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___tabula___rasa___ | blank page is all the rage |

Absolutely thrilled to have my photography used in this fun and touching article by Katy Atchison for Broke-Ass Stuart  ...
09/22/2023

Absolutely thrilled to have my photography used in this fun and touching article by Katy Atchison for Broke-Ass Stuart featuring the incredible work and labor of love that is the Moonlight Manor run by artist, costumer, designer, and all around creative impresario, Christina Molcillo and her amazing team of equally talented collaborators (including R.d. Silva!!)

I have been a big admirer of Christina’s work for over 10 years and a long time fan of this space (best haunted house installations EVER!) I’m also inspired by its truly positive impact on the surrounding community. What an absolute joy to see how it is evolving and thriving.

Here’s to many more years of creative success for this house and its wonderful creative stewards!

(And thank you, Katy, for inviting me to be part of this work! πŸ’œ)

The Moonlight Manor is Oakland’s most unique house artistically themed rooms built by a community of talented Bay Area artists. Last week, I had the privilege of touring this space and sitting down with the owner to unveil the fascinating and touching true story behind this exceptional home and ho...

πšƒπš‘πšŽ πš™πš›πšŽπšœπšŽπš—πš πš–πš˜πš–πšŽπš—πš, πš’πš 𝚒𝚘𝚞 πšπš‘πš’πš—πš” πšŠπš‹πš˜πšžπš πš’πš, πš’πšœ πšπš‘πšŽ πš˜πš—πš•πš’ πšπš’πš–πšŽ πšπš‘πšŽπš›πšŽ πš’πšœ. π™½πš˜ πš–πšŠπšπšπšŽπš› πš πš‘πšŠπš πšπš’πš–πšŽ πš’πš πš’πšœ, πš’πš πš’πšœ πšŠπš•πš πšŠπš’πšœ πš—πš˜πš .  #π™ΌπšŠπš›...
05/01/2021

πšƒπš‘πšŽ πš™πš›πšŽπšœπšŽπš—πš πš–πš˜πš–πšŽπš—πš, πš’πš 𝚒𝚘𝚞 πšπš‘πš’πš—πš” πšŠπš‹πš˜πšžπš πš’πš, πš’πšœ πšπš‘πšŽ πš˜πš—πš•πš’ πšπš’πš–πšŽ πšπš‘πšŽπš›πšŽ πš’πšœ. π™½πš˜ πš–πšŠπšπšπšŽπš› πš πš‘πšŠπš πšπš’πš–πšŽ πš’πš πš’πšœ, πš’πš πš’πšœ πšŠπš•πš πšŠπš’πšœ πš—πš˜πš . #π™ΌπšŠπš›πš’πšŠπš—πš—πšŽπš†πš’πš•πš•πš’πšŠπš–πšœπš˜πš—β 
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There's always got to be a balance in photography between setting up a shot and letting the shot come to you. More than anything, I think being a good photographer is about being a good observer, having an openness to the present moment, seeing things happen both before they happen, and imagining how they will turn out after the moment passes.⁠
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A music history professor of mine described our place in temporality as a person walking with their back to the future, facing the past. You can feel the future coming up from behind you like the wind and see it manifest all around you clearly in the present, and as the past recedes away it becomes fuzzier and fuzzier in the distance. I always loved that visual way of describing something we experience every day of our lives.

πšƒπš‘πšŽ πš–πš˜πš–πšŽπš—πš 𝚘𝚏 𝚌 πš‘ 𝚊 πš— 𝚐 𝚎 πš’πšœ πšπš‘πšŽ πš˜πš—πš•πš’ πš™πš˜πšŽπš–.  #π™°πšπš›πš’πšŽπš—πš—πšŽπšπš’πšŒπš‘β ___I've always been very seduced by the idea of destiny. Ther...
04/30/2021

