08/30/2026
I don’t think it’s any secret that I’m pretty passionate about mentorship. I just really wholeheartedly believe that anyone can be successful at a creative career, making art, doing what they love. Even if they don’t know where to start or if they live in Edmonton, Alberta 😅.
A lot of my drive is just remembering how this journey started for me and where I’m now and aggressively wanting to give others the tools to do the same. To build confidence, to find their creative style, to just have fun with it. I posted some previews from the beautiful wedding I captured yesterday and I had some great conversations in my messages about what I did to achieve those images, so here it is!
I shoot with Nikon Z7ii bodies - full frame mirrorless cameras with powerful eye tracking technology. You are not your gear, but every camera has its limitations with certain lighting so that’s important to note!
My precious… bouncing flash. I started doing this only about two years ago and every event or session I do I continue to refine it and play around. Reasons why I love bouncing flash:
1. With your power up on your flash, you can bounce off of most ceilings. I used to think if the ceiling wasn’t white I was hooped. Turns out, I can manage anyway! Most events and weddings I can do this and achieve the same effect.
2. It’s not super bright for your subject (like direct flash is)
3. It evenly lights the subject and surrounding area. I just really ✨love the look of it✨
I could go on and on about shutter and motion blur. 2026 for me has truly been the year of playing around with shutter. I always tell my mentees that shutter speed is like an eye blinking. The faster it blinks, the better it captures motion without blur but the less light it lets in. The slower, more light but more blur. The speed of your shutter and who’s moving, who’s not, how much light there is, is all something no to play around with! It’s so fun, trust me!
I only use this lens for events and weddings, but wow is it my favorite. The farther from the subject and closer you ‘zoom in’ the more depth there is between the subject and the background (hence the crispiness). An aperture of 2.8 with this bad boy