Charleston TinTypist

Charleston TinTypist Photographic Artist making real TINTYPESšŸ’ 1851 wet-plate collodion process šŸ’ Lives in Charleston, SC. F.A.Q. on website.Questions? The process was invented in 1851.

Only working at events listed on my schedule—No private sessions. Please EMAILāœ‰ļø[I’ve turned off DMs]ā­ļø I create authentic tintypes using the historic wetplate collodion process entirely by hand. I mix my own chemicals using exact recipes from that period. I have been doing this process since 2013. I hope to make your picture at an upcoming event! The best way to reach me is by e-mail: [email protected]

As the warmer weather arrives here in the South, it’s the perfect time to look at mid-1800s historic images of sheer gow...
06/17/2026

As the warmer weather arrives here in the South, it’s the perfect time to look at mid-1800s historic images of sheer gownsšŸ˜
I’ve always admired this style (I occasionally see beautiful replicas at living history events). In fact, almost a decade ago, I made a tintype for a client who was wearing a stunning black sheer dress that left me completely envious!
A few things I’ve learned since: Sheer dresses were fashionably worn by women of all ages.
They were perfectly ā€œproperā€ as they were lined or worn over underpinnings and not considered scandalous -they were a practical solution in hot climates.
As I’ve posted before, the wet-plate collodion process is highly UV-sensitive, meaning it translates colors differently than the modern eye expects. Warmer tones like reds and yellows register as very dark shades.
While it’s easy to assume a dark dress in a historic portrait is black, it may actually have been a bright primary color like red or yellow. [Though, personally,
as someone who loves wearing black clothes, I do admit a wardrobe of black sheers would be pretty cool!šŸ–¤šŸ–¤]
To any textile experts - Was black a common color for sheer fabrics in the mid-19th century, or is it simply the collodion process playing tricks? I’m always eager to learn more from others’ expertise!

Behind the Scenes (Dark-box):Ever wonder what I’m doing when I disappear under that heavy black cloth at an event? No, I...
06/12/2026

Behind the Scenes (Dark-box):
Ever wonder what I’m doing when I disappear under that heavy black cloth at an event? No, I’m not hiding from the crowd (okay, maybe just for a quick breather! 🤣)…I’m actually running a fast-paced race against time inside my "dark-box." Because wetplate photography requires the plate to stay wet from start to finish, my darkroom has to travel with me. While many modern friends in the craft use ice-fishing tents or grow tents, I built a more historically styled wooden box with a painted yellow interior, which bounces the safe red light from the window perfectly and keeps things period-correct.
Right now, I alternate between two extremes. I have a large-sized box that is terribly heavy to haul but gives me plenty of room, and a tiny converted leather suitcase that turns me into a contortionist just to get work done in there! My dream is to build a hybrid box that is roomy but folds flat for easy travel. My biggest wish? A built-in drain hose, just like the historic sketch below. Since I rinse plates with water all day, I am constantly dumping trays of water. A drain hose would instantly upgrade me from "sweating over sloshing trays" to "efficient and significantly less messy!"
What happens in the box? There’s no secrets, (many people do this process), but the chemistry IS pure magic. I pour a collodion base onto the plate, then submerge it in silver nitrate to make it light-sensitive after a few minutes, and carefully shield it from white light using a special plate-holder to carry it safely to the camera. After taking your picture, I rush back to the dark-box before it dries to deftly glide developer across the plate in one smooth wave. This is the trickiest part, IMHO. Temperature affects how the developer flows over the plate and how fast the picture appears, which can cause total havoc on hot summer days! The exact second the image appears, I stop the reaction with water. At this stage, it looks like a ghost-like negative, but finally safe to bring out into the daylight. This is my absolute favorite part because I get to pour the fixer on right in front of you. It instantly transforms that negative into a positive as if by magic! While many people think this step is called ā€œdeveloping,ā€ it is actually called ā€œfixing.ā€
Once the plate is washed again and dried, I finish the process by applying a protective varnish (I do that step at home). This seals the surface from the air so the silver doesn't darken over time, ensuring your portrait lasts for generations.
It is incredible to think that this is the exact same way photographers made tintypes back in the mid 1800s. A few recipes and techniques have evolved, and it’s fun to read the historic manuals to see how they used to do things, but the heart of the craft remains beautifully unchanged.
If you’re new to my page, come say hi at my next event…I would love to show you the process in person! šŸ˜€
My event schedule is on my website (check my bio)šŸ‘‹