πšƒπš‘πšŽ πš–πš˜πš–πšŽπš—πš 𝚘𝚏 𝚌 πš‘ 𝚊 πš— 𝚐 𝚎 πš’πšœ πšπš‘πšŽ πš˜πš—πš•πš’ πš™πš˜πšŽπš–. #π™°πšπš›πš’πšŽπš—πš—πšŽπšπš’πšŒπš‘β 
___I've always been very seduced by the idea of destiny. There's an uncontrolled, eternal romance to it. It's funny because I appear to most to be the quintessential type-A personality; always making plans and then making contingency plans. ⁠
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And yet, if I'm honest, there's part of me that is quite in love with the chaos of the moment I am in. Like a whirling dervish, I am both singularly focused and in a state of surrender.⁠
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That's what I feel most intensely when I am watching a sunset like this. I have an overwhelming desire to capture the moment, to preserve it, wrap it up in the gauze of memory, and pack it away neatly for some less beautiful future when I will unwrap it like a piece of hard candy and savor it again.⁠
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But then my wandering mind betrays me, and I stop.⁠
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And enjoy it. ⁠
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And I am there with it; this moment. ⁠
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Consuming the sweet, fragile temporality like candy floss on my tongue.

π™ΌπšŠπš—πš’ πš–πšŽπš— 𝚐𝚘 πšπš’πšœπš‘πš’πš—πš πšŠπš•πš• 𝚘𝚏 πšπš‘πšŽπš’πš› πš•πš’πšŸπšŽπšœ πš πš’πšπš‘πš˜πšžπš πš”πš—πš˜πš πš’πš—πš πšπš‘πšŠπš πš’πš πš’πšœ πš—πš˜πš πšπš’πšœπš‘ πšπš‘πšŽπš’ πšŠπš›πšŽ πšŠπšπšπšŽπš›.  #π™·πšŽπš—πš›πš’π™³πšŠπšŸπš’πšπšƒπš‘πš˜πš›πšŽπšŠπšžβ ___I've b...
04/29/2021

π™ΌπšŠπš—πš’ πš–πšŽπš— 𝚐𝚘 πšπš’πšœπš‘πš’πš—πš πšŠπš•πš• 𝚘𝚏 πšπš‘πšŽπš’πš› πš•πš’πšŸπšŽπšœ πš πš’πšπš‘πš˜πšžπš πš”πš—πš˜πš πš’πš—πš πšπš‘πšŠπš πš’πš πš’πšœ πš—πš˜πš πšπš’πšœπš‘ πšπš‘πšŽπš’ πšŠπš›πšŽ πšŠπšπšπšŽπš›. #π™·πšŽπš—πš›πš’π™³πšŠπšŸπš’πšπšƒπš‘πš˜πš›πšŽπšŠπšžβ 
___I've been taking a bit of a pause from posting lately. Life has kept me pretty busy but also I'm still trying to figure out what I'm trying to do here. What are the stories I want to tell with images? Who do I want to connect with? I'm a classic over-thinker. I often get "paralysis by analysis". ⁠
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I've decided to be more intentional with my life, and sometimes that may mean taking my time. It also means, when I do make up my mind, really committing; put my whole self behind my actions.⁠
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Intention is really the intersection of inspiration and commitment. Putting your own stamp of approval on your own life instead of waiting for someone or something else to do it.⁠
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Ironic that I would choose to use a platform that consumes people with seeking the approval of others. An interesting paradox worth exploring. ⁠
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What do you think?

πšƒπš‘πšŽπš›πšŽ'𝚜 𝚊 πš™πšŽπš›πš’πš˜πš 𝚘𝚏 πš•πš’πšπšŽ πš πš‘πšŽπš— 𝚠𝚎 πšœπš πšŠπš•πš•πš˜πš  𝚊 πš”πš—πš˜πš πš•πšŽπšπšπšŽ 𝚘𝚏 πš˜πšžπš›πšœπšŽπš•πšŸπšŽπšœ πšŠπš—πš πš’πš πš‹πšŽπšŒπš˜πš–πšŽπšœ πšŽπš’πšπš‘πšŽπš› 𝚐𝚘𝚘𝚍 πš˜πš› πšœπš˜πšžπš› πš’πš—πšœπš’πšπšŽ.  #π™ΏπšŽπšŠπš›πš•π™±πšŠπš’πš•...
04/29/2021

