Annapolis Aperture

Annapolis Aperture Professional Photographers; To capture the best moments of your events.

09/03/2026
09/03/2026

I went looking for something else this week and fell down a rabbit hole. Annapolis committed $105.8 million to housing last Wednesday and I almost missed it entirely.

This photo is the Annapolis I get paid to shoot. Everything I'm about to tell you is happening about a mile outside this frame.

The project is Robinwood. 150 homes on Tyler Avenue, going on fifty years old. The plan rebuilds it into 214 affordable homes. That's not a swap, it's an actual net gain of 64 places for families to live in a city where median rent runs north of two thousand a month. That's good news and I want to say so plainly.

For scale: we're spending $87.8 million on the City Dock seawall. Robinwood is eighteen million more than that.

And it isn't even the big one. Eastport Terrace and Harbour House together are 357 public housing units on 29 acres, built in 1953 and 1964. The plan rebuilds the whole site as roughly 722 mixed-income units, with all 357 replaced. The housing authority says it has four projects financed already and three more coming in the next eighteen months.

That is the largest rebuild of public housing this city has attempted in my lifetime. I've lived here a long time and I didn't know the scope of it until this week. That's on me, but I don't think I'm the only one.

City Dock got five years of meetings, a hundred-person committee, lawsuits, op-eds, and a groundbreaking with shiny shovels. Robinwood got a press release on a Wednesday.

The promise attached to all of this is that nobody gets displaced. Residents move out during construction, and they have the right to come home when their phase is finished. That's real, it's federal, and it's built into how the financing works.

We've done it before, too. In 2020 they took down Newtowne 20, built in 1971. Residents were moved out with first priority to return. In 2022 it reopened as Wilbourn Estates. 78 units for 78 units, plus a clubhouse, a basketball court, and a playground. Promise made, promise kept.

The part that gives me pause is what came after. In February of last year the Housing Authority was in serious financial trouble and needed a $3.3 million bailout from the state, the county, and the city to keep going. It was carrying a $2 million deficit, and more than 100 of its roughly 790 units were sitting empty, a lot of them because code violations had made them unlivable.

They've been working their way back from that, and by all accounts these new projects are part of how. I hope it works. I want it to work.

But a nine-figure promise is only as good as the attention we pay to it, and right now almost none of us are paying any.

So here's one small question I'd genuinely like answered, and I'm asking, not accusing. Last October, when the state awarded funding, 58 new apartments were planned and 14 of them were designated for people experiencing homelessness. Last week's announcement lists the bedroom counts but doesn't mention those 14.

Are they still in there? I'd love to hear that they are.

Financing on phase one doesn't close until summer 2027. That's almost a year out. There's plenty of time for the rest of us to actually learn something about this.

And if you live at Robinwood, or Harbour House, or Eastport Terrace, or you grew up in any of them, I'd rather hear from you than talk at you. This is the part of Annapolis I can't shoot from a drone.

09/02/2026
08/26/2026

In 1972, a young photographer got one hour with a country singer most of the country hadn’t figured out yet.

Her name was Dolly Parton.

Henry Horenstein photographed her backstage at Symphony Hall in Boston. Black and white. Plain background. No set, no crew, no attempt to make it bigger than it was. Just her, standing slightly off center, looking straight into the lens.

That frame became his first published photograph. It ran in a Boston alt-weekly. Today it lives in the Smithsonian.

Here’s the part I keep thinking about.

She wasn’t Dolly yet. Not the Dolly we all know. She had twenty albums and a spot in Porter Wagoner’s show, but the crossover records that made her a household name were still five years off. Horenstein had no idea he was photographing an American legend. He just had a person in front of him and a clock running.

That’s the job most days.

You don’t get told which photo matters. The wedding guest who won’t be at the next one. The kid who’ll be grown before you finish the album. The storefront on West Street that quietly closes in three years. Nobody hands you a heads up.

Photography turns the present into history without asking permission first.

So make the picture. Your parents at the kitchen table. Your kids on the dock at the end of the season. The guy who’s been running the same shop downtown since before you moved here. It doesn’t need dramatic light or a fancy location. It needs to exist.

Dolly Parton, 1946 to 2026. Thanks for the songs.

And thank you, Henry, for taking the picture before anyone knew what it would become.

📸 Who in your life do you wish somebody had photographed more? Tell me in the comments.

Address

Annapolis, MD

Alerts

Be the first to know and let us send you an email when Annapolis Aperture posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Annapolis Aperture:

Shortcuts

Share

Category