Nishimachi Photography

Nishimachi Photography Your image is my priority! I'm a mobile photographer primarily servicing Melbourne, and available to travel wherever you need me.

Using the TIPA Award winning  35-100mm f2.8 in the studio with  is evidently a good thing. This lens is so good, and pro...
07/05/2026

Using the TIPA Award winning 35-100mm f2.8 in the studio with is evidently a good thing. This lens is so good, and professional model Rushali is fantastic.

When golden hour hits at  in the final hour of  6 Hours of Fuji. 35-150mm f2-2.8 and 150-500mm f5.6-6.7
23/01/2026

When golden hour hits at in the final hour of 6 Hours of Fuji.

35-150mm f2-2.8 and 150-500mm f5.6-6.7

 and  with a  35-150mm f2-2.8 lens. Absolute clarity.
10/01/2026

and with a 35-150mm f2-2.8 lens. Absolute clarity.

The amazing  shot by  with the  90mm macro lens.
07/01/2026

The amazing shot by with the 90mm macro lens.

This could be my favorite corner of Fuji Speedway. As the light changes over the  6 Hours of Fuji the colours change, an...
03/12/2025

This could be my favorite corner of Fuji Speedway. As the light changes over the 6 Hours of Fuji the colours change, and the sun light shines on the driver's faces. There's evidently different lines to take, which can depend on the driver's aim, the defence of the driving line and offensive manuvours.

The  car photography workshop was amazing. Thanks to  for the honour of being able to photograph 's Group A M3,  and  fo...
25/11/2025

The car photography workshop was amazing. Thanks to for the honour of being able to photograph 's Group A M3, and for the light painting 😃

Using the 25-200mm F2.8-5.6 and an polariser, mounted on a carbon fibre tripod 👌

Capturing Porsches at  3 with the  25-200mm F2.8-5.6 and an  polariser brings satisfying results. The macro focal point ...
11/11/2025

Capturing Porsches at 3 with the 25-200mm F2.8-5.6 and an polariser brings satisfying results. The macro focal point on this lens if beautiful.

Capturing the final round of Formula Drift Japan with  150-500mm f5.6-6.7 and 35-150mm f2-2.8 and  polariser.High revvin...
07/11/2025

Capturing the final round of Formula Drift Japan with 150-500mm f5.6-6.7 and 35-150mm f2-2.8 and polariser.

High revving engines slaying tyres at speed is a crazy concept, and capturing it all with quality Tamron lenses.

For the love of number 31.  at  6 Hours of Fuji.
28/10/2025

For the love of number 31. at 6 Hours of Fuji.

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Montmorency, VIC
3094

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