πšƒπš‘πšŽπš›πšŽ'𝚜 𝚊 πš™πšŽπš›πš’πš˜πš 𝚘𝚏 πš•πš’πšπšŽ πš πš‘πšŽπš— 𝚠𝚎 πšœπš πšŠπš•πš•πš˜πš  𝚊 πš”πš—πš˜πš πš•πšŽπšπšπšŽ 𝚘𝚏 πš˜πšžπš›πšœπšŽπš•πšŸπšŽπšœ πšŠπš—πš πš’πš πš‹πšŽπšŒπš˜πš–πšŽπšœ πšŽπš’πšπš‘πšŽπš› 𝚐𝚘𝚘𝚍 πš˜πš› πšœπš˜πšžπš› πš’πš—πšœπš’πšπšŽ. #π™ΏπšŽπšŠπš›πš•π™±πšŠπš’πš•πšŽπš’β 
___They say when life gives you lemons, make lemonade. And lemons are surprisingly affordable these days. What a surprisingly sweet and sour time to be alive. All that we have been through in the past year, the wilting separation from each other and the brutal closeness with ourselves. I feel like in a year, I have lived only a few weeks and also ten years. Time has a way of collapsing and expanding at will, it's definitely feeling less linear these days!⁠
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But, yesterday I got my first vaccine shot, and slowly I feel my friends coming out from hiding like the Munchkins in Oz -- timidly blinking at the sun, still fearful of that old witch, COVID, but hopeful that maybe, just maybe, she's really good and dead this time. ⁠
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I often think about each year as either an "expansion year" or a "contraction year" - 2020 was certainly one hell of a contraction, and this year I feel somehow more fearless than before, more surefooted about what I'm looking for in life, I feel like branching out.⁠
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How about you? 4 months in, how's 2021 going? Are you feeling the pull of something greater for yourself?

πšƒπš‘πšŽ  𝚠 𝚘 𝚞 πš— 𝚍  πš’πšœ πšπš‘πšŽ πš™πš•πšŠπšŒπšŽ πš πš‘πšŽπš›πšŽ πšπš‘πšŽ  πš• πš’ 𝚐 πš‘ 𝚝  πšŽπš—πšπšŽπš›πšœ 𝚒𝚘𝚞.  #πšπšžπš–πš’
02/28/2021

πšƒπš‘πšŽ 𝚠 𝚘 𝚞 πš— 𝚍 πš’πšœ πšπš‘πšŽ πš™πš•πšŠπšŒπšŽ πš πš‘πšŽπš›πšŽ πšπš‘πšŽ πš• πš’ 𝚐 πš‘ 𝚝 πšŽπš—πšπšŽπš›πšœ 𝚒𝚘𝚞. #πšπšžπš–πš’

π™±πšŽπš’πš˜πš—πš πšπš‘πšŽ 𝚎𝚍𝚐𝚎 𝚘𝚏 πšπš‘πšŽ πš πš˜πš›πš•πš πšπš‘πšŽπš›πšŽβ€™πšœ 𝚊 πšœπš™πšŠπšŒπšŽ πš πš‘πšŽπš›πšŽ πšŽπš–πš™πšπš’πš—πšŽπšœπšœ πšŠπš—πš πšœπšžπš‹πšœπšπšŠπš—πšŒπšŽ πš—πšŽπšŠπšπš•πš’ πš˜πšŸπšŽπš›πš•πšŠπš™, πš πš‘πšŽπš›πšŽ πš™πšŠπšœπš πšŠπš—πš πšπšžπšπšžπš›πšŽ πšπš˜πš›πš– 𝚊 ...
02/27/2021

