ARRI AUS & NZ

ARRI AUS & NZ ARRI Australia: based in Sydney serving Australia & New Zealand.

“It never got in the way of intimacy or story. It just quietly held the emotion in the frame, so I could stay focused on...
05/06/2026

“It never got in the way of intimacy or story. It just quietly held the emotion in the frame, so I could stay focused on people and moments instead of the image.” - Stephanie Senior, Cinematographer.
For In a Sentimental Mood, director Saskia Glass and cinematographer Stephanie Senior crafted a visual language rooted in intimacy, nuance, and emotional honesty. Pairing the ARRI ALEXA Mini LF with ARRI Signature Primes, Senior was drawn to the camera's natural rendering of skin tones, gentle highlight roll-off, and immersive large-format aesthetic, creating images that felt human, textured, and deeply connected to the story.
Working collaboratively, Glass and Senior developed an approach that embraced proximity, texture, and character. One of Senior's favourite creative elements came through a series of environmental title-card portraits, placing subjects within spaces that reflected their identity and story. The combination of the Mini LF and Signature Primes allowed these moments to feel both intentional and effortless, where camera and creativity worked in complete harmony.
For a documentary centred on jazz, restraint, feeling, and improvisation, the camera became more than a technical tool. As Senior describes it, much like jazz itself, the Mini LF excelled at capturing the spaces between things; timing, texture, imperfection, and the subtle details where emotion truly lives.

Director – Saskia Glass
Cinematographer – Stephanie Senior Stephanie Senior Media
Producer – Aron Attiwell

Film – In a Sentimental Mood
BTS – Lula Armenti

03/06/2026

Meet the All-New ARRI Omnibar
Join us at ARRI Australia HQ for an evening of hands-on demos, practical insights, and a first look at ARRI's new linear LEDs.
Available in both 2ft and 4ft variants, Omnibar combines ARRI's renowned colour science with a versatile form factor designed for everything from film and television productions to content creation and live events.
- Wednesday, 10 June
- From 6:00 PM
- ARRI Australia HQ
Building B, 12 Julius Avenue, North Ryde
Get up close with the fixtures, and chat with the team about where Omnibar fits into your workflow.
And because no launch event is complete without a treat especial, one attendee will head home with a brand-new Omnibar Creator Set.
Come along, have a play with the gear, catch up with fellow filmmakers and technicians, and see what all the fuss is about.

We’ll see you there.

Find the Omnibar kit you need: Whether you choose a Combo or Production Kit with bespoke transport case, Omnibar 2 or Om...
19/05/2026

Find the Omnibar kit you need: Whether you choose a Combo or Production Kit with bespoke transport case, Omnibar 2 or Omnibar 4 Sets, or the Creator Set with premium packaging, you’ll get a suite of accessories that let you flexibly rig and shape your lighting. And if you need to expand your setup, the optics, rigging solutions, cables, and third-party accessories are all available separately.

💡 Learn more at arri.com/omnibar (link in bio).

A big thank you to Kayell Australia for having us along to support two fantastic 1st AC workshop events across Sydney an...
13/05/2026

A big thank you to Kayell Australia for having us along to support two fantastic 1st AC workshop events across Sydney and Melbourne.
It was great to give hands-on with the new SmallHD overlays and the cforce MAX, while hearing real-world insights from Danielle Payne ( ) in Sydney and Sarah Turner () in Melbourne. A huge thanks to both for generously sharing their experience, knowledge, and perspective with everyone in the room.
And of course, thank you to everyone who joined us, we’re looking forward to the next one.

Join us for an exclusive first look and hands on with the ARRI Omnibar with the wonderful people at TecArt, this coming ...
05/05/2026

Join us for an exclusive first look and hands on with the ARRI Omnibar with the wonderful people at TecArt, this coming Thursday the 7th at 6pm; at the TecArt Melbourne showroom.
See you there!

A great evening spent in the company of Australia’s cinematography community.ARRI was pleased to again support the Meet ...
04/05/2026

A great evening spent in the company of Australia’s cinematography community.
ARRI was pleased to again support the Meet the Nominees, an opportunity to bring together peers, collaborators, and emerging and established voices from across the industry ahead of the 56th Annual Australian Cinematographers Society National Awards.
Events like this are a reminder that beyond the finished images, it’s the shared knowledge, conversations, and connections that continue to shape the craft.
Congratulations to all nominees and winners, your work continues to set a remarkable standard for cinematography in Australia.

Thanks to Tom from for the photos!

