Mark O'Halleron Photography

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I do love a church ironically...
12/07/2023

I do love a church ironically...

'The Professionals' (as I've heard them be called) Taken on the last day of the 2022 grape harvest.Romanian 'itinerant' ...
15/01/2023

'The Professionals' (as I've heard them be called)

Taken on the last day of the 2022 grape harvest.

Romanian 'itinerant' workers who are undisputedly one of the workhorse foundations of the often glossy customer-facing English wine scene, and who burn through vineyards harvesting grapes, supplemented by keen, local volunteers.

Must admit I was almost entirely ignorant of their importance until a few years ago. Brexit (still a thing) massively impacted their availability to our vineyards, and so did Covid.

I am, however, aware of the crucial role immigrants, temporary or otherwise, play in harvests throughout the British Isles and Europe.
























So, over 6,000 images from around the world were submitted for the Royal Photographic Society's International Photograph...
09/12/2022

So, over 6,000 images from around the world were submitted for the Royal Photographic Society's International Photographic Exhibition 164.

I would have gone home more than happy having made the shortlist. So to be in the final selection of 40 photographers and have four images from my Still Waters project selected is beyond special.

And it is the project/subject which has done the legwork here, and clearly and unsurprisingly resonates.

It investigates the disposal of raw sewage into our rivers and seas, and the work took root over a year ago, before it entered the wider public consciousness, but when it was still known as a scandalous issue by many others well before I became aware.

Worthing Open Artists trail has kicked off. This weekend and next, find me and at 56 Upper Brighton Road, Venue #2...
26/11/2022

Worthing Open Artists trail has kicked off. This weekend and next, find me and at 56 Upper Brighton Road, Venue #25





Oh-so lovely to have one of my images, 'Fittleworth' (River Rother) fmake the cut for Photo Fringe 2022.The image is tak...
04/10/2022

Oh-so lovely to have one of my images, 'Fittleworth' (River Rother) fmake the cut for Photo Fringe 2022.

The image is taken from my series 'Still Waters' which investigates raw sewage disposal.

theme this year poses the question of how to imagine a greener, brighter, fairer world and runs from 6-30 October, although my contribution is part of a six-month installation on Worthing seafront, to be hammered by the elements, which seems appropriate...






















'The Night Manager'My portrait of Night-shift Supervisor, Jack Manikin.The intention was to create an. Image that would...
27/02/2022

'The Night Manager'

My portrait of Night-shift Supervisor, Jack Manikin.

The intention was to create an. Image that would stand slightly apart from the portraits of winemakers we often see.

I worked for a pretty well-known wine magazine for several years, so have seen my fair share of photographs featuring winemakers gazing wistfully into tasting glasses.

I am myself often guilty of slipping into convention (and more than happy to), but we went down a different road this time.

Credit to Ridgeview and Jack for running with the idea, for while it was fully formed and good to go in my head, to them it perhaps seemed slightly on the hoof...

The Return of Zodo In a slightly different (undrinkable) guise.I like to experiment, throw ideas around and have a gener...
28/01/2022

The Return of Zodo

In a slightly different (undrinkable) guise.

I like to experiment, throw ideas around and have a general whirl, which is different from my other work.

This is Zodo.

Deliberately oxidised then heated to dissipate and slow the formation of bubbles which ocuurs when I then freeze it.

Shot macro and back-lit with LED lights. Champagne Lolly time.































It was a quiet evening, so reached for my 'studio lights' and fetchingly liveried Zodo.I first met Dermot back in the d...
22/01/2022

It was a quiet evening, so reached for my 'studio lights' and fetchingly liveried Zodo.

I first met Dermot back in the dawns of time (early 2000s),when he was doing his thing at and I was working for a London merchant, and he bottled, just for us, a few Nebuchadnezzars which we duly picked up in a white transit van.

Zodo is ZerO DOsage, but one of those exquisitely balanced numbers where the 'sans sucre' aspect passes you by; indeed it's one of those numbers where it's recommended you ditch the analysis and just indulge. He's done alright...






























Cyanotype print (on photographic paper) of Highdown, Saxon burial ground in West Sussex.£35 unframed but mounted £55 fra...
05/12/2021

Cyanotype print (on photographic paper) of Highdown, Saxon burial ground in West Sussex.

£35 unframed but mounted
£55 framed (Nielsen matt black aluminium glass-fronted frame)

Excluding p&p which is calculated at cost.

DM for details or questions.



















Super-delighted that my body of work & virtual exhibition 'The In Between' has managed to elbow itself in alongside som...
09/11/2021

Super-delighted that my body of work & virtual exhibition 'The In Between' has managed to elbow itself in alongside some wonderful images and be selected as part of the British Journal of Photography's 'Edition 365' online exhibition.

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