Diggles Photography

Diggles Photography Photographer located in Colorado. Available for local projects and travel assignments throughout North America.

Part 7 of my Medium Format Magazine article - Investing in Your Evolution as an Architectural Photographer Closing"The w...
06/09/2026

Part 7 of my Medium Format Magazine article - Investing in Your Evolution as an Architectural Photographer

Closing
"The workshops and mentoring sessions each revealed critical aspects of architectural photography. These learning investments have compounded over time into better client work, stronger personal projects, and a more confident professional approach.

The investment never stops. Each workshop, each self-assigned project, and each client commission builds on the last. Photography, like architecture itself, is a practice that never reaches completion. Architects continuously refine their craft; it feels natural that I should do the same."

Colorado School of Mines - Golden, Colorado
Image 1 made with FUJIFILM GFX100II
Image 2 made with Hasselblad CFV 100C

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Part 6 of my Medium Format Magazine article - Investing in Your Evolution as an Architectural Photographer Independent P...
06/02/2026

Part 6 of my Medium Format Magazine article - Investing in Your Evolution as an Architectural Photographer

Independent Practice
"The workshops gave me tools I could apply to client work. I also wanted to synthesize everything through personal projects. Photographing architecture purely for the love of it allowed me to pursue the type of work I want to engage with long term.

One of my early self-assigned projects was photographing the Southeast Wyoming Welcome Center. The architecture was striking, and I wanted to practice what I'd been learning while exploring a larger civic structure. That project helped me understand institutional architecture and shaped future commissions.

The UCSD series continued that trajectory. Photographing Geisel Library and other campus buildings gave me the opportunity to work with a scale and typology that I do not have access to near home. It reinforced the importance of observation, timing, and disciplined composition.

On a recent family trip to Norway, I brought my gear to photograph the country's incredible architecture. I photographed the Oslo Opera House, the Akrobaten pedestrian bridge, the interior of Nidaros Cathedral, and architectural rest stops along the Norwegian Scenic Route Hardanger. These structures represent a high level of design intent within very different contexts, from everyday infrastructure like bridges and rest stops to cultural landmarks. The work was purely for the joy of exploration and an exercise in understanding how architecture shapes both practical experience and cultural identity.

Recognition from the Architectural MasterPrize awards for several of these projects was gratifying, but what matters more is the experience of engaging with buildings that represent excellence in design, whether celebrated regionally or studied globally."

Image: Nidaros Cathedral - Trondheim, Norway - made with Hasselblad CFV 100C

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Part 5 of my Medium Format Magazine article - Investing in Your Evolution as an Architectural Photographer Refinement: N...
05/26/2026

Part 5 of my Medium Format Magazine article - Investing in Your Evolution as an Architectural Photographer

Refinement: Natural Ex*****on
"With two successful workshops behind me, I was eager to keep learning. In an effort to become a more versatile photographer, I wanted to expand my lighting techniques.

I admire how Stephen Karlisch () achieves realistic lighting with strobes. Stephen's approach centers on creating lighting that looks natural rather than obviously lit. His in-person workshops always sold out before I could sign up, so when he offered an online course, I took it.

To get that realistic look, I learned to work with larger diffusion tools such as Scrim Jims to shape strobe output until it resembled daylight. I also learned about subtracting light when necessary by using black fabric to block reflections or prevent spill from contaminating adjacent areas. When possible, I began aiming to resolve as much as I could in camera rather than layering numerous exposures in post-production.

On a recent residential commission for a lighting designer, the goal was to capture a dining space that felt bright and open while preserving the warmth of the interior fixtures. I positioned one large diffusion frame to introduce soft, directional light across the primary seating area and a second in an adjacent room to gently illuminate a background hallway. The result was a balanced, single exposure that maintained the atmosphere I was looking for."

Image: Scrim Jims - Timnath, Colorado - made with FUJIFILM GFX100II

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Part 4 of my Medium Format Magazine article - Investing in Your Evolution as an Architectural Photographer Observation: ...
05/19/2026

Part 4 of my Medium Format Magazine article - Investing in Your Evolution as an Architectural Photographer

Observation: Slowing Down
"More looking, less clicking. That deceptively simple principle from Nick's workshop reshaped my approach. The idea was not about shooting less, but about understanding a space before committing it to a frame: walking a site without a camera, studying how light moves across surfaces, identifying the strongest vantage points, and determining the right time of day for each room.

Behind that practice was a deeper framework. Nick described strong architectural photography as the merging of three elements: the subject itself, the formal characteristics of the composition, and the photographer’s interpretive point of view. That framework is about understanding visual perception and organizing it into something coherent. Unlike human vision, which pieces together small moments, a photograph must represent the whole moment at once.

These concepts affected how I interact with clients. Whenever possible, I walk a project with the architect or designer before shooting. We talk through how the space is meant to be experienced. Where does movement happen? Which elements carry the most weight? What do they want the images to communicate? Those conversations influence not only what I photograph, but when and how.

Shortly after that workshop, I joined my wife on a business trip to San Diego and turned the trip into a self-assigned architectural study. I spent time on the UCSD campus photographing Geisel Library and several surrounding institutional buildings. That self-assigned work paid off directly. One of my favorite clients later told me the UCSD imagery in my portfolio was the deciding factor when they were looking for a photographer. That relationship has led to many more commissions."

