red-oak-ii

A lone windmill stands against a cool, pale evening sky in Adrian, Texas, along Route 66. I like the layered blues movin...
10/19/2026

A lone windmill stands against a cool, pale evening sky in Adrian, Texas, along Route 66. I like the layered blues moving from soft cyan near the ground into deeper indigo above and how the windmill's circular silhouette plays against the trees' softer shapes. The subtle grain and square framing give the scene a calm, film-like quality without feeling heavy. See it up close: https://www.picsonroute66.com/warehouse-open-edition-prints/art_print_products/i-ve-got-those-texas-blues-again

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