LAURENT GOLDSTEIN Photography

LAURENT GOLDSTEIN Photography A photographic journey with another outlook on India
Art•Fashion•Portrait•Streetlife• Book/CD Cover

As a photographer, Laurent's work has been published in Le Monde, Le Point, L'Histoire, Condé Nast Traveller, The Huffington Post, Shubh Yatra (Air India Magazine), The Times of India, The Indian Express, Geo Histoire, La Croix, Cartier Magazine, Mascular, Queerty, Galaxy, Lonely Planet India, Altum, WONDER GO! España, Gallimard, Alep Book Company, Libra Diffusion, Hodder & Stoughton/ John Murray, Penguin India, Plaza & Janes, 10/18, La Musardine, La Martinière, Nathan, EMI Music and many more.

🌿 Step into the world of Chérie And Laurent and let your imagination wander.Beyond the music lies a place filled with wa...
19/07/2026

🌿 Step into the world of Chérie And Laurent and let your imagination wander.

Beyond the music lies a place filled with warmth, stories, friendship, and little moments that make life beautiful. If you haven't visited our page yet, we'd love for you to come and explore.

Your next favorite song—and perhaps a little smile—is waiting for you. 💚🐾

https://www.facebook.com/cherieandlaurent/

Shri Raghu Rai (1942–2026).India has lost one of its greatest visual storytellers.Shri Raghu Rai, the legendary photogra...
26/04/2026

Shri Raghu Rai (1942–2026).
India has lost one of its greatest visual storytellers.

Shri Raghu Rai, the legendary photographer whose images helped define the visual memory of modern India, passed away today. His work did not merely document a nation — it revealed its soul.

Rai began his journey under the guidance of Henri Cartier-Bresson, assisting him during his travels in India. Recognising a rare eye and an instinctive understanding of human presence, Cartier-Bresson later nominated the young photojournalist to join Magnum Photos — "a decisive moment" that would shape the trajectory of Rai’s career and place him among the most influential photographers of his generation.

From the streets of Delhi to the ghats of Banaras, Raghu Rai returned again and again to the places that spoke to him most deeply. In Varanasi, in particular, he created some of his most enduring images — photographs that transcend documentation and enter the realm of the timeless. His work captured not only moments, but the invisible threads of culture, faith, and everyday life that bind a civilisation together.

He carried forward the legacy of Cartier-Bresson, yet transformed it. Where his mentor revealed the decisive moment, Rai expanded it — infusing it with a distinctly Indian sensibility, layering time, emotion, and narrative into each frame. He did not imitate; he evolved.

His books remain essential. For generations of photographers in India and beyond, they are not only references but companions — works to return to, again and again, each time discovering something new.

Seventeen years ago, I had the privilege of exhibiting my work at Gallery ZazaSpace in New Delhi, where Raghu Rai was the guest of honour. The exhibition supported Art for Prabhat, an initiative dedicated to the rehabilitation and self-sustenance of mentally challenged children in India. That he was present remains one of the great honours of my life.

Henri Cartier-Bresson has always been my absolute master in photography. To find myself, even briefly, connected to that lineage through Raghu Rai was profoundly meaningful.

More recently, the Ambassador of India remarked that my work followed in Cartier-Bresson and Rai’s footsteps. In that moment, everything seemed to align. Raghu Rai became, in a sense, the bridge — between influences, between generations, between ways of seeing.

His passing leaves a void that cannot be filled. Yet his work endures — alive, generous, and inexhaustible.

Some photographers capture images.
Others shape the way we see.
Raghu Rai did both.

I feel immense gratitude that our paths crossed, however briefly.

Thank you for showing the way.
Your vision will continue to guide us.

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Varanasi

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