ARRI Rental Group

05/14/2026

"Is God Is" is a revenge thriller set against the heat and haze of the "Dirty South".

Twin sisters Racine and Anaïs set out on a relentless journey to track down the father who shattered their childhood, following a trail shaped by trauma, memory, and survival. What unfolds is a spare, stylized confrontation with the past—where justice and identity blur.

Shot by cinematographer Alexander Dynan on the ALEXA 35, with camera and lenses supplied by ARRI Rental US

📷 Director Aleshea Harris on the set of "Is God Is". Patti Perret © 2026 Amazon Content Services LLC. All Rights Reserved

In cinemas May 15th

05/04/2026

May the 4th be with you 💫 To celebrate today's Star Wars Day and the 10 year anniversary of "Rogue One," we're taking a look back at cinematographer Greig Fraser ASC, ACS, BSC's work on the film with ARRI Rental’s ALEXA 65. Back then, it was the first film captured entirely with this camera. 👉 Click the link below to watch our interview with Fraser, where he talked about why he and director Gareth Edwards turned to the 65 mm format for "Rogue One" and how it marked a beginning of a new era in cinematography for him: https://arri.link/428oYTv

04/28/2026

🎬 Take a look behind the scenes of "Beef" Season 2 which returns to Netflix with a brand new cast and a brand new beef. Shot by cinematographer James Laxton ASC on the ALEXA 265 paired with DNA lenses from ARRI Rental US

📷 Netflix.

04/28/2026

🎬 Check out the trailer for cinematographer Eric Yue’s latest project, "Teenage S*x and Death at Camp Miasma".
Shot using the ARRICAM LT with Zeiss Super Speed lenses supplied by ARRI Rental Vancouver.
Take a look and let me know what you think 👀

https://arri.link/48oBYYK

In cinemas from August 7th.

156 likes, 12 comments. "TEENAGE S*X AND DEATH AT CAMP MIASMA Official Trailer (2026)"

04/16/2026

🎥🎥🎥1st AC Alex Seidel BVK, testing the ARRIFLEX 435 Xtreme and a Fujinon Duvo (HZK25-1000) PL Optik 25-1000mm in Ismaning with ARRI Rental's Head of Camera Rental Manfred Jahn.🎥🎥🎥

03/20/2026

When a former science teacher, Ryland Grace (Ryan Gosling), wakes up on a spaceship with amnesia, he is forced to team up with an endearing alien to save the world. Directed by Phil Lord and Christopher Miller and adapted from Andy Weir’s sci-fi bestseller of the same name, “Project Hail Mary” was shot by cinematographer Greig Fraser ACS, ASC, who approached ARRI Rental during the lead-up to the project for assistance in developing a specific visual style.

Selecting the ALEXA 65 as his main camera, Fraser wanted a solution for shooting vertical-squeeze anamorphic in the 65 mm format, utilizing the entire ALEXA 65 sensor to fill the taller IMAX image area by “squeezing in” to create additional height. The outcome of the collaboration was a completely new, custom set of anamorphic lenses that could be mounted sideways on the ALEXA 65, resulting in vertical flare, unique bokeh, and maximum image quality. 👨‍🚀🚀

In cinemas and IMAX now.
📷 Jonathan Olley. © 2026 Amazon Content Services LLC. All Rights Reserved

03/16/2026

"ARRI Rental’s support was invaluable in bringing ‘Drag’ to life. The team met us with professionalism and generosity from the start, ensuring we had everything we needed to make the film without compromise. Our camera package — including the Sony Venice 2, ARRI Signature Primes and Zooms, and a full range of accessories and support — arrived in excellent condition and performed flawlessly throughout production. I look forward to collaborating with ARRI and ARRI Rental again on future projects."

Cinematographer Ben Goodman on working with ARRI Rental on "Drag" – screening at the South by Southwest Film and TV Festival, which runs March 12-18.

03/10/2026

“I was really interested in isolating the characters in ‘DTF St. Louis.’ Each one is deeply related to the other, but in a way, each is on their own very private, very alone journey. The ALEXA 265 helped me do that with its limited depth of field. The Prime DNAs, with their beautiful, painterly edge fall-off, helped me create the portraiture I was looking for.”

Cinematographer James Whitaker ASC on choosing the 65 mm format and characterful vintage lenses for the dark comedy miniseries “DTF St. Louis” – one of the first ALEXA 265 projects serviced by ARRI Rental USA.

📷 HBO

03/03/2026

Our latest ARRI Rental showreel features a selection of projects serviced by our global facilities. Watch the full showreel here: https://arri.link/4sjo9C2
Thank you to all the productions and DPs who trusted ARRI Rental to support their creative vision.

Florian Ballhaus ASC “The Devil Wears Prada 2”
Sean Bobbitt BSC “28 Years Later: The Bone Temple” & “Hedda”
Alice Brooks ASC “Wicked: For Good”
Andrew Droz Palermo ASC “Mother Mary”
Frederick Elmes ASC “Father Mother Sister Brother”
Greig Fraser ASC, ACS “Project Hail Mary”
Yorick Le Saux AFC “Father Mother Sister Brother”
Ed Moore BSC “Hijack” Season 2
Marcell Rév HCA, ASC “Euphoria” Season 3
Łukasz Żal PSC “Hamnet”

02/19/2026

Take a glimpse behind the scenes of “The Testament of Ann Lee” a powerful story inspired by the life of Ann Lee, founding leader of the Shaker movement.
Shot on film by William Rexer ASC using ARRICAM LTs from ARRI Rental US.

Screening 19th-22nd February at the 76th Berlin International Film Festival