π™±πšŽπš’πš˜πš—πš πšπš‘πšŽ 𝚎𝚍𝚐𝚎 𝚘𝚏 πšπš‘πšŽ πš πš˜πš›πš•πš πšπš‘πšŽπš›πšŽβ€™πšœ 𝚊 πšœπš™πšŠπšŒπšŽ πš πš‘πšŽπš›πšŽ πšŽπš–πš™πšπš’πš—πšŽπšœπšœ πšŠπš—πš πšœπšžπš‹πšœπšπšŠπš—πšŒπšŽ πš—πšŽπšŠπšπš•πš’ πš˜πšŸπšŽπš›πš•πšŠπš™, πš πš‘πšŽπš›πšŽ πš™πšŠπšœπš πšŠπš—πš πšπšžπšπšžπš›πšŽ πšπš˜πš›πš– 𝚊 πšŒπš˜πš—πšπš’πš—πšžπš˜πšžπšœ, πšŽπš—πšπš•πšŽπšœπšœ πš•πš˜πš˜πš™. π™°πš—πš, πš‘πš˜πšŸπšŽπš›πš’πš—πš πšŠπš‹πš˜πšžπš, πšπš‘πšŽπš›πšŽ πšŠπš›πšŽ πšœπš’πšπš—πšœ πš—πš˜ πš˜πš—πšŽ πš‘πšŠπšœ πšŽπšŸπšŽπš› πš›πšŽπšŠπš, πšŒπš‘πš˜πš›πšπšœ πš—πš˜ πš˜πš—πšŽ πš‘πšŠπšœ πšŽπšŸπšŽπš› πš‘πšŽπšŠπš›πš. #π™·πšŠπš›πšžπš”πš’π™Όπšžπš›πšŠπš”πšŠπš–πš’β 
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Last weekend, I took a day trip out to the adorable town of that feels like it is frozen in time around 1960. Originally a whaling outpost, it sits at the picturesque convergence of the (more photos of that to come) and the Pacific Ocean. ⁠
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As a big branding/typeface nerd, I was delighted by all of the handpainted signs throughout the town. There's a level of art in advertising that you just don't get with images created on a computer. There's a piece of the person who painted a sign lovingly embedded in each brush stroke.⁠
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➑️ scroll through the carousel to see some more examples of Moss Landing's typographical character!

π™»πš’πšπšŽ πšœπš‘πš›πš’πš—πš”πšœ πš˜πš›  𝚎 𝚑 πš™ 𝚊 πš— 𝚍 𝚜  πš’πš— πš™πš›πš˜πš™πš˜πš›πšπš’πš˜πš— 𝚝𝚘 πš˜πš—πšŽβ€™πšœ  𝚌 𝚘 𝚞 πš› 𝚊 𝚐 𝚎 .  #π™°πš—πšŠπš’πšœπ™½πš’πš—                                      ...
02/26/2021

π™»πš’πšπšŽ πšœπš‘πš›πš’πš—πš”πšœ πš˜πš› 𝚎 𝚑 πš™ 𝚊 πš— 𝚍 𝚜 πš’πš— πš™πš›πš˜πš™πš˜πš›πšπš’πš˜πš— 𝚝𝚘 πš˜πš—πšŽβ€™πšœ 𝚌 𝚘 𝚞 πš› 𝚊 𝚐 𝚎 . #π™°πš—πšŠπš’πšœπ™½πš’πš—
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π™·πš˜πš  πš–πšžπšŒπš‘ πš‹πšŽπšπšπšŽπš› πš’πšœ 𝚜 πš’ πš• 𝚎 πš— 𝚌 𝚎 ; πšπš‘πšŽ 𝚌𝚘𝚏𝚏𝚎𝚎 πšŒπšžπš™, πšπš‘πšŽ πšπšŠπš‹πš•πšŽ. π™·πš˜πš  πš–πšžπšŒπš‘ πš‹πšŽπšπšπšŽπš› 𝚝𝚘 πšœπš’πš πš‹πš’ πš–πš’πšœπšŽπš•πš πš•πš’πš”πšŽ πšπš‘πšŽ πšœπš˜πš•πš’πšπšŠπš›πš’ 𝚜𝚎𝚊-πš‹πš’πš›...
02/24/2021

