Reggie Ballesteros Photography

Reggie Ballesteros Photography Wedding, engagement, and family photographer based in the San Francisco Bay Area.

04/20/2026

Sights and sounds from the track on medium format

When most people think of , they think slow, intentional, methodical shooting. And that’s still a huge part of why I enjoy the system, but I wanted to take the X2D II 100C out to the track to test out the AF-C and subject detection.

Compared to the 907x, it feels faster and more confident on moving subjects. And no, this doesn’t replace timing or technique. You still have to read the scene and anticipate the moment.

And when you’re limited trackside and can’t just move wherever you want, having the crop flexibility from the 100MP sensor is surprisingly helpful.

Images shot on the X2D II 100C with the XCD 90V lens.

03/28/2026

Does your camera have multiple exposure mode?

Trying a different tutorial format: no music, no voiceover, no super fast cuts or fancy transitions. Just the process.

02/16/2026

How do I document my family without drawing attention to me or the camera or distracting from the moment?

I don’t. As a father and husband, my goal is to be present, engaged, and actively participating in the moment. So in actuality, the photos of my family are not 100% camera unaware.

To authentically document the moment, my presence (with camera in-hand) needs to be acknowledged in this process. It is no secret to my kids that “daddy has his camera and is taking pictures of me”. I’d rather have them think that, then think I’m a fly on the wall documenting - someone who isn’t involved in their life or the moment.

I involve my family in the process by explaining to them why I take photos, the important of preserving memories, and always giving them the option to tell me they don’t want to be photographed.

This opens up the possibilities for shared experiences and bonding. I can remain engaged in conversation and shared excitement, my kids can provide direction on what they want to be documented or how they want to appear in front of the camera, and the entire act becomes a memory itself beyond just the photographs. My kids love looking at old photos and telling me what happened in them or asking me more about them if they don’t remember.

My camera facilitates the connection between me and my family rather than acts as a barrier that separates me as a watchful, inactive, bystander.

I’m the husband, dad, uncle, cousin with the camera and I wouldn’t change it for the world.

01/18/2026

I’ve always dreamed of owning a Leica M.

What started as a 19-year-old Filipino kid from the 707 taking a film photo class to hang out with his gf during the summer… turned into a 16 year rollercoaster of journey with photography.

Ngl, I’ve contemplated quitting photography hundreds of times, but I kept going.

Gear isn’t the end goal. But taking a moment to celebrate how far I’ve come and everything that’s had to happen to get to this point 💜

HCB would be proud 🐕

01/12/2026

The photo critique video is up on YouTube! Link is in my bio

Special thanks to for helping me host this photo critique 🙏🏽

Do you want to do more photo critiques? Let me know in the comments 👇🏽

01/10/2026

Manual mode is not the only way - why introduce more friction if you don’t want it.

Here’s my process:

1. Set camera to Aperture priority
2. Set auto ISO with minimum shutter speed of 1/160s for people, 1/60s for still life, and 1/15s for intentional motion blur.
3. Select aperture for desired depth (I typically shoot between f/2.8 to f/5.6 unless I’m trying to get shallow depth of field)
4. Meter the scene and lock AE (autoexposure) - I usually use the standard metering mode (matrix, multi, evaluative, etc.) and sometimes I use highlight weighted metering for high contrast scenes.
5. Adjust exposure compensation to my vision for the scene:
(-) negative exp comp for dark & moody
(+) positive exp comp for a lighter feel

6. Then take the photo 📷
7. You can change compositions and keep the same exposure since the autoexposure is locked

Don’t forget to unlock autoexposure lock when moving to the next scene.

Address

Portola Valley, CA
94028

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