Image: More looking, less clicking - Algodones Power Plant, New Mexico - made with Cambo WRS1600

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Part 4 of my Medium Format Magazine article: Investing in Your Evolution as an Architectural PhotographerConstruction: I...
05/12/2026

Part 4 of my Medium Format Magazine article: Investing in Your Evolution as an Architectural Photographer

Construction: Intentional Light
"When I learned about Barry Grossman's workshop () through Capture Integration, his images immediately stood out. His work was exceptional, and I wanted to learn his approach to building dramatic images.

Barry's philosophy centers on using professional lighting to create drama and building the final image through deliberate light placement and layered exposures.

I had used multiple exposures with flash before, but his approach helped me reframe my process. Instead of spray-and-pray, each strobe placement became purposeful, contributing to a clearly defined outcome. To internalize this approach, I practiced at home, photographing different rooms and refining how each light source shaped the scene. Over time, that structure made my workflow more repeatable and consistent.

On a recent shoot, I had a boardroom to photograph on an overcast day. The centerpiece of the room—a blue velvet linear chandelier—seemed lifeless. By applying these techniques, I revealed the texture and vibrant color the designer intended.

The workshop had given me tools and workflow to help elevate my skills, and I was eager to keep learning. To keep the momentum going, when Santa Fe Workshops offered a session with Nick Merrick (), I signed up immediately."

Image: Constructed light - Aurora, Colorado - Image made with Arca Swiss Pico

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Part 3 of my Medium Format Magazine article: Investing in Your Evolution as an Architectural Photographer Foundation: Te...
05/05/2026

Part 3 of my Medium Format Magazine article: Investing in Your Evolution as an Architectural Photographer

Foundation: Technical Control
"I spent months studying work I admired, trying to deconstruct what made certain architectural photographs successful. Progress came, but slowly. I realized observation alone wouldn’t get me where I wanted to go. I needed more structured help.

I discovered online tutorials by Barry McKenzie () that broke down advanced lighting and post-processing. When I learned he offered one-to-one mentoring, I signed up. Welcome to the future - I could learn directly from someone whose work I admired.

That first session changed everything. In a few hours, I learned more than in months on my own. We worked through precise methods for neutralizing color casts, isolating elements for targeted corrections, and using blending modes to create consistent color across a shoot. These weren't stylistic tricks, they were workflow decisions that made me more efficient and reliable.

After doing a site visit with an architect, I then scheduled another one-to-one mentoring session with Barry. We reviewed the scenes and discussed lighting challenges. That preparation changed how I approached the work. Instead of reacting to problems on-site, I arrived ready. The resulting images remain some of my strongest work.

Establishing this foundation was less about transformation and more about control. Architectural photography demands consistency across multiple rooms, materials, and lighting conditions. Developing a disciplined workflow created a base everything else could build on."

Image: Windcliff - Estes Park, Colorado - made with FUJIFILM GFX100S

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Part 2 of my Medium Format Magazine article: Investing in Your Evolution as an Architectural Photographer "My relationsh...
04/28/2026

Part 2 of my Medium Format Magazine article: Investing in Your Evolution as an Architectural Photographer

"My relationship with photography began in high school, then in the early 1990s working alongside my father in our photo labs. We processed film and made prints in that chemical-scented world of darkrooms and enlargers. My professional path later shifted into marketing and graphic design, but the discipline of photography never left. In 2020, when the pace of the world slowed down, I returned to photography with renewed focus. This time I committed to architecture and interiors as a long-term direction rather than an occasional assignment.

What changed was not enthusiasm, but intentional investment in professional growth. Instead of relying solely on experience, I sought structured improvement through mentoring, workshops, and deliberate practice. Each layer added clarity: stronger color control, more intentional lighting, deeper observation, and refined ex*****on. Over time, those investments began to compound, shaping not only the images themselves but the way I approach every project."

Image 1: Interior Design - Fort Collins, Colorado - made with FUJIFILM GFX100II
Image 2: Interior Design - Timnath, Colorado - made with FUJIFILM GFX100II

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Part 1 of my article: Investing in Your Evolution as an Architectural Photographer "What draws me to architectural phot...
04/21/2026

Part 1 of my article: Investing in Your Evolution as an Architectural Photographer
"What draws me to architectural photography is the search for order within complexity. The challenge is to distill elements into a cohesive image. This means working with light and form while deciding what to exclude from the frame. That same pull first drew me to landscape photography years ago.

Architecture adds another dimension. It is art with consequence. A building must function, serve a community, and endure. Conversations with architects often reveal the constraints, compromises, and problem-solving embedded in the finished form. When I photograph architecture, I'm not only responding to shape and light but also engaging with the decisions behind the design."

Image: Oslo Opera House - Oslo, Norway - made with Hasselblad CFV 100C

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The March issue of Medium Format Magazine is out and I'm honored to be part of it. Sharing pages with incredible photogr...
04/14/2026

The March issue of Medium Format Magazine is out and I'm honored to be part of it.

Sharing pages with incredible photographers , , .yanovski, , and an interview with .joh.
My article is about the long game - how intentional learning compounds over time into better work. I write about early mentoring with , workshops with , , and that each shifted how I see and work with light, and why self-assigned projects like photographing Geisel Library and Norway's architecture keep me learning. The investment never really stops, and that's what makes it rewarding.

If you love incredible photography, Medium Format delivers every issue. Download or subscribe at mediumformat.com.

Stay tuned over the next few weeks for some snippets from my article.

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04/07/2026

Over the last few months we've been photographing the feature cover stories for Timnath Neighbors magazine and for the January issue they ran a story on Diggles Photography. Thank you to Best Version Media for the opportunity, and the story!

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Windsor, CO
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