π™·πš˜πš  πš–πšžπšŒπš‘ πš‹πšŽπšπšπšŽπš› πš’πšœ 𝚜 πš’ πš• 𝚎 πš— 𝚌 𝚎 ; πšπš‘πšŽ 𝚌𝚘𝚏𝚏𝚎𝚎 πšŒπšžπš™, πšπš‘πšŽ πšπšŠπš‹πš•πšŽ. π™·πš˜πš  πš–πšžπšŒπš‘ πš‹πšŽπšπšπšŽπš› 𝚝𝚘 πšœπš’πš πš‹πš’ πš–πš’πšœπšŽπš•πš πš•πš’πš”πšŽ πšπš‘πšŽ πšœπš˜πš•πš’πšπšŠπš›πš’ 𝚜𝚎𝚊-πš‹πš’πš›πš πšπš‘πšŠπš πš˜πš™πšŽπš—πšœ πš’πšπšœ πš πš’πš—πšπšœ πš˜πš— πšπš‘πšŽ πšœπšπšŠπš”πšŽ. π™»πšŽπš πš–πšŽ πšœπš’πš πš‘πšŽπš›πšŽ 𝚏 𝚘 πš› 𝚎 𝚟 𝚎 πš› πš πš’πšπš‘ πš‹πšŠπš›πšŽ πšπš‘πš’πš—πšπšœ, πšπš‘πš’πšœ 𝚌𝚘𝚏𝚏𝚎𝚎 πšŒπšžπš™, πšπš‘πš’πšœ πš”πš—πš’πšπšŽ, πšπš‘πš’πšœ πšπš˜πš›πš”, πšπš‘πš’πš—πšπšœ πš’πš— πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ, πš–πš’πšœπšŽπš•πš πš‹πšŽπš’πš—πš πš– 𝚒 𝚜 𝚎 πš• 𝚏 . #πš…πš’πš›πšπš’πš—πš’πšŠπš†πš˜πš˜πš•πš

π™Όπš’ πšπšŽπšŠπš›,β π™Έπš— πšπš‘πšŽ πš–πš’πšπšœπš 𝚘𝚏 πš‘ 𝚊 𝚝 𝚎 , 𝙸 πšπš˜πšžπš—πš πšπš‘πšŽπš›πšŽ 𝚠𝚊𝚜, πš πš’πšπš‘πš’πš— πš–πšŽ, πšŠπš— πš’πš—πšŸπš’πš—πšŒπš’πš‹πš•πšŽ πš• 𝚘 𝚟 𝚎 .β π™Έπš— πšπš‘πšŽ πš–πš’πšπšœπš 𝚘𝚏 𝚝 𝚎 𝚊 πš› 𝚜 , 𝙸 𝚏...
02/23/2021