Photographer George Houghton and brother Don Houghton’s photography shack- The faded looking image entitled  ā€œā€˜Camp Grif...
06/11/2026

Photographer George Houghton and brother Don Houghton’s photography shack
- The faded looking image entitled ā€œā€˜Camp Griffin 1861’ shows Union soldiers and men, probably photographers including G.H. or Don Houghton, in front of shed labeled ā€˜Picture Gallery’ and tent at Camp Griffin, Langley, Virginia.ā€
Salted paper print
Source is the LOC (link in comments)
The second, clearer image of the camp is from the H H Bennett Studio website when an exhibit of Houghton’s was on display (link in comments).

The 3rd image, a scene of men in front of a tent, is from the Brattleboro Historical Society FB post. Entitled ā€œCivil War 1861 Virginia Camp, Houghton's Photograph Tent.ā€ George Houghton, photographer and Larkin Mead, illustrator were traveling with the Vermont 4th Regiment as they embarked on the Peninsula Campaign early in the war. Mead drew images of the war for "Harper's Weekly" while Houghton took photos of soldiers so they could send them back home…This is a photo, left to right, with Larkin Mead on the far left, George Houghton next to him, Houghton's brother next and then a soldier on the far right.ā€
(Link in comments).

The 4th picture is of photographer George H. Houghton and his son, Fred.
ā€œGeorge H. Houghton was born in Putney, Vermont in 1824. He began working as a carpenter and, in 1846, married Emma Ward.
By the time of the 1850 census they had one child, three year old Fred, and lived in Rockingham.
Around 1854 Houghton began working for John L. Lovell in the Cutler Block on Brattleboro's Main Street. Lovell had operated a daguerreotype studio in town since 1852.
Dageurreotypes are images that are created on silver-plated copper and are developed with a mercury solution. Lovell owned this local business from 1852 to 1856, when he sold the studio to Caleb Howe.
Houghton used these skills to become a photographer during the Civil War. He travelled with Vt. troops as they served in Virginia and also photographed soldiers as they mustered in and out of the military here in town...ā€
(Source was a post from a FB post by the Brattleboro Historical Society- link is in the comments).
Brief Bio of photographer George Houghton:
ā€œWhen George H. Houghton was born on 11 May 1826, in Putney, Windham, Vermont, United States, his father, Henry Hamilton Houghton, was 44 and his mother, Sally Perry, was 37 (together they had a total of 17 children)
George married Emma Rockwood Ward on 20 July 1846, in Guilford, Windham, Vermont, United States. They were the parents of at least 1 son and 1 daughter. In 1866, his occupation is listed as owner, photography studio in Brattleboro, Windham, Vermont, United States. He died on 7 July 1870, in Wisconsin, United States, at the age of 44.ā€
His older brother in the pictures was named Don Alonzo Houghton (1809-1884)
Source: Family Source
Link in comments.
And finally, for further reading there’s a very cool book about the photographer George H. Houghton with many of his photos entitled ā€œA Very Fine Appearanceā€ 2010 by Donald Harvey Wickman and the Vermont Historical Society (Link in comments)

I’m registered to make tintypes at the 165th Anniversary of the Battle of Shiloh to be held in Michie, TN April 2-4 next...
06/10/2026

I’m registered to make tintypes at the 165th Anniversary of the Battle of Shiloh to be held in Michie, TN April 2-4 next year.
I’ll add a link in the comments to the official event page-I haven’t added the details to my website yet. I’m just now registered.
I was at the 155th almost 10 years ago, and it was one of the first national events I ever attended. I remember I was surprised to hear the sounds of skirmishes throughout the night. I made a ton of plates at that event. People kept walking up. I was so exhausted. I hadn’t slept a wink because of all the night skirmishes going on (I’m a light sleeper). But it was great! I met so many people there! These are a few of my favorites plates from that event. Anyway…it feels like a lifetime ago! I’m excited to go back next year!

Another color comparison from Hunts’ 1853 Manual of Photography.Reposting from a post that came up in my memories on my ...
06/01/2026

Another color comparison from Hunts’ 1853 Manual of Photography.
Reposting from a post that came up in my memories on my personal account (Mark Osterman originally posted it-he’s a retired employee of the George Eastman Museum).
I did find a scanned version of the book online on Google Books. The image is a bit different on the version I found. It’s way too contrasty. I posted the link on the comments.
Anyway… I’ve been busy getting settled in my job! Training on their systems and getting used to how they do things. Everyone is super nice and my office is brighter - has a glass wall into the hall- and I’m in the process of decorating it. That’s why I haven’t been posting much.

