Iskra Fine Art

Iskra Fine Art Mixed media and contemporary print arts from Iskra Johnson.

First glimpse of the Nucor Steel Plant. Probably the most amazing photo shoot I have ever been on. It will take me month...
04/25/2026

First glimpse of the Nucor Steel Plant. Probably the most amazing photo shoot I have ever been on. It will take me months to know what to do with the hundreds of images from this amazing day. Thank you Seattle plein air painters for this rare opportunity. Thank God we had dedicated minders to keep us from falling off the stairs and to help us adjust to the three layers of gear, hard hat, ear coverings, goggles, vest (hint: you need all of them!)

I just got a delivery of the black frames and I like them very much. Here’s the first one in place, framed flexibly so y...
04/21/2026

I just got a delivery of the black frames and I like them very much. Here’s the first one in place, framed flexibly so you can pop the art out if you don’t want a frame. I heart Velcro. Thank you so much to everyone who gave me advice through messages and other ways regarding pricing. Taking it all into account and will be using a linear inch model. Stay tuned for more.

Thoughts about pricing, value and craft:  I am having so much fun today in my little affordable art fair factory framing...
04/18/2026

Thoughts about pricing, value and craft:
 
I am having so much fun today in my little affordable art fair factory framing my miniatures. Over the years I’ve been very fortunate to have pieces collected by the City of Seattle, and I love the title of the collection: Portable Works.
These Littles are definitely portable works. It’s art that could be put in your pocket and carried on a journey. Placed beside the alarm click and the Bible in your hotel room. Wrapped in waxed paper in your backpack and protected by a peanut butter sandwich. I think Tolkein’s Hobbit would have several.
 
Then we get to pricing. Which system to use—?  Emotion, attachment, logic, the Quora comment section where everybody knows the value and it’s either more or less than you can bear?
 
Most of these 4” pieces will be framed in exquisite little float frames. My galleries would say everything 4 inches has to be the same price. They’ll say use a ruler and inflexible logic and base your pricing on square inch. The artist says “Yes, but it took me three days to get the petals right on this drawing of a flower and a drawing takes five times as long as it takes me to do an abstract landscape. It’s not the same!” The poet says, at 1 o’clock in the morning as the landscape is emerging, “Isn’t this just like the view of Wyoming from the bubble car on that first amazing train trip across the country when you were 16 and sleeping sitting up?” So you have to ask, what is the value of Wyoming for the first time? Furthermore, what is the inflation value of memory when AI is taking all of our memories and baking them into a pie controlled by five corporations  and selling us back our own lives as advertising? (Continued In comments, follow Spotlightnorth.studiotour for the latest on the upcoming show!)

04/16/2026

Waking up. I dream of England and it keeps me sane.

I am excited to announce that Spotlight North 2026 is coming mid May, the weekend of the 16th and 17th and I hope to see...
04/14/2026

I am excited to announce that Spotlight North 2026 is coming mid May, the weekend of the 16th and 17th and I hope to see you there! You can see a visual of my newsletter here in the carousel or click the first link in bio for more details in your browser. This event is a wonderful opportunity to meet Seattle’s North End artists in their own studios. Each individual studio will be open from noon until five. The map will be on the website and on Instagram in May. You can follow us .studiotour.

Thank you judges! I just received word that “Beachcombers in Golden Light” has been accepted by 4 Culture for its perman...
04/07/2026

Thank you judges! I just received word that “Beachcombers in Golden Light” has been accepted by 4 Culture for its permanent King County art collection. This piece is part of an important series for me, the only figurative work I have done, which emerged out of seeing the Monet exhibit at the art museum during pandemic. Some excerpts from the essay on my website below and in comments:

How hard it is to see a famous painter’s work freshly when it is reproduced on coffee coasters and umbrellas and shopping bags stretching out into infinity. I associate Monet with product, with an endless funnel of pink and white lilies and blue haystacks, and I have not looked at his work live in a museum in decades. Stepping into the intimate darkness of the SAM show was a revelation. Much of the exhibit is about context and history, and this sets the stage for the burst of color in Monet’s work that greets you at the end. Early impressionists were also collectors of photography, and the exhibit begins with a series of photographs that show the beginnings of influence between the mediums. The tiny albumen silver prints by Louise-Alphonse Davanne are mesmerizing. These images have an uncanny power relative to their size, and they transported me instantly into the middle 1800’s. I felt like I could smell the air and feel the sand of Étretat under my feet. At the same time the juxtaposition of the capstans with the cliff seemed completely contemporary, (and directly connected to my own obsessions with industrial structures, a comforting through-line across the centuries.)

It is a beautiful Easter Sunday. Sending peace and light from my studio to yours.
04/05/2026

It is a beautiful Easter Sunday. Sending peace and light from my studio to yours.

I’m very curious what title comes to people‘s mind when they see this. I have three others in the series that I’ll be do...
04/02/2026

I’m very curious what title comes to people‘s mind when they see this. I have three others in the series that I’ll be doing this week and offering at the May open studio. I don’t know yet what I will call them. This is the finished drawing from yesterday’s little movie. And for anyone who wants to know the scale, these are the size of life and you could crack one in your frying pan just so. Difficult to photograph accurately without getting artifacts and strange, magenta tints and random smudges that aren’t really there.

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4260 W Marginal Way SW
Seattle, WA
98106

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