π™Όπš’ πšπšŽπšŠπš›,⁠
π™Έπš— πšπš‘πšŽ πš–πš’πšπšœπš 𝚘𝚏 πš‘ 𝚊 𝚝 𝚎 , 𝙸 πšπš˜πšžπš—πš πšπš‘πšŽπš›πšŽ 𝚠𝚊𝚜, πš πš’πšπš‘πš’πš— πš–πšŽ, πšŠπš— πš’πš—πšŸπš’πš—πšŒπš’πš‹πš•πšŽ πš• 𝚘 𝚟 𝚎 .⁠
π™Έπš— πšπš‘πšŽ πš–πš’πšπšœπš 𝚘𝚏 𝚝 𝚎 𝚊 πš› 𝚜 , 𝙸 πšπš˜πšžπš—πš πšπš‘πšŽπš›πšŽ 𝚠𝚊𝚜, πš πš’πšπš‘πš’πš— πš–πšŽ, πšŠπš— πš’πš—πšŸπš’πš—πšŒπš’πš‹πš•πšŽ 𝚜 πš– πš’ πš• 𝚎 .⁠
π™Έπš— πšπš‘πšŽ πš–πš’πšπšœπš 𝚘𝚏 𝚌 πš‘ 𝚊 𝚘 𝚜 , 𝙸 πšπš˜πšžπš—πš πšπš‘πšŽπš›πšŽ 𝚠𝚊𝚜, πš πš’πšπš‘πš’πš— πš–πšŽ, πšŠπš— πš’πš—πšŸπš’πš—πšŒπš’πš‹πš•πšŽ 𝚌 𝚊 πš• πš– .⁠
𝙸 πš›πšŽπšŠπš•πš’πš£πšŽπš, πšπš‘πš›πš˜πšžπšπš‘ πš’πš πšŠπš•πš•, πšπš‘πšŠπšβ€¦β 
π™Έπš— πšπš‘πšŽ πš–πš’πšπšœπš 𝚘𝚏 𝚠 πš’ πš— 𝚝 𝚎 πš› , 𝙸 πšπš˜πšžπš—πš πšπš‘πšŽπš›πšŽ 𝚠𝚊𝚜, πš πš’πšπš‘πš’πš— πš–πšŽ, πšŠπš— πš’πš—πšŸπš’πš—πšŒπš’πš‹πš•πšŽ 𝚜 𝚞 πš– πš– 𝚎 πš› .⁠
π™°πš—πš πšπš‘πšŠπš πš–πšŠπš”πšŽπšœ πš–πšŽ πš‘πšŠπš™πš™πš’. π™΅πš˜πš› πš’πš 𝚜𝚊𝚒𝚜 πšπš‘πšŠπš πš—πš˜ πš–πšŠπšπšπšŽπš› πš‘πš˜πš  πš‘πšŠπš›πš πšπš‘πšŽ πš πš˜πš›πš•πš πš™πšžπšœπš‘πšŽπšœ πšŠπšπšŠπš’πš—πšœπš πš–πšŽ, πš πš’πšπš‘πš’πš— πš–πšŽ, πšπš‘πšŽπš›πšŽβ€™πšœ πšœπš˜πš–πšŽπšπš‘πš’πš—πš πšœπšπš›πš˜πš—πšπšŽπš› – πšœπš˜πš–πšŽπšπš‘πš’πš—πš πš‹πšŽπšπšπšŽπš›, πš™πšžπšœπš‘πš’πš—πš πš›πš’πšπš‘πš πš‹πšŠπšŒπš”.⁠
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π™Όπš˜πš— πšŒπš‘πšŽπš›,⁠
π™°πšž πš–πš’πš•πš’πšŽπšž 𝚍𝚎 πš•πšŠ πš‘ 𝚊 πš’ πš— 𝚎 , πš“β€™πšŠπš’ πšπš›πš˜πšžπšŸΓ© πššπšžβ€™πš’πš• 𝚒 πšŠπšŸπšŠπš’πš, πšŽπš— πš–πš˜πš’, πšžπš— 𝚊 πš– 𝚘 𝚞 πš› πš’πš—πšŸπš’πš—πšŒπš’πš‹πš•πšŽ.⁠
π™³πšŠπš—πšœ πš•πšŽ πš–πš’πš•πš’πšŽπšž 𝚍𝚎𝚜 πš• 𝚊 πš› πš– 𝚎 𝚜 , πš“β€™ πšŠπš’ πšπš›πš˜πšžπšŸΓ© πššπšžβ€™πš’πš• 𝚒 πšŠπšŸπšŠπš’πš, πšŽπš— πš–πš˜πš’, πšžπš— 𝚜 𝚘 𝚞 πš› πš’ πš› 𝚎 πš’πš—πšŸπš’πš—πšŒπš’πš‹πš•πšŽ.⁠
π™°πšž πš–πš’πš•πš’πšŽπšž 𝚍𝚞 𝚌 πš‘ 𝚊 𝚘 𝚜 , πš“β€™πšŠπš’ πšπš›πš˜πšžπšŸΓ© πššπšžβ€™πš’πš• 𝚒 πšŠπšŸπšŠπš’πš, πšŽπš— πš–πš˜πš’, πšžπš— 𝚌 𝚊 πš• πš– 𝚎 πš’πš—πšŸπš’πš—πšŒπš’πš‹πš•πšŽ.⁠
π™Ήβ€™πšŠπš’ πš›Γ©πšŠπš•πš’πšœΓ©, Γ  πšπš›πšŠπšŸπšŽπš›πšœ 𝚝𝚘𝚞𝚝 πšŒπšŽπš•πšŠ, 𝚚𝚞𝚎 …⁠
π™°πšž πš–πš’πš•πš’πšŽπšž 𝚍𝚎 πš• ’ πš‘ πš’ 𝚟 𝚎 πš› , πš“β€™πšŠπš’ πšπš›πš˜πšžπšŸΓ© πššπšžβ€™πš’πš• 𝚒 πšŠπšŸπšŠπš’πš, πšŽπš— πš–πš˜πš’, πšžπš— Γ© 𝚝 Γ© πš’πš—πšŸπš’πš—πšŒπš’πš‹πš•πšŽ.⁠
π™΄πš πšŒπšŽπš•πšŠ πš–πšŽ πš›πšŽπš—πš πš‘πšŽπšžπš›πšŽπšžπš‘. π™²πšŠπš› πš’πš• πšπš’πš 𝚚𝚞𝚎 πš™πšŽπšž πš’πš–πš™πš˜πš›πšπšŽ πšŒπš˜πš–πš–πšŽπš—πš πš•πšŽ πš–πš˜πš—πšπšŽ πš™πš˜πšžπšœπšœπšŽ πšŒπš˜πš—πšπš›πšŽ πš–πš˜πš’, πšŽπš— πš–πš˜πš’, πš’πš• 𝚒𝚊 πššπšžπšŽπš•πššπšžπšŽ πšŒπš‘πš˜πšœπšŽ πš™πš•πšžπšœ πšπš˜πš›πš - πššπšžπšŽπš•πššπšžπšŽ πšŒπš‘πš˜πšœπšŽ 𝚍𝚎 πš–πš’πšŽπšžπš‘, πš™πš˜πšžπšœπšœπšŠπš—πš 𝚍𝚎 πš›πšŽπšπš˜πšžπš›. #π™°πš•πš‹πšŽπš›πšπ™²πšŠπš–πšžπšœ

