Hayley Fisk Photo LLC

Hayley Fisk Photo LLC LA Product & Beauty Photographer who produces strategic content that highlights the importance of diversity and inclusion of authentic beauty standards

Two weeks since I posted. Honestly? I needed the pause.Running a commercial photo business isn’t always studio days and ...
06/19/2026

Two weeks since I posted. Honestly? I needed the pause.

Running a commercial photo business isn’t always studio days and final images. Sometimes it’s quiet stretches of admin, edits, prep, and the mental work of figuring out what’s next.

But here’s what I came back with: a recent shoot for The Detox Market featuring May Lindstrom Skin, plus a peek at what the set actually looks like before the magic happens. Acrylic risers, flower frogs, ranunculus arranged stem by stem, and a lot of patience.

It’s a good reminder that the photos that look effortless almost never are. Every one of them is the result of intention, problem-solving, and time spent building the world the product lives in.

If you’ve been wondering what working together actually looks like, this is it. The full setup behind the scenes, and the kind of image it produces.

Booking monthly retainers with beauty + wellness brands for 2026.
Comment “RETAINER” or DM me to chat ✶

The best beauty imagery usually makes people stop for a second and go “wait…”That tiny pause is everything.Shot for fea...
05/29/2026

The best beauty imagery usually makes people stop for a second and go “wait…”

That tiny pause is everything.

Shot for featuring
Shot with and

05/14/2026

The swing in this shot didn’t exist — we built it ✶

This is one of the most underrated parts of working with me on retainer: prop styling and set design baked into every shoot. Not pulled from a kit, not rented off a shelf. Custom to your brand, your product, your story.

The brands I partner with on retainer get this kind of intentional set design every single month — and over time, it becomes part of the visual signature that makes their content stand out from every other product shot in the feed.

Booking monthly, bi-monthly, and quarterly retainers with beauty + wellness brands for 2026.

Comment “RETAINER” or DM me ✶

Some favorites from the archive ✶Color, print, and the kind of editorial styling that lets the clothes lead.I focus on ...
05/06/2026

Some favorites from the archive ✶

Color, print, and the kind of editorial styling that lets the clothes lead.

I focus on beauty and wellness now, but I still take on fashion work when the brand and the vision feel right. The instincts are the same across both.

Booking monthly retainers with beauty + wellness brands for 2026.
Comment “RETAINER” or DM me ✶

Cloud Reverie for ☁️Campaign hero, conceptual story shot, ingredient story, clean studio hero, packaging — every asset ...
04/30/2026

Cloud Reverie for ☁️

Campaign hero, conceptual story shot, ingredient story, clean studio hero, packaging — every asset this launch needed, all living in the same visual world.

This is genuinely my favorite kind of project. When a brand brings me in to handle the full asset stack, everything stays cohesive and nothing needs to get re-shot to work in a new place.

It’s also the whole reason I love the retainer model. Built to live everywhere a launch needs to live.

Booking monthly retainers for 2026. Comment “RETAINER” if you want the breakdown.

Pulling something a little different from the archive ✶Tinted lenses. Pastel backdrops. Y2K energy, campaign ex*****on.M...
04/24/2026

Pulling something a little different from the archive ✶

Tinted lenses. Pastel backdrops. Y2K energy, campaign ex*****on.

Most of what I share here lives in the clean beauty world — elevated skincare, quiet luxe, product as hero. But this is the other end of my range, and honestly some of my favorite work to revisit.

Range is underrated. Consistency is overrated. The best brand content holds both.

Now booking monthly retainers with beauty + wellness brands for 2026.

Comment “RETAINER” or DM me to chat.

A few favorites from my work with by One of my favorite parts of commercial photography is the long game — the shoots ...
04/20/2026

A few favorites from my work with by

One of my favorite parts of commercial photography is the long game — the shoots where you’re not just capturing a product, you’re building a visual language a brand can grow into.

Warm tones. Elevated compositions. Every product styled like it’s the campaign hero.

This is the kind of work I love most: elevated, consistent, built to perform across campaign, web, and social.

Now booking monthly retainers with beauty + wellness brands ready to stop scoping one-off shoots and start building a real content pipeline.

Comment “RETAINER” or DM me — I’ll send over the full breakdown.

Been a little quiet on here lately. Slowly finding my way back.Model: Xin YuMUA/Hair: Los Angeles Makeup Artist | Susan ...
04/11/2026

Been a little quiet on here lately. Slowly finding my way back.

Model: Xin Yu
MUA/Hair: Los Angeles Makeup Artist | Susan Zeytuntsyan
Stylist: Laura Hamilton
Photog: Hayley Fisk | LA Beauty & Product Photographer | Rebel Brand Management

A lot of the final image is decided before the first frame is even captured.For this shot, I spent time refining the sty...
03/13/2026

A lot of the final image is decided before the first frame is even captured.

For this shot, I spent time refining the styling and slowly building the lighting before committing to the final capture. Small adjustments to the placement of elements and the direction of light can completely change the mood of the image.

That’s one of the parts of product photography I enjoy the most - the process of shaping the scene until everything feels balanced.

I included a couple clips from Capture One’s live view showing how the styling and lighting evolved as the shot came together.

Curious how others approach this part of the process - do you usually dial in styling first or lighting?

Water is one of the hardest environments to control in product photography.This image was created during a recent shoot ...
03/05/2026

Water is one of the hardest environments to control in product photography.

This image was created during a recent shoot with using a submerged setup to suspend the jar while roses moved through the frame.

The challenge is balancing motion and control at the same time. The product has to stay perfectly positioned and readable while everything around it is shifting. Small changes in lighting, bubbles, or reflections can completely change the shot.

It takes a lot of small adjustments before everything finally comes together. I included a few behind-the-scenes frames because the setup ended up being just as interesting as the final image.

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Los Angeles, CA

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Tuesday 8am - 6pm
Wednesday 8am - 6pm
Thursday 8am - 6pm
Friday 8am - 6pm

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