Austin Kramer Photography

Austin Kramer Photography Austin Kramer is a Visual Anthropologist and Cultural Heritage Photographer specializing in Asia, bo

BACK ON THE ROAD, BACK ON INSTAGRAM?Honestly, I never figured out how to stick with Instagram, as anyone can see. But I'...
03/04/2023

BACK ON THE ROAD, BACK ON INSTAGRAM?

Honestly, I never figured out how to stick with Instagram, as anyone can see. But I'm back and going to give it another try. And why not pick up where I left off? Last time I managed to regularly post I was traveling through Nepal's Terai region doing preliminary research for my dissertation. Now a few years and a pandemic later I'm back in the Terai, a little over half way through a year of research and i have a new idea of how I want to use Instagram.

In the past I think I made a mistake with Instagram. I tried to use it as a photographer. I wanted to post my best photos after carefully editing them on my computer, as if I was building an online portfolio. Likes made it worse. It made it seem like I should be posting pictures that would get lots of likes to help build a following. Honestly, I've seen enough of the kind of pictures that get lots of likes, and if I ever take one like that, it's purely by accident.

And Instagram has been changing, leading many photographers to claim it no longer works for photography. But really: it never did. It's not about showcasing a carefully edited portfolio. It's not about getting likes and followers. It's not about photography. It's about stories. I see a thousand stories a day and I want to figure out how the tools Instagram is developing can help me tell them.

So my current plan is to post straight from my phone. No editing. No polishing. No filters. Each photo just as I shot it. And each post won't be a single photo but a collection around a topic, with a longer written story to go with them. And if I'm really on top of things, maybe a reel. These will come together to share with everyone the people, places, problems, and potentials. And my first post will be about Butwal, the gateway to the Himalayas.

05/24/2022

HOW TO TAKE A PICTURE OF YOURSELF
Because if you want something done right, you have to do it yourself.
I get asked this a lot, so now I'm posting this step by step guide for anyone who needs to use it. I'll make a second post on how to pose for a portrait and add the link in an edit. Feel free to share as long as you give credit where credit is due.
1. USE A GOOD CAMERA

This could include a real camera, or at a minimum, the forward facing camera on your cell phone. Selfie / Facetime cameras on your phone have very not just low resolution, but also worse color fidelity etc, so you always look worse with those.
2. USE A MIRROR, COMPOSE YOUR POSE

A lot of cameras have "selfie screens" that fold out, and a lot of people use them, and a lot of people look oddly distracted and off center in their self portraits as a result. Use a mirror behind your camera instead. The larger the better. It will give you a better sense of your posture. Before you even get the camera out, it pays to use the mirror to dial in your pose, and then practice, going from resting to pose to resting to pose back and forth to develop some muscle memory of how to hold yourself for the picture.
3. USE A TRIPOD, DIAL IN YOUR ANGLE

Professional photos are better because we don't simply take one and walk away. We work through problems and dial things in until we get what we want. In the film days I did this with polaroid, but now you can just take a bunch of photos with your digital camera. This will pay off. Put your camera on a tripod or something sturdy and move it around taking test pictures until you find the angle you like best.
4. DIAL IN YOUR DEPTH OF FIELD, FOCUS, AND EXPOSURE

If you are using a cell phone this may not be necessary, but it always pays off to think more carefully about the exposure of your shot. If you are using a stand-alone camera, it is absolutely essential. Do not trust eye-detect auto focus. You are not a race horse. You can set the focus zone and simply stand in it. Also, don't take one of these ultra-shallow depth of field portraits where only one eyelash is in focus. Those are a tired cliché anyway, but more importantly, they make a self portrait very difficult to shoot. Instead, just "f8 and be there" You'll be surprised how good it looks when both your nose and your ear are in focus. Also remember, brighter pictures normally look better, and if you want to print, you need to shoot brighter than you would for a glowing screen.
5. USE A STICKER, DIAL IN YOUR EYE LINE

Where your eye is looking is very powerful in a portrait, and with self portraits it normally ends up with you looking awkwardly at the screen, or the button you are pushing, or who knows where else. Don't leave this to chance. Put a sticker or a piece of tape on the mirror where you want to focus your eyes. Try moving it around in different test photos until you find the one you like best, rather than just rolling the dice without a plan.
6. USE A 10 SECOND DELAY, RELAX YOUR FACE

Most people just click the button for a selfie. If you are trying to shoot with a camera, sometimes you might use the 3 second delay to give you time to get your hand out of the way. Both these approaches tend to produce tense photos. When you are taking test photos don't worry about that, just take them quickly. They're test photos. But when you have everything dialed in and are taking a potential keeper, use the longer ten second delay. This is because adopting the pose and triggering the camera always tends to make you tense up, and you will relax into a much more natural pose if you give yourself a little time to wait for the shutter to snap.
After that, the best way to get good at this is by practicing. A lot. This is also a great way to develop your skills for taking portraits of other people. Digital photos are free, and you will never work with a more cooperative model than yourself. Take all the pictures you want. Get crazy. Delete them all. Nobody will ever know, but your skills will grow.

