Troy Sherk

Troy Sherk Photographer and photography instructor at Culver Academies.

Back in April, my commute kept taunting me with gorgeous light: morning fog, dramatic skies, that kind of thing, with no...
06/18/2026

Back in April, my commute kept taunting me with gorgeous light: morning fog, dramatic skies, that kind of thing, with no time to stop and no camera in hand. So one late evening, heading back out for evening duties, I grabbed my Kodak Vigilant Six-20, a camera from the 1940s that was a gift from my wife's grandmother Elizabeth Brown, and finished off a roll of Kodak Gold I'd loaded into it.

This was the first modern film I'd run through that camera, and I wasn't totally sure what to expect from something this old. It came out great. Cameras like this don't have a light meter built in, so I used an app to get my exposures, and winding the film means watching for a number show up in a little window on the back. Between uses, mine had wound a bit further than expected, with no way to tell exactly how much, so these two frames overlap slightly along one edge. A small quirk, but it adds to the charm of shooting something this old.

[In the third photo, the camera on the left is the Kodak Vigilant Six-20 I used to take these. The Kodak Brownie on the right, which belonged to my own great-grandmother, has a roll of film in it that I've partially exposed, so hopefully I'll have something to post from that camera once I finish off the roll.]

For the past few years, most of my photography has lived on Instagram. When I stopped taking clients, this page went dor...
06/15/2026

For the past few years, most of my photography has lived on Instagram. When I stopped taking clients, this page went dormant. But that meant a lot of people were missing the work I was actually making. So I'm bringing this page back, just reoriented away from the business side of things. From here on, I'm just going to use it to share photos.

I have a backlog of photos from Instagram I'll be dropping in here from time to time, alongside new photos.

Starting things off with these shots from Kurt Garner's barn, where my wife and I got married almost 14 years ago. I've always loved what the light does in there; the way it streams through the gaps in the west wall is something I'd wanted to capture for a long time. I shot these on motion picture film, which creates that warm red halation glow around the highlights. A tilt-shift lens adds the unusual softness. Together they give the photos a dreamy quality that feels right for that particular place. A less obvious bonus, but one that Kurt himself might appreciate, is that the shift ability of the lens helped me keep the architectural lines of the barn straight.

📷 Canon EOS 650 w/ Canon TS-E 45mm 2.8
🎞️ Candido 400 (Kodak Vision3 film stock)

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Plymouth, IN
46563

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