Shoshanafink

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My semester wrapped yesterday. Here is a selection of work from the last few weeks of class: more lumen prints, hand-co...
06/04/2026

My semester wrapped yesterday. Here is a selection of work from the last few weeks of class: more lumen prints, hand-colored thermal camera prints, and digitally collaged film soup images. The students did great work and I’m proud of them!

Recent lumen prints from my students . Painting with light.
06/03/2026

Recent lumen prints from my students . Painting with light.

My last series of images from my lates workshop, “New Images From Old, Film Negative Interventions.” Sponsored by and c...
05/27/2026

My last series of images from my lates workshop, “New Images From Old, Film Negative Interventions.” Sponsored by and co-taught by and , This week’s assignment was to create images incorporating multiple techniques — those interventions we have learned throughout class. I chose collage, overlay, bleaching, selective emulsion removal, and dyeing. I used 120mm color negatives from my own archive, images I am no longer interested in using. After physical manipulation, I worked with these images in their original negative form, as well as the positive version in Photoshop. Here are the results. Turns out there is renewal in destruction. Long live analog.

More images from the workshop I’m taking. Entitled, New Images from Old: Film Negative Interventions, it is sponsored by...
05/16/2026

More images from the workshop I’m taking. Entitled, New Images from Old: Film Negative Interventions, it is sponsored by and taught by and . The goal is to are learn ways of working with analog film as material, inspired by techniques used in experimental cinema (and applied to still photographs). Working with old 120mm color and B&W negatives, as well as a few 35mm Kodachrome slides from my own archive, I used bleach to remove layers of dye. The negatives were then rephotographed and edited in Photoshop. I am sharing both the negative and positive versions of these images. So many creative possibilities with this partially destructive process!

More images from the workshop I’m taking. Entitled, New Images from Old: Film Negative Interventions, it is sponsored by...
05/16/2026

More images from the workshop I’m taking. Entitled, New Images from Old: Film Negative Interventions, it is sponsored by and taught by and . The goal is to are learn ways of working with analog film as material, inspired by techniques used in experimental cinema (and applied to still photographs).This past week we learned about overlay, collage with proximity, masking, as well as cutout and collage. Working with old 120mm color and B&W negatives, as well as a few 35mm Kodachrome slides, I used bleach to remove layers of dye. The negatives were then rephotographed and edited in Photoshop. I am sharing both the negative and positive versions of the images. So many creative possibilities with this partially destructive process!

Taking a new workshop called, New Images from Old: Film Negative Interventions. Sponsored by and taught by and , we a...
05/09/2026

Taking a new workshop called, New Images from Old: Film Negative Interventions. Sponsored by and taught by and , we are learning ways to work with analog film as material. This past week we learned about overlay, collage with proximity, masking, as well as cutout and collage. Working with old Kodachrome slides of Butte, Montana from 2000, I employed various techniques using images of mining and extraction as well as one image in which I combined an image from the Big Hole Battlefield Memorial near Wisdom, Montana, with an image of mining from Butte. Creatively speaking, I went backwards to move forwards, destroyed something to reimagine it. This was a was a lot of fun, and I look forward to trying it again in the future.

Took an amazing cyanotype workshop with this past weekend. With a process that encompasses both sculpture and photogra...
05/04/2026

Took an amazing cyanotype workshop with this past weekend. With a process that encompasses both sculpture and photography, we learned about using both the umbra and the penumbra, contact and suspension, to create images in Prussian blue. I learned so much, and I look forward to continuing to explore. Thank you for being such a generous and thoughtful instructor and for inspiring us with your creative vision.

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