Jason Bump Photography

Jason Bump Photography Jason Bump is an award winning Photographer / Creative Director based in sunny San Diego, California.

Shot this in a portable studio I set up on location during the video production. brought the diamond grill to set entir...
05/08/2026

Shot this in a portable studio I set up on location during the video production. brought the diamond grill to set entirely on his own — I did not ask for it. Thats the shot.

The best thing a photographer can do is stay ready when an athlete decides to have fun. The brief gets you 80% of the way. The other 20% walks in wearing a grill and pointing at the camera.

Shot for

The NMD R1.V2 Japan Pack is built around the Shibuya Crossing — that insane intersection in downtown Tokyo where thousan...
05/06/2026

The NMD R1.V2 Japan Pack is built around the Shibuya Crossing — that insane intersection in downtown Tokyo where thousands of people cross from every direction at once. Hence: Sneaker Crossing.

For the product shot, I photographed the shoes in studio and composited them onto a background plate I shot on the street, specifically for the crosswalk lines. The shoes earned a concept. The image just needed to honor it.

Shot for

Back to school campaigns dont usually involve an NFL safety, Japanese streetwear, and a shoe designed around one of the ...
05/04/2026

Back to school campaigns dont usually involve an NFL safety, Japanese streetwear, and a shoe designed around one of the most photographed intersections on earth. This one did.

showed up with more energy than I could have asked for — and a few ideas of his own that made the day better. Thats when shoots get fun. When the subject is as invested in the creative as you are.

Shot for

Closing out the throwback with this hero shot.The product promises focus. I was mostly focused on not getting lens flar...
05/01/2026

Closing out the throwback with this hero shot.

The product promises focus. I was mostly focused on not getting lens flare.

Still thinking about this one for .No face in the frame. She was busy clearing the fog thanks to elevate.
04/29/2026

Still thinking about this one for .

No face in the frame. She was busy clearing the fog thanks to elevate.

Throwback shot for , makers of a nootropic called, elevate.The brief said "elevate." We took this one literally. Sometim...
04/27/2026

Throwback shot for , makers of a nootropic called, elevate.

The brief said "elevate." We took this one literally. Sometimes that's all you need to do.

If the morning shot is about potential energy, this one is about permission to stop.Wine. Cheese. A book you'll read thr...
04/10/2026

If the morning shot is about potential energy, this one is about permission to stop.

Wine. Cheese. A book you'll read three pages of before your eyes get heavy. That's not an accident — it's a very specific kind of evening that "drift deeply" is trying to live inside. The whole Avantera series was built on one idea: photograph the ritual, and let the product exist inside it rather than in front of it. The supplement isn't the hero. The feeling is.

Over the past week I've posted three shots. Morning to night. One brand story told through props, surfaces, and the kind of lighting that makes you want to be wherever this table is.

Shot for Avantera

Two surfaces. Two textures. Two completely different moods — in one frame.This was the shot where the concept either wor...
04/08/2026

Two surfaces. Two textures. Two completely different moods — in one frame.

This was the shot where the concept either worked or fell apart. Avantera makes a morning supplement and an evening supplement, and the ask was to show both without it feeling like a catalog spread. So instead of shooting them side by side on the same table like reasonable people, I split the world in half. Marble and bright for the morning. Dark wood and warm for the night. Getting the two surfaces to feel like they belonged in the same frame without competing was the kind of problem that sounds simple until you're an hour deep in micro-adjustments nobody will consciously notice — which is exactly how the best styling decisions work.

Shot for Avantera

The brief was deceptively simple — make a supplement feel like a moment, not a purchase.That's the thing about product p...
04/06/2026

The brief was deceptively simple — make a supplement feel like a moment, not a purchase.

That's the thing about product photography for wellness brands. You're not really shooting the product. You're shooting the version of someone's day where they actually have their life together. The granola isn't soggy. The tea is still steeping. The journal is sitting there waiting for something worth writing down.

Every prop in this frame exists because of one question: what does "clear the fog" look like before 8am? That's it. That's the whole creative brief translated into objects.

Shot for

Here's the thing about jump shots — you either get it or you spend the rest of the day chasing it. We got it on the thir...
03/27/2026

Here's the thing about jump shots — you either get it or you spend the rest of the day chasing it. We got it on the third take. Or maybe it was the fifth? Sand flying, every limb fully committed, four cans somehow still in frame.

This whole Gleem series was a reminder that the best shoots happen when the energy is real. All natural ingredients in the can, all natural chaos behind the camera. A full day across San Diego with a crew that brought it at every single spot — and you can feel it in the work.

Sometimes the move is just finding the right people and getting out of the way.

Shot for Gleem

Address

1101 Stratton Drive
Vista, CA
92083

Telephone

+17604337749

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