Jeff Wiedner

Jeff Wiedner I explore introspection through the themes of urban solitude, the passage of time, and the relationship between a city and its people.

Each view of a city can sometimes feel disconnected from others' experiences – out of focus and ever-changing.

What Falls AwayA bent back can hold two things at once — the weight of what's behind you and the lean toward what's next...
04/28/2026

What Falls Away

A bent back can hold two things at once — the weight of what's behind you and the lean toward what's next. Not everything that falls away is lost. A bent back isn't defeat. Sometimes it's the last moment before you stand up.

FerroBlend on Hahnemühle Platinum Rag. Available as a unique print, 9×11½" image on 11×14" paper.

📩 DM or link in bio to inquire.

Wabi-sabi is less about  decay and more about seeing clearly. Nothing we build is finished. Nothing we seal stays sealed...
04/27/2026

Wabi-sabi is less about decay and more about seeing clearly. Nothing we build is finished. Nothing we seal stays sealed.

I keep coming back to the places where something rigid meets something that won't stop growing. Or maybe it's a "slow resistance" kind of thing. Given enough time, which one wins? There's a beauty in the slow undoing of things that thought they were permanent.

11x14 cupra-cyanotype [ferroblend] on Hahnemuhle Platinum Rag.

Available — message me if you're interested.

New work available — a cupra-cyanotype (ferroblend) that didn't go where I expected, and I'm glad it didn't.The ferroble...
04/21/2026

New work available — a cupra-cyanotype (ferroblend) that didn't go where I expected, and I'm glad it didn't.

The ferroblend process combines ferric and copper chemistry. In theory, the copper pulls the image toward brown — a warm, earthy tone called Hatchett's brown. In practice, this print held its blue, landing somewhere between a deep cyanotype Prussian blue and a rich navy blue. The color felt right for an abandoned building, two trees growing up against the facade, a window that frames darkness more than it reveals anything behind it.

The chemistry interacts differently with every sheet of paper and every exposure, so each is inherently unique. 9×11½" image on 11×14" paper. Message me if you're interested.

There's a point in learning a new process where you stop fighting the chemistry and start listening to it. This is that ...
04/07/2026

There's a point in learning a new process where you stop fighting the chemistry and start listening to it. This is that print.

Something about a bent back holds the weight of what's behind you and the lean toward what's next. Not everything that falls away is lost.

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Bar Harbor, ME

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