Bakