16/09/2026
The next instalment of The Guardian's Enslaving Nation series has been published today, and once again I had the privilege of providing the photography.
This part of the investigation looks at the Church of England’s historic involvement in the transatlantic slave trade.
My assignment took me inside and around St Paul’s Cathedral, photographing a building that millions of people recognise, but this time looking at it through the lens of a much less familiar history.
This story also landed particularly close to home.
Both of my parents are from Barbados, and the article explores the Codrington estate there, where enslaved Africans worked on plantations owned by the Society for the Propagation of the Gospel in Foreign Parts, an organisation closely connected to the Church of England.
Standing inside St Paul’s photographing its architecture and details while knowing the story those photographs would accompany gave the assignment another level of meaning for me.
This is exactly the direction I want to continue taking my photography — documentary work that goes beyond making an interesting image and helps uncover, preserve and tell stories that connect our past with the world we live in today.
Very proud to see the work published and credited alongside such an important investigation.
Read the full article:
https://www.theguardian.com/uk-news/2026/sep/16/church-of-england-enslavement-reparations-debate
Photography: Wayne Crichlow / The Guardian
Register of British Slave Traders shows clergymen financed company that trafficked enslaved Africans on hundreds of voyages