Pictures I made at Manassas VA are ready to be mailed but I didn’t get to the post office in time so they will go out af...
05/23/2026

Pictures I made at Manassas VA are ready to be mailed but I didn’t get to the post office in time so they will go out after Memorial Day. Same for prints.
Thanks for your patience. šŸ™
By the way, it looks like I’ll be at the 165th Shiloh in April, 2027. Details for that coming soon! šŸ˜€
The image below is entitled: [Falmouth, Va. Group in front of post office tent at Army of the Potomac headquarters]
By photographer Timothy H. O'Sullivan (b.1840-d.1882)
Date Created: April, 1863.
Medium: wetplate glass negative.
Source: Library of Congress (link is in the comments).

I saw a comment on a tintype someone else had made that said ā€œtoo clearā€ or words to that effect. Basically implying the...
05/22/2026

I saw a comment on a tintype someone else had made that said ā€œtoo clearā€ or words to that effect. Basically implying the image didn’t look authentic enough because it was ā€œtoo clear.ā€
First off, it wasn’t even that clear- a couple of the guys were out of focus-but that’s beside the point.
That’s an ignorant and incorrect comment. People have said that to me many times. šŸ™„Are we all even looking at the same historic images? It makes me think these people who say that aren’t opening any picture books from that period. Because most of the plates I see are sharp and in focus. Sure, prints and CDVs have a softer, faded look and some have deliberate vignettes (which was a fad), and many plates have been damaged over time with scratches and scrapes. And, yes, of course there were badly made photographs back in the day…mostly done by beginners who didn’t have funds to open studios, so they traveled around making pictures in the smaller towns to gain practice where there were no studio photographers.
However, the skilled professionals, who were paid by the military, or who ran studios, would make hundreds and hundreds of pictures - and they knew what they were doing. I’m sharing a handful of examples of ā€œtoo clearā€ historic images.
It’s one thing to say motion blur adds to the authenticity when someone sways, (which rarely happens today with cameras that have actual shutters and shutter speeds and bright flash) it’s another to make badly poured, out of focus plates and hold them up to your customers as being more ā€œauthenticā€ looking…because of their low quality. Come on, now.
Please stop perpetuating that myth, for all that is holy. šŸ™
Now I’m going to get a cup of coffee. ā˜•ļø
TGIF!

Tintypes I made at the 165th Anniversary Coalition - First Manassas event at Brandy Station, Virginia last weekend.  Tha...
05/21/2026

Tintypes I made at the 165th Anniversary Coalition - First Manassas event at Brandy Station, Virginia last weekend. Thanks again to everyone who got the plate made! I had fun!

05/17/2026

I made a group tintype this morning and the banjo player was in the picture. Afterwards he played a tune for someone at my display table, and I asked him if he would play it again so I could record a clip . He graciously played again. After I shared this to my story I found out from people commenting that he is Clifton Hicks. Ha! I have enjoyed listening to recordings of his playing and shared a few songs with slideshow posts of my work. I’m a fan!
I’m posting publicly here after a few people commented that they wished they could share this.

[Edit: I’m turning off comments because of a couple of envious people trying to talk poorly of the musician. If you dislike someone, that’s ok, but it’s NOT okay to come on my page (you don’t even know me) and try to speak poorly of people. It’s trashy behavior and I don’t tolerate it here. People have done that to me too. And I know it stems from envy. Not on MY page! Go to your OWN page to make disparaging posts.]
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05/16/2026

Whoever called the police to say I had live ammunition in my tent on Sutler Row…you are hilarious!! How envious and obsessed must you be to do that? By the way, nothing happened, and the three officers didn’t arrest me, so it was all for naught.
I would suggest counseling. šŸ¤£šŸ¤£šŸ¤£šŸ˜†šŸ¤£šŸ˜†šŸ¤£

Edited: I just got home and saw a lot of comments. My neighbor on Sutler Row (Poverty Point Couture) had a theory, based on some odd activity she witnessed. But I won’t speculate on here because it could’ve been anyone.
The cops asked to take a quick look around my tent. I have nothing to hide, so I didn’t feel the need to demand a search warrant. I wasn’t patted down, nor were any of my boxes or containers looked into. It was quick. It was surprising. It was weird

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