Photography by Daniel Lee

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Photography by Daniel Lee Our company focuses on capturing and creating memorable moments that exceed customer expectations.

Our niche includes personal branding, maternity, family photos, portraits, and events.

10/28/2026

The Canon R5 is a 45-megapixel camera, and if you want to take full advantage of those megapixels, you need a very sharp lens.

That’s exactly what the Canon RF 50mm F1.2 L is.

Pair this lens with the R5’s 45 megapixels and you get outstanding images with incredible detail—especially when you sit down to edit and start zooming in.

If you’re looking for a race-car type of setup, this is it right here. 🏎️📸

It will not disappoint.

10/27/2026

As a professional photographer, the 50mm is important to me because it’s an earner.

For birthday shoots, branding sessions, maternity, and graduation portraits, the Canon RF 50mm F1.2 L is often all I need to create an amazing shoot.

It’s versatile, fast, and gives me the look I want without needing to bring a ton of gear.

Sometimes one great lens is all you need to make a living.

10/26/2026

The Canon RF 50mm F1.2 L is my favorite lens, and this engagement shoot reminded me why.

I had every intention of using lighting for this shoot, but I hurt my back while loading my gear. My assistant also had to call out, so there was no way I could carry a light stand and sandbag throughout the entire shoot.

So I went with natural light.

All I had was my Canon R5 and the RF 50mm F1.2 L.

I was so pleased with the results that I actually asked myself, “Why do I use lighting in the first place?” 😂

Sometimes circumstances force you to simplify your setup—and it all works out. I was able to capture images of this couple that I hope they’ll enjoy for a lifetime.

10/06/2026

Shooting Event Details with the Canon R5, RF 15-35mm 2.8L, & the Godox V1

10/05/2026

Another event, same process. 📸

After I photograph the outside of the venue, I move inside and photograph the decorated room.

This is where my Canon RF 15-35mm F2.8 L really shines. The wide focal length lets me capture the room, details, and overall setup in a way that gives the viewer a sense of the entire space.

These images may not be the main event, but they help tell the story of the whole event.

Title/Overlay: Another Event, Same Process

10/02/2026

The Canon RF 35mm f/1.8 is my go-to lens for photographing people in front of backdrops at events. 📸

The 35mm focal length is perfect for full-body portraits, giving me enough room to capture the person and the backdrop without having to stand too far away.

And because it’s a prime lens, I get a consistent look from one shot to the next. The sharpness, color, and overall image quality make it a great choice for this type of photography.

It’s another example of why this little lens continues to earn its place in my camera bag.

10/01/2026

Two lenses. Almost everything I need for event photography. 📸

For my last two events, the Canon RF 35mm f/1.8 and RF 70-200mm f/2.8L Z have been my go-to combination.

The 35mm handles just about everything up close: details, food, photos in front of backdrops, and portraits when guests arrive. Plus, its macro capabilities make it incredibly versatile.

The 70-200mm takes over when the action starts. It’s perfect for candid, off-guard moments, award presentations, and speeches, all while letting me capture moments without getting in the way.

Together, these two lenses give me the flexibility to tell the entire story of an event.

09/28/2026

When you’re holding a camera for hours, ergonomics matter. 📸

The Canon R5 fits perfectly in my hands, and I love the placement of the dials for shutter speed, aperture, and ISO. When you’re shooting all day, having controls exactly where you expect them makes a big difference.

That’s one of the main reasons I chose the R6 Mark II as my second camera. Its ergonomics are remarkably similar to the R5, making it easy to switch between the two.

When you’re shooting with two cameras, muscle memory is everything. I don’t have to think about where the controls are or adjust to a completely different layout. I can focus on capturing the moment.

For me, that familiarity was the deciding factor in choosing the R6 Mark II.

09/25/2026

I’m doing some research for a YouTube video on why I chose the Canon R6 Mark II—and why I’m sticking with it. 📸

And honestly, my research has made the decision more interesting.

There are some amazing Canon cameras around the $2,000 price point, especially with the release of the R8 Mark II.

That means there are some real choices to consider if you’re shopping in this range.

So why did I choose the R6 Mark II, and what keeps me from switching?

That’s what I’m digging into for the video. 👀

09/24/2026

One feature that keeps the Canon RF 35mm f/1.8 in my camera bag? It’s a macro lens. 📸

That makes it incredibly useful at events when I want to capture all those little details that help tell the story.

A beautiful strawberry, the details on a table, decorations, rings, or anything else that deserves a closer look—the RF 35mm can handle it.

It’s one of the reasons this lens gets used so much for me. It’s not just a great 35mm lens; it gives me another way to photograph an event.

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Stockbridge, GA
30281

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