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Hayley Fisk Photo LLC

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Hayley Fisk Photo LLC

LA Product & Beauty Photographer who produces strategic content that highlights the importance of diversity and inclusion of authentic beauty standards

10/26/2026

I think one of the more interesting things happening in commercial photography right now is how much room there is to combine traditional techniques with newer technology.

For this project with The Detox Market, I started with practical photography, building the compositions, working through the lighting, and capturing the products in camera. From there, I used Photoshop and AI selectively to refine and enhance certain elements of the scenes.

I’ve included a look at my Capture One sessions and Photoshop process because I think it’s interesting to see how much goes into an image beyond the final photograph.

For me, AI has become another tool in the creative process, not a replacement for the photography itself. I still want the images I create to feel grounded in something real, even when I’m using technology to take them a little further.

Curious how other creatives are approaching this balance.

10/15/2026

One product, six different ways to tell its story.

Something I always try to be mindful of when photographing for brands is creating enough variety that the imagery can continue to be useful well beyond the initial shoot.

For this Future Society collection, we have everything from more intimate, model-focused imagery (with the lovely Nina Vu 🤍 Nina Vu | Parts Model) to sculptural still lifes, clean product shots, and motion. Each serves a slightly different purpose, but everything still feels like it belongs together.

This is a big part of why I love working with brands on an ongoing basis. There’s an opportunity to build a library of content over time that feels cohesive without becoming repetitive, and gives creative teams more flexibility in how they show up across different platforms.

And personally, I love having the room to explore different approaches rather than creating the same image over and over.

10/09/2026

Considering my wardrobe consists almost entirely of black, it’s a little ironic how colorful my portfolio has become over the years. 🖤

But I think that’s one of the things I’ve always appreciated about commercial photography. Every brand has its own identity, and I get to explore creative approaches that are sometimes completely different from my own personal taste.

There’s something really rewarding about being able to adapt to different aesthetics while still bringing your own perspective and experience to the work.

Sharing a few favorites from my work with JLO Beauty by Jennifer Lopez Jennifer Lopez ❤️

10/02/2026

One product doesn’t need to tell the same story in every image.

For this set with Rael, we moved from the experience of actually using the product, to an almost abstract look at the texture, to a clean product-focused image that leaves room for ingredient messaging.

Same product. Same visual world. But each image has a different job.

That’s something I think about a lot when shooting for beauty brands. Creating a library of content isn’t just about making a bunch of beautiful images. It’s about giving the brand enough variety to actually use those images across social, campaigns, launches and everything in between.

A few favorites from this one 💕

09/17/2026

One fragrance. A whole lot of content.

I talk a lot about remote shoots and retainers, but I think showing what that actually looks like is probably more useful.

All of these images were created for Future Society’s Solar Canopy, from the hand model shot with Keidy, to the floral set you can see me building here, to the cleaner product and ecomm imagery at the end.

And all of it was created from my studio with the client video’d in.

Before we shoot, we align on the creative, deck and shot list. On shoot day, my clients join remotely while images come through live, so we’re making decisions together in real time. Composition, styling, product placement, hand positioning, whatever needs adjusting.

But the part I love most about working this way, especially on retainer, is the range we’re able to create.

A brand doesn’t always need one hero image. It needs an entire library of content that can live across different places and serve different purposes, while still feeling like it all belongs to the same world.

And when we’re working together consistently, we’re not starting from zero every time. I already know the brand, the products and how the team likes to work, and we can keep building from there.

Remote doesn’t have to mean less collaborative. And a smaller production footprint definitely doesn’t have to mean smaller ideas.

If your beauty, skincare, wellness or fragrance brand needs an ongoing photo + motion partner, I’d love to talk. 🤍

09/03/2026

Sometimes the best ideas come from asking “what if we pushed this a little further?”

I was going through older work and ended up pulling all of these together. They span a LOT of years, and they’re definitely louder than most of the skincare and product work I shoot now, but I still love how much we got to play in these images.

Not every shoot needs to be crazy or completely unexpected. But I do think there’s something to be said for giving yourself enough room to try the idea that feels a little weird, a little too much, or maybe wasn’t even part of the original plan.

Sometimes it works, sometimes it absolutely does not 😂 But when it does, it’s usually the image you remember.

I think that’s something I want to keep pushing myself to do more of, especially as everything starts to look more and more polished and perfect: make the shots we know we need, but always leave a little room to play.

Because you never know when the “let’s just try it” shot ends up being the best one.

Emani Janelle Enkie Tuvshin🦋🇲🇳 Imana Raddatz Indi Incredible B ♛ ♌︎ Muriel Susana Bria Nicole Canon USA Profoto Rebel Brand Management

08/27/2026

This “sun-drenched bathroom” was actually a tabletop in my studio. ☀️

For this Body Firm / Crépe Erase image, I wanted to create the feeling of warm sunlight coming through a window without actually shooting on location.

A small tabletop set, a piece of fabric, some very intentional lighting…and a lot happening just outside the frame 😂

I love showing the BTS of images like this because so much of commercial product photography is figuring out how to create an entire environment within a very small space.

Swipe to see what was actually happening behind the camera.

If your brand has a concept you want to bring to life - whether we’re shooting on location or building the world from scratch - I’d love to hear what you’re working on.

Crepe Erase by The Body Firm Profoto Canon USA

08/18/2026

One of my favorite things about shooting beauty is finding the balance between aspirational and actually useful.

For this Body Firm shoot, we wanted the imagery to feel warm, elevated and lived-in, while still making sure the product remained the hero. So we built the shot list around a mix of application, product interaction, tighter beauty moments and full collection imagery - giving the brand a much broader library to pull from across its content.

That’s something I’m always thinking about when I shoot: not just whether an image works on its own, but how the entire set works together for the brand.

Shot for Crepe Erase by The Body Firm The Body Firm
Model: Sharon McNeil
MUA/Hair: Tiffany Kilgore
Digitech: Dillon Padgette
Photog: Hayley Fisk | LA Beauty & Product Photographer | Rebel Brand Management

If your brand is planning an upcoming beauty or skincare shoot and needs a library that can work harder across channels, send me a message. I’d love to hear what you’re working on.

07/23/2026

A single campaign. A complete content library.

For this shoot with Rael, the goal wasn’t just to create one hero image. It was to build a collection of assets that could support the brand across social, web, email, advertising, and beyond.

From on-figure beauty imagery to premium product photography and texture-focused details, every image was created to work together while giving the marketing team the flexibility to tell a consistent story across every touchpoint.

If you’re a beauty, skincare, wellness, or fragrance brand looking to create content that works harder for your business, send me a DM or visit my website, I’d love to hear about your next launch 📸

07/14/2026

Doing something a little different today 😎

Sharing five recent Perricone MD shots alongside the lighting setups behind them — the actual key, fill, and accents that made each image what it is.

I don’t usually pull back the curtain like this, but it’s the part of my work I love most.

Honestly, this is a big part of why I love working with brands on retainer. The longer I shoot for one brand, the better I know what works for them — what lighting they look best in, what feels like their world. That kind of familiarity is hard to fake and impossible to get from a one-off project.

Booking monthly retainers with beauty + wellness brands for 2026.
Comment “RETAINER” or DM me 📸

Address

Los Angeles, CA

Opening Hours

Monday	8am - 6pm
Tuesday	8am - 6pm
Wednesday	8am - 6pm
Thursday	8am - 6pm
Friday	8am - 6pm

Website

http://www.hayleyfisk.com/

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