brockit inc.

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brockit inc. Michigan based studios, traveling nationally & capturing beauty through a lens since 2001. we see you.

Michigan based, nationally traveled, and described as an edgy band of outsiders - we are eclectic professionals capturing beauty through photography.

every bottle of wh***ey handed to us at the end of a shoot. every handwritten thank you card. every inquiry that starts ...
10/01/2026

every bottle of wh***ey handed to us at the end of a shoot. every handwritten thank you card. every inquiry that starts with how you met, what you were wearing, what you remember, and how it felt

and then there are the quieter stories. the ones where you tell us you feel vulnerable. that being photographed scares the s**t out of you. that you’re trusting us to pull you into a space where maybe, for a moment, you can see yourself differently. maybe even love what you see

that’s heavy stuff. I don’t take any of it for granted

I appreciate you. your stories. your trust. the fact that you continually let us into something that belongs to you

I’ve become increasingly selective about who we work with because this kind of work needs space. we need room to pay attention, to collaborate, to actually see you. we’re not taking your picture. we’re capturing a moment in time, and that moment is you

and yes… all of this was going through my head while we took a rooftop selfie today during a session with a Minnesota based author writing about the Keweenaw Peninsula

sometimes gratitude shows up with really good light, vertigo, and your hair doing whatever the hell it wants

lens flare is technically a flawlight enters the lens at an angle and starts bouncing between the glass elements inside....
09/06/2026

lens flare is technically a flaw

light enters the lens at an angle and starts bouncing between the glass elements inside. coatings, curvature, aperture and the construction of the lens all change what makes it back to the sensor. sometimes it’s a wash of light. sometimes you can see the glass elements themselves echoed through the frame

photographers spend a lot of effort trying to control it. hoods, filters, angles, shading the lens. me? I point the camera directly at the sun

because I like when the physics show

every lens translates that collision differently, and I’ve learned which ones break light in ways I love. I can change the aperture, move a few inches, change the angle and tell the camera exactly how much of that imperfection I want. depending on the lens, that light is split into reds, blues, greens, rainbows…

my embrace of this is undoubtedly the engineer and the artist in me occupying the same space. I understand what the light is doing. I just don’t always want to stop it. sometimes I’d rather expose the machinery a little and let physics become part of the photograph

it feels honest. revealing. a little uncontrollable - and very much how I see you

sometimes the quiver bag has prime lenses in it. sometimes it has wh***ey. usually bothwe work mobile. there might be a ...
09/01/2026

sometimes the quiver bag has prime lenses in it. sometimes it has wh***ey. usually both

we work mobile. there might be a base station in the back of the car, tucked into a venue, or sitting on a seaplane, but once we leave the pelican cases, everything we might need comes with us. batteries, lenses, cameras, snacks, yes - wh***ey... all the things

I’m often shooting hybrid, so while I’m primarily shooting stills, we are also capturing 6K footage for highlight films. I always have two bodies and two primes on me. Natasha has everything else, ready to move the second I saw something I wanted in motion. she’s also usually got my phone, grabbing behind-the-scenes photos and video along the way. which means a hybrid wedding is technically being shot on four or five cameras at any given point... which sounds ridiculous when I say that out loud, but here we are

the thing about an assistant is that they aren’t just carrying gear. they’re paying attention. watching me while I’m watching everything else. they know what’s charged, what lens is mounted, what camera needs to be activated, and somehow know when I’m about to want the 135 instead of the 85 before I’ve said a word. sometimes there’s hand motions. sometimes second-guessing - but they’re always annoyingly right

that kind of intuition is hard to teach. it comes from working together, paying attention, and giving a s**t about the same things. an assistant gives me the freedom to stay inside the moment instead of thinking about the machinery required to capture it. that matters to me, and ultimately it matters to our clients. to you

because the moment doesn’t care that you need to change lenses. it doesn’t wait for a battery or a setting or a “hang on a second.” neither do we

also, apparently part of working this closely together is occasionally documenting that we both have pretty nice asses. this is important behind-the-scenes journalism

honored to present The Body Returns, an upcoming photographic installation exploring the relationship between people and...
08/29/2026

honored to present The Body Returns, an upcoming photographic installation exploring the relationship between people and the natural world

I’ve always been a people photographer — not a landscape photographer. I’m drawn to photographing people in the element and to the contrast, tension, and play that emerge between the body and the earth

across foliage, water, wind, snow, and fire, nature becomes more than a backdrop. it becomes clothing, shelter, witness, and collaborator. these photographs follow the body through vulnerability, communion, surrender, and transformation

here’s a preview from the upcoming set

🖤
07/22/2026

🖤

07/16/2026

City of Houghton & City of Hancock 4pm on July 16. unedited. be safe.

AI free since 2001
07/15/2026

AI free since 2001

07/03/2026

red sandstone
white clouds
blue water
happy fourth from houghton

happy birthday, Kim! thank you for years of friendship, questionable decisions involving wh***ey and islands, impeccable...
06/19/2026

happy birthday, Kim! thank you for years of friendship, questionable decisions involving wh***ey and islands, impeccable flower crown energy, road trip snacks, and a laugh that should come with a warning label. appreciate you endlessly and can’t wait for our next adventure

POV: how I assume I look during the mobility portion of crossfit
06/09/2026

POV: how I assume I look during the mobility portion of crossfit

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101 Quincy Street
Hancock, MI
49930

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