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India Art Fair 2026
30/03/2026

India Art Fair 2026

Post 9 from A Point of AccessPulse170x170cmInk on canvas 2026Bridging the gap between what viewers see and why I am maki...
28/03/2026

Post 9 from A Point of Access

Pulse
170x170cm
Ink on canvas
2026

Bridging the gap between what viewers see and why I am making what I am. The scale of this painting really tested me, as it was the first time working on a canvas this large. Next to it, it feels like you don’t have a choice, but you really think about yourself within the game, just a reminder about perspective.
jain

Post 8 from A Point of AccessAn Allotmet of Time 100x100cmInk on canvas 2026Bridging the gap between what viewers see a...
26/03/2026

Post 8 from A Point of Access

An Allotmet of Time
100x100cm
Ink on canvas
2026

Bridging the gap between what viewers see and why I am making what I am.

.krishnamachari and TAF Founder in the .london booth
24/03/2026

.krishnamachari and TAF Founder in the .london booth

24/03/2026

Gamification

Word search
2025

What an incredible weekend presenting my work at the India Art Fair 2026Grateful to .london !! 📷
22/03/2026

What an incredible weekend presenting my work at the India Art Fair 2026

Grateful to .london !!
📷

19/02/2026

Making.
Everything and Nothing
mixed media on canvas
100x100cm
2026

Post 6 from my digital sequence: A Point of AccessCyclical 100x100cmInk on canvas 2025 Bridging the gap between what vie...
19/02/2026

Post 6 from my digital sequence: A Point of Access

Cyclical
100x100cm
Ink on canvas
2025

Bridging the gap between what viewers see and why I am making what I am.

Cyclical began with the idea of kalachakra, the wheel of time. I spent my MFA at Oxford consumed by the idea of time and methodology, I spent hours in museums, lectures and libraries trying to understand it, arguably no closer to when I first started however, I did make some overlaps.

In many South Asian cosmologies, time doesn’t move forward. It turns. Ages rise, dissolve, and return. There is expansion, decline and renewal, but no fixed origin point, no final end.

17/02/2026

Satisfying?

13/02/2026

I’m so incredibly grateful for my debut experience of showing at to have been with .london , the show was carefully curated by . Excited to see where this journey takes me!

Post 6 from my digital sequence: A Point of Access I’ve made this digital sequence to bridge the gap between what viewer...
13/02/2026

Post 6 from my digital sequence: A Point of Access

I’ve made this digital sequence to bridge the gap between what viewers see and why I am making what I am. These posts also act like coordinates to map my research. What feels to me like imagination is actually fragments of what I’ve seen, heard, felt, and absorbed. Conversations, sounds, images, paintings, moments. My perception is shaped by these remnants, and so the work in a way becomes a collage.

I first saw Mequitta Abuja’s painting Jingle Jangle on a school trip to the I was just mesmerised - one of the strongest experiences I have had seeing a painting.

Deshna Shah
Artificial Urgency
Mixed media on canvas
100 × 100 cm
2026

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Staffordshire

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