21/07/2026
For years, I believed I had to fit into one category. I wasn’t simply a photographer, I was a humanitarian photographer.
Then I started recording audio to add another layer to the stories. Filmmaking came next. Before I knew it, I was creating across an entire spectrum and realizing that every new medium was making me a better storyteller.
One of those unexpected paths became wildlife photography and filmmaking. For a long time, I felt insecure about the big lenses I didn’t own and believed people were the only stories my camera and I were meant to tell.
But I began to realize there were remarkable similarities in spending time with any subject, whether human or animal. Both require patience. Both require observation. Both ask you to anticipate the moment... and sometimes neither does exactly what you’d hoped.
Ultimately, I believe conservation stories are human stories. You can’t have one without the other. Over the last six years, conservation assignments have shaped my wildlife work into something I once believed wasn’t meant for me.
So here’s a leopard I photographed on assignment for moments before she decided to jump out of the tree at the “wrong” angle.