08/24/2019

This is part of the painted interior of the coffin of Ipi-ha-ishutef (E12072B, on display). The coffin dates to the First Intermediate Period (ca. 2064 BC). One can see two ankhs depicted on the interior in black paint.
Don’t forget to attend the OI gallery talk, on Thursday, September 5 at 12:15 pm, “Artifacts Meet Fantasy - Writing Ancient Egypt into Middle Grade Fiction” and learn how ankhs and other ancient Egyptian artifacts in the OI collection influenced Malayna to craft a middle grade, time-travel series which starts with “Jagger Jones and the Mummy’s Ankh.” For more info see: https://www.facebook.com/events/358461228204865/

I'm currently writing on visual representations of cosmology in Tibetan Material Culture. And that means it's Thangka Ti...
06/24/2019

I'm currently writing on visual representations of cosmology in Tibetan Material Culture. And that means it's Thangka Time!

This one is a Yellow Dzambhala thangka. You can recognize him by his weasle of good fortune. It is done in the style of the Regong arts from the town of Repkong in Amdo. Currently on display in the Qinghai Provincal Museum, to illustrate the process of Thangka painting.

[Xining, 2009]

06/16/2019

Happy ! Enjoy your Saturday with this hoard of lapis, silver, and carnelian pendants that were found at the site of Tell Asmar in Iraq. This hoard dates to the Early Dynastic period (2500 BC). The a lion-headed eagle pictured here is a modern copy rather than the original.

06/13/2019

This is part of the cedar coffin of the army commander and scribe Ipi-ha-Ishutef. Dating to ca. 2064 B.C., it comes from the site of Saqqara. The conservation treatment of the coffin, which took place between September 2014 and August 2015, focused on stabilizing its fragile painted decoration. Explore stories about the art and science of artifact conservation with Oriental Institute conservator Alison Whyte in the Onsite/Online class: “Caring for the Collection: Art Conservation at the Oriental Institute Museum” which starts Wednesday, July 10. https://bit.ly/2F6CRr6

One of the more complex lighting problems I've had to deal with, made more complex by wanting to get the horns to stand ...
04/05/2019

One of the more complex lighting problems I've had to deal with, made more complex by wanting to get the horns to stand out, but at the same time shoot from an angle that showed the arrangement of the other vessels on the ring.

This kernos ring (A18835, on display) comes from the site of Megiddo and dates to the Iron I period (1200-975 BC). This was probably a libation vessel that would have been used during religious ceremonies. The vessel has a hollow ring with attachments that are a gazelle head, amphorae, pomegranates, doves and a cup. The wine or water would have been poured through the attachments and circulated through the vessel. The doves appear to be drinking from the cup.

Learn more about ancient drinking practices by taking the Onsite course, Drinking in Antiquity: Egypt, Mesopotamia, and the Classical World, which starts April 27! https://bit.ly/2Ht8xd1

This is an interesting image. I had to stitch together there different panels in order to show it entirely, even though ...
01/27/2019

This is an interesting image. I had to stitch together there different panels in order to show it entirely, even though the panels represent adjacent walls in an ancient room.

This Neo-Assyrian relief (A11254, A11256, on display) from king Sargon II's palace at Khorsabad was excavated by the OI. It shows a banqueting scene above and below, the king is riding to hunt in his chariot.

Learn more about Neo-Assyrian reliefs in the OI lunchtime gallery talk, "Deconstructing Assyrian Palace Reliefs" on Thursday, January 10 at 12:15 pm!

01/27/2019

This Neo-Assyrian gypsum relief fragment (A11258, on display), shows a group of men towing a boat laden with logs or wooden planks. It comes from the palace of Sargon II at Khorsabad and may depict Neo-Assyrian soldiers. It has been suggested that it depicts the one of Sargon's campaigns against the king of Babylon, Marduk-apla-iddina II.
Learn more about Neo-Assyrian reliefs by attending tomorrow's OI Lunchtime Gallery Talk, "Deconstructing Neo-Assyrian Palace Reliefs" at 12:15 pm!

11/08/2018

Osten Cramer talking about his regular field kit, with Bruno Seraphin, Natasha Raheja, and Natalie Nesvaderani. Bruno's powered gimbal was an especially big hit, as most of us had never used one -- but we have folks working with everything from smartphones to DSLRs and big camcorders, all with the simple goal of getting good photos and video in different conditions.

11/07/2018

This is a funerary stela of the Nubian Prince and general Pekartror (E6408, on display) which dates to Dynasty 25, when the Nubians ruled Egypt. This stela was excavated by the Egypt Exploration Fund at the site of Abydos. He came from Nubia to Abydos when he was twenty years old in order to bury his mother. He wears a distinctive Kush*te cloak on the stela and is referred to on the stela by both his Nubian name and his Egyptian name showing how the two cultures came together.

Learn more about Egypt and Nubia by attending the Members' Lecture "Entangled Lives: Intercultural Interactions in the Nubian Borderlands" which takes place tonight at 7pm in Social Science Research Room 122!

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