π™Ώπšžπš πš’πš˜πšžπš› 𝚎 𝚊 πš› πšπš˜πš πš— πšŒπš•πš˜πšœπšŽ 𝚝𝚘 πš’πš˜πšžπš› 𝚜 𝚘 𝚞 πš• πšŠπš—πš πš•πš’πšœπšπšŽπš— πš‘ 𝚊 πš› 𝚍 .  #π™°πš—πš—πšŽπš‚πšŽπš‘πšπš˜πš—
02/22/2021

π™Ώπšžπš πš’πš˜πšžπš› 𝚎 𝚊 πš› πšπš˜πš πš— πšŒπš•πš˜πšœπšŽ 𝚝𝚘 πš’πš˜πšžπš› 𝚜 𝚘 𝚞 πš• πšŠπš—πš πš•πš’πšœπšπšŽπš— πš‘ 𝚊 πš› 𝚍 . #π™°πš—πš—πšŽπš‚πšŽπš‘πšπš˜πš—

πšƒπš‘πšŽ πš’πšπšŽπšŠ 𝚘𝚏 𝚠 𝚊 πš’ 𝚝 πš’ πš— 𝚐 πšπš˜πš› πšœπš˜πš–πšŽπšπš‘πš’πš—πš πš–πšŠπš”πšŽπšœ πš’πš πš–πš˜πš›πšŽ 𝚎 𝚑 𝚌 πš’ 𝚝 πš’ πš— 𝚐 .  #π™°πš—πšπš’πš†πšŠπš›πš‘πš˜πš•                                    ...
02/21/2021

πšƒπš‘πšŽ πš’πšπšŽπšŠ 𝚘𝚏 𝚠 𝚊 πš’ 𝚝 πš’ πš— 𝚐 πšπš˜πš› πšœπš˜πš–πšŽπšπš‘πš’πš—πš πš–πšŠπš”πšŽπšœ πš’πš πš–πš˜πš›πšŽ 𝚎 𝚑 𝚌 πš’ 𝚝 πš’ πš— 𝚐 . #π™°πš—πšπš’πš†πšŠπš›πš‘πš˜πš•

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