Crown And Flint Photo

Crown And Flint Photo Eclectic photog | Tinkerer | Sailor | Rocket Scientist | Lover of fast primes, old glass, and funky filters | Digital and Film | Frederick, MD, USA.

I had an insane… adrenaline filled weekend! The come down is willlllddd l… it was so many blessings and now time to chil...
08/24/2026

I had an insane… adrenaline filled weekend! The come down is willlllddd l… it was so many blessings and now time to chill out and a cigar and some coffee 🥰 taking inventory of how long : if my eyelashes grow back from these photos last night. 😂

This is a bokeh appreciation post. The flowers in the foreground are just a bonus.Shot on my Nikon D7200 /w 300mm f/4 AF...
08/20/2026

This is a bokeh appreciation post. The flowers in the foreground are just a bonus.
Shot on my Nikon D7200 /w 300mm f/4 AF ED.

Golden finch on the stem of a sunflower.Planting all of these glorious flowers in our front yard was Sara's idea, and I ...
08/20/2026

Golden finch on the stem of a sunflower.
Planting all of these glorious flowers in our front yard was Sara's idea, and I have been absolutely loving it.
Shot on my Nikon D7200 /w 300mm f/4 AF ED.

As a little reminder, I do still shoot digital, and enjoy it.This proud little finch was perched on an echinacea flower ...
08/20/2026

As a little reminder, I do still shoot digital, and enjoy it.
This proud little finch was perched on an echinacea flower in our front yard.
Shot on my Nikon D7200 /w 300mm f/4 AF ED.

One thing I've missed terribly about shooting with an SLR is making magic with my assortment of funky practical effects ...
08/11/2026

One thing I've missed terribly about shooting with an SLR is making magic with my assortment of funky practical effects filters. I can kinda use them with a rangefinder camera, but there's so much guesswork involved that it's not especially practical. I figured last weekend was the right time to break them out again.
They definitely behave differently on an RB67 than on 35mm digital. I'm not sure if it's the image size, the medium, the optical formulae (90mm at f/8 vs, say, 50mm at f/2), some combination of the three, or something else entirely, but I am definitely going to have to take some time to reacquaint myself with these bits of light-bending wizardry.
I had Aura & Warp by 📸 Spektrem Effects 🎞 with me that night. Warp was not doing well with so little light (which I kind of expected), but Aura did wonderfully. That first one here is my favorite shot of the night, hands down.

This little glass bird bauble hangs in a kitchen window at my folks house. It's too small to get a decent photo with any...
08/11/2026

This little glass bird bauble hangs in a kitchen window at my folks house. It's too small to get a decent photo with any of my press builds, but is no problem with an RB67 with a 90mm lens.

Last Saturday I made it out to Sandbox Brewhouse to hear some of my favorite local musicians, and had an absolute blast!...
08/11/2026

Last Saturday I made it out to Sandbox Brewhouse to hear some of my favorite local musicians, and had an absolute blast!


Last Saturday I made it out to Sandbox Brewhouse to hear some of my favorite local musicians, and had an absolute blast!


I am really loving this new Instax Square back by NONS camera. It's a solid build, intuitive & easy to use, it conforms to the RB67 body nicely, and it comes with a dark slide. It feels like Mamiya built it themselves!

After several years of work on designing camera backs and bodies, I told myself that I was going to take a break from bu...
07/27/2026

After several years of work on designing camera backs and bodies, I told myself that I was going to take a break from building cameras and focus more on taking photos for a while.
But, me being me, I still had a project in mind. I happen to have a 210mm large format lens, and 210mm happens to match the 250mm framelines of a Mamiya Press camera when considering the crop factor from 6x9 to Instax Mini film. So...I decided I'd try to build my own 210mm lens for portraits.
I'm not bold enough to design and build a whole focusing system right out of the gate, so I opted for a fixed-focus lens that turned into a Polaroid BigShot-like camera. If it works, I plan to call it after the inspiration and the film format.
For those that aren't familiar with the iconic Polaroid BigShot, feel free to read up here: https://camera-wiki.org/wiki/Polaroid_Big_Shot
My initial build with the 210mm lens worked quite nicely: contrast was low because I hasn't blackened the inside of the lens for my test shots, and composition & exposure were both...weird. It worked, but not at all how I expected it to.
I also have a 203mm Kodak Ektar lens, and I suspect it will make a better candidate for this conversion: it's smaller, lighter, and has a better layout of controls.
But when I was testing this build against a ground glass, I made a heartbreaking discovery: the film plane of my press builds is off. Not by a lot, just enough to allow enough room for the rangefinder adjustment to yield in-focus images, but at the wrong distance. I suspect that this explains a lot of lingering issues I'd experienced previously, plus the weirdness I found with the 210mm build. I was in focus, but not at the right range, and when you're focused close with a long lens that matters a lot.
I'm putting this project on hold for now. I'm keeping to my promise and not doing camera body work for a while...even though it's going to kill me to know there's an error I need to fix.
Photos 1-3 are test shots, photo 4 is a Polaroid BigShot, and photo 5 is one of my press builds with Mini BigShot fit.
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Since I've been focused so much on my various press builds for a spell, my trusty RB67 had sat unused for longer than I'...
07/27/2026

Since I've been focused so much on my various press builds for a spell, my trusty RB67 had sat unused for longer than I'd like to admit. Its limitations compared to my press builds had become apparent, and it just wasn't as fun to use outside of certain niche situations.
I decided to fix that. The two big limitations I was hitting were handling and cold shoe availability.
I had tried various vertical grips from Mamiya, but none of them felt comfortable, and they all blocked the one cold shoe on the body. Eventually, I stopped fighting the RB67's boxy nature and embraced the chonk by building a horizontal grip. It seems counterintuitive at first, but the camera handles much better now. As an added bonus, I put a little "nose" on the front to keep the camera from tipping over when I fit heavier lenses.
The cold shoe problem was a bit trickier. I had dabbled with adding an articulating arm to the existing cold shoe for mounting lights & lasers at the lens, and that worked well. I just recently took it a step further to add both the articulating arm and a cold shoe placed precisely for a KEKS Camera KM-Q light meter. This lets me have a flash and a light meter on an RB67 in a practical setup for the first time. The light meter display is even facing up so I can see it and the ground glass at the same time. I love it.
As a bonus, I bought an Instax Square back from NONS Camera to take fuller advantage of the RB67's image area while maintaining my ability to use it as a funky light painting platform. Thank you for your years of impeccable service LomoRB, time for you to rest.
I'm tentatively calling the whole package the CNFRB (Crown 'N Flint RB). We'll see if that sticks.
Photos 1-4 are some recent work, 5&6 show some detail of the new additions minus the articulating arm for clarity (it screws into the open hole seen in picture 6). I'll get the whole setup in the studio for some beauty shots soon.

I don't get there very often, but Eightbar at Atomic Books is always a pleasure to visit.These were some snapshots I too...
07/27/2026

I don't get there very often, but Eightbar at Atomic Books is always a pleasure to visit.
These were some snapshots I took at Roxy Freefall's birthday party earlier this summer.

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