Ultimate power and speed.The new cforce MAX available now in Australia & New Zealand, contact ARRI Australia or your loc...
30/04/2026

Ultimate power and speed.
The new cforce MAX available now in Australia & New Zealand, contact ARRI Australia or your local ECS dealer for more information.

More information found in the link in our bio!

“…allowing me to visually express the story the way I felt was right.”  Luke O’Donnell – Director of Photography For thi...
27/04/2026

“…allowing me to visually express the story the way I felt was right.” Luke O’Donnell – Director of Photography
For this project, Luke O’Donnell chose the ARRI ALEXA Mini for its reliability, compact form factor and consistent image quality. Paired with the Panavision T Series, the setup balanced softness and sharpness to create a stylised look that supported the story.
Despite a minimal lighting package, the camera’s colour fidelity and dynamic range held strong across shadows and highlights, while its lightweight build enabled fluid handheld operation in tight spaces.
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The Team:
Director - Mikaela Franco
Writers - Jasmine Sarkis & Melanie Brosnan
Producer - Ethan Bourke
DOP - Luke O’Donnell
Camera Team:
1st ACs - Michael Leung , Daniel Abbot , Callum Duddington , Clara Wong
2nd ACs - Jenna Coghill & Alec Tanner
Steadicam - Matt Floyd
Gaffers - Gaffers - Will Bush , Sam Vasta & Kyan Paltoft
+ many more talented crew members
Cast:
Jasmine Sarkis
Melanie Brosnan
Nyasha Ogden
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Shot on ARRI ALEXA Mini with Panavision T + G Series lenses
Courtesy of Panavision Sydney

ARRI has recently announced new software updates for its ALEXA 35 Live camera and Live Production System LPS-1 that sign...
24/04/2026

ARRI has recently announced new software updates for its ALEXA 35 Live camera and Live Production System LPS-1 that significantly enhance the functionality and ease of integration of the ARRI Multicam System. The many new features enabled by ALEXA 35 SUP 6.0 and LPS-1 SUP 1.3 will be used at the 2026 Eurovision Song Contest in May, which ARRI is servicing with multiple ALEXA 35 Live camera systems in partnership with Riedel Communications.

Check out arri.com/alexa35live to learn more about the camera or arri.com/sups to download the SUPs.

“For this project I wanted to utilise the Open Gate recording format to really gives the audience a sense of presence wh...
21/01/2026

“For this project I wanted to utilise the Open Gate recording format to really gives the audience a sense of presence when watching the short film. Having this paired with the ARRI colour science heightened the visual style of this story - allowing us to take it even further.” – Joshua Ortiguerra
Joshua (Tigue) Ortiguerra opened the scene using the full height of the ALEXA Mini LF, leaning into large-format scale and ARRI color science to shape Third Eye.

Third Eye
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Written and Directed: Dylan Mangunay ,Esky Escandor .esk
Production Company: Kapwa
Executive Producer: Robertino Zambrano
Producer: Dulce Aguilar .with.dulceamor
Director of Photography: Joshua Ortiguerra
Creative Producer: Scarlet Aguilar
1st AD: Emma Pittman .pittman

Ari: Rachel Seeto
Benny: Grant Perez
Monster: Ruscel Escandor
Mother: Happy Ferraren
Father: Esky Escandor .esk
Young Benny: Ryder Aguilar
Young Ari: Eva Aguilar

Script Supervisor: Alyssa Dimarucut
Production Assistant: Marybeth Escandor
Production Assistant: Cielo Escandor
Production Assistant: Henry Escandor
Production Assistant: Ethan Escandor
1AC: Christine Anderson
1AC: Jesse Campos
2AC: Victoria Zhu .zhh
Editor: Dave Anlezark

Gaffer: Oscar Dewis
Best Boy: Jay Truong Dinh
Best Boy: Patrick Lenzner

Gaffer: Deniz Celik
Best Boy: Patrick Lenzner
Gaffer Assistant: Sergio “Stretch” Yeng-Tung

Sound Recordist: Jerome Reinoso
Costume Designer: Wasiela Noor
Production Designer: Anousheh Sheikh .ns
Art Department Assistant: Mollika Prak
Hair & Make Up Artist: Kim Audrey Garcia
Hair & Make Up Artist: Paige Douglas

CG/VFX: Kyla Bosque
Colourist: Joshua Ortiguerra
Sound Engineer: Jerome Reinoso
Soundtrack Composition: Wytchings
BTS: Jimmy Imperial
BTS: Robertino Zambrano
Rental House:

Address

Suite 2, Building B, 12 Julius Avenue
North Ryde, NSW
2113

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm

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