Johnny Martyr

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Johnny Martyr B&W Film Photojournalist - handcrafting timeless images of important events since 2001 He has been a freelance author for Petapixel since 2018.

Johnny Martyr, of Martyr & Lee Photography, LLC, is an East Coast photojournalist who specializes in handcrafted black & white lifestyle images on 35mm film. He is formally educated & has been photographing important events & special occasions for high-profile clients for more than two decades. Book him via email to document your upcoming wedding, concert, or other appearance. You can also hire him to just hang out & photograph you doing what makes you unique & awesome! Johnny's authentic analog style will make your photographs as enduring as they will be honest & distinct. Johnny's reductive realist photography can be found in periodicals such as Marie Claire, HuffPost, TED & Buzzfeed; on the gallery walls of ArtistAngle & The Delaplaine; as well as the social media of Kodak Professional. He studied Film, Video & Theatre at Villa Julie College from 1999 to 2002 & was a wedding photographer with Bradley Images Photo & Video from 2001 to 2004. Martyr took commercial production stills & covered news events for Erickson Living from 2006 to 2009. In 2011, he teamed up with Stephanie Lee to form Martyr & Lee Photography, LLC. Martyr has photographed politicians including Bill & Hillary Clinton; musicians Veruca Salt & comedian Nikki Glaser

When he’s not shooting, Johnny Martyr collects Night of the Living Dead trading cards. He also enjoys drinking craft beer or absinthe while listening to alternative, Britpop & grunge music.

Facebook is losing a great resource by forcing out Kosmo Foto.  Sign up for their newsletter to stay informed on the lat...
10/20/2026

Facebook is losing a great resource by forcing out Kosmo Foto. Sign up for their newsletter to stay informed on the latest film photography news!

Some news: Meta has changed its commercial terms and now aims to scrape all of the content from any website that links to its Business Suite through connections like a page - just like the one you're on now. They're going to fire this up on 30 October and you can't opt out. What will they use that data for? The terms are vague. It could be anything.

I've spent years building up a wonderful audience though this page, which now numbers nearly 10,000 members. If Meta doesn't climb down in the next week, I think I will be forced to close it down - I'm not giving away the material I spent thousands of hours researching and writing for free. I'll likely keep the Instagram account for now, but without the shopping function. I may still post some updates in Facebook Groups if I'm able. But that's a big if.

If you want to keep across what Kosmo Foto is doing from here on in, the best thing to do is to sign up to my newsletter, 'Advance/Rewind'. It's free!

https://advance-rewind.beehiiv.com/

Fallout for photo blogs has begun.  Please be sure and subscribe to Jim Grey’s page for practical insights and camera re...
10/20/2026

Fallout for photo blogs has begun. Please be sure and subscribe to Jim Grey’s page for practical insights and camera reviews.

There are two main ways to follow me! You can subscribe to this blog, and you can sign up for my newsletter. Subscribe to this blog First, you can get my blog posts in your email box. I publish every day but Sunday! Type your email in this box and click Subscribe to get started! […]

Nikon FM | Nikkor 85/1.8 K | Kodak Ektapan 100
10/20/2026

Nikon FM | Nikkor 85/1.8 K | Kodak Ektapan 100

Check out Jennifer Stella’s new single, 1001 Fake Memories - available now on your favorite streaming platform!  ❤️🎶📷 Jo...
10/20/2026

Check out Jennifer Stella’s new single, 1001 Fake Memories - available now on your favorite streaming platform! ❤️🎶

📷 Johnny Martyr

Meta has released and then retracted a statement that, beginning Oct 30, by operating a business page, the owner agrees ...
10/18/2026

Meta has released and then retracted a statement that, beginning Oct 30, by operating a business page, the owner agrees to all their associated links used for training by Muse AI.

Historically, hardcore analog photographers have criticized me for finishing my work digitally and posting it online. It is their belief that computers, and particularly the internet, even touching an image heralds intellectual property theft and degrades the handcrafted nature of film photography.

I have always held that in order to keep film alive, we must accept digital editing and internet promotion of our photography. The internet and digital editing have contributed beyond measure to the growth of my work.

But as Meta leans hard into AI, I am feeling the need to draw a line in the sand. Maybe analog really has to be completely severed from digital in order to truly be effective.

This may mean deleting this and my IG pages, where businesses are now required to pay more than we make from Meta just to share links to our work.

Whatever the outcome, thank you all for supporting my photography and participating in our lively discussions. You guys are the best!

Meta “streamlined” its commercial TOS. Legal experts warn it’s an AI power grab.

We’re with you, Kai 🫶 - shame on Walter’s Camera - hope your Rollei is returned safe and sound
10/13/2026

We’re with you, Kai 🫶 - shame on Walter’s Camera - hope your Rollei is returned safe and sound

She's reportedly gone to the police.

10/11/2026

I read an article in The Times today about parents using AI to remove watermarks from school photographs so they can keep the images without paying for them.

It really struck a chord with me because this has happened to me — and I have lost sales because of it.

I photograph children in nurseries and pre-schools, and there is something about my particular business model that I think many people don't realise.

The nursery doesn't pay me to do the photography.

I don't receive a photography fee for turning up, photographing the children or editing the images.

My income comes from parents choosing to purchase the photographs afterwards.

So when I spend a day or two at a nursery, photographing every child, editing hundreds of images, creating private galleries, communicating with parents and processing orders, I am taking on all of the financial risk.

If parents buy the photographs, I earn from the work I've done.

If they don't, I don't receive a fee from the nursery to cover my time.

That is why using AI to remove a watermark isn't simply a clever way of saving a few pounds.

The photograph is my copyright. The watermark identifies the photographer and makes it clear that the image has not been purchased or licensed for use.

Removing that watermark and then keeping or using the photograph doesn't change who owns the copyright.

And for a small, independent photographer, that sale is the income that pays for the work.

I've invested in professional equipment, insurance, software, travel and, most importantly, many hours of work before a parent even sees their gallery.

I completely understand that family budgets are under pressure. Nobody should feel obliged to buy photographs they don't want or can't afford.

But there is a big difference between choosing not to buy a photograph and using AI to remove the watermark from a photograph that hasn't been purchased.

There is also another consideration when the photographs are of children.

Uploading a child's professional photograph to an AI tool to remove a watermark means that image is being put somewhere beyond the photographer's control. It raises another important question: what happens to children's images once they are uploaded to these platforms?

This is why I have now introduced a much more robust watermarking system on my nursery galleries.

Not because I want to make life difficult for parents, but because I need to protect my work, my copyright and my livelihood.

I've been photographing little ones for over 20 years and I absolutely love what I do.

But behind every photograph is a small business, a huge amount of work and someone trying to make a living from their craft.

There isn't an AI button that pays the photographer. 📸

10/02/2026

The same photographers who say the best camera is the one you have with you also sold all the film cameras that they used to have with them, for digital

Waiting for our table at VoltM6TTL 5CMSUMMARIT DELTA3200
10/01/2026

Waiting for our table at Volt

M6TTL 5CMSUMMARIT DELTA3200

Having a blast with amazing friends and family on Kodak TMAX P3200!
09/30/2026

Having a blast with amazing friends and family on Kodak TMAX P3200!

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