Frender

Frender 🎞️Post-production services
Your Dreams – Our Hands✨ Visit our website to see full portfolio🎥
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08/19/2026

MTV VMA NOMINATION - Megan Thee Stallion, “LOVER GIRL.”
The video has been nominated for Best Hip-Hop at the 2026 MTV Video Music Awards — and we’re proud to have been part of the team behind it.
Seeing a project we contributed to recognized on the VMA stage is a strong reminder of what great creative collaboration can become.
Huge congratulations to Megan Thee Stallion and everyone who brought LOVER GIRL to life.
VFX by Frender.

MTV VMA NOMINATION — Megan Thee Stallion, “LOVER GIRL.”The video has been nominated for Best Hip-Hop at the 2026 MTV Vid...
08/19/2026

MTV VMA NOMINATION — Megan Thee Stallion, “LOVER GIRL.”
The video has been nominated for Best Hip-Hop at the 2026 MTV Video Music Awards — and we’re proud to have been part of the team behind it.
Seeing a project we contributed to recognized on the VMA stage is a strong reminder of what great creative collaboration can become.
Huge congratulations to Megan Thee Stallion and everyone who brought LOVER GIRL to life.
VFX by Frender.

MTV VMA NOMINATION — Megan Thee Stallion, “LOVER GIRL.”The video has been nominated for Best Hip-Hop at the 2026 MTV Vid...
08/19/2026

MTV VMA NOMINATION — Megan Thee Stallion, “LOVER GIRL.”
The video has been nominated for Best Hip-Hop at the 2026 MTV Video Music Awards — and we’re proud to have been part of the team behind it.
Seeing a project we contributed to recognized on the VMA stage is a strong reminder of what great creative collaboration can become.
Huge congratulations to Megan Thee Stallion and everyone who brought LOVER GIRL to life.
VFX by Frender.

08/11/2026

Steve Lacy — Doom
We’ve been waiting to share this one.
Steve Lacy barely moves. Everything else goes completely off the rails.
People come and go. The space keeps changing. Smoke fills the frame. Gravity basically gives up. And somehow, through all of it, the whole thing feels effortless.
That’s what we love about this one.
There’s a lot happening technically, but you’re never supposed to stop and think about the VFX. You just get pulled further and further into this strange world.
Frender worked on the VFX for “doom,” with Max C**t as VFX Supervisor.
And yeah — this was a seriously cool project to be part of!
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Director:  
DOP: 
Creative Director: 
EP: Kathleen Heffernan, 
Producer: 
1AD: .rb
Production Design: 
Art Director: 
Edit: 
Color: 
VFX supervisor: 
VFX: 

08/04/2026

Kehlani — World Tour.
One announcement. A whole world already in motion.
Phones ringing. Schedules shifting. Records spinning. Every frame builds the feeling that something major has already begun.
For the Kehlani World Tour campaign, FRENDER supported the post-production with invisible visual effects, cleanup, compositing, screen refinement, and detailed frame-by-frame work — keeping the visual world polished without taking away from its character!
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Director: ⁠
DOP: .dp⁠
Producer: .waay⁠
1AD: Constantin Preda⁠
Gaffer: ⁠
Key Grip: ⁠
Edit: ⁠
Color: ⁠
VFX supervisor: ⁠
VFX: ⁠
Beauty: 

BIA CARPETMoney in the air. Money on the floor.⠀Frender contributed VFX to BIA and Rio Da Yung OG’s “CARPET,” supporting...
07/27/2026

BIA CARPET
Money in the air. Money on the floor.
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Frender contributed VFX to BIA and Rio Da Yung OG’s “CARPET,” supporting the video’s fast, neon-drenched visual world.
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From the falling-money scenes to the overhead shots built around an endless carpet of bills, the effects help increase the scale, density, and energy of the frames.
Across the crowded club sequences, careful post-production work keeps the visuals clean, consistent, and focused on the performers — even when every part of the frame is in motion.
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Director:
Production:
Producer:
VFX supervisor:
VFX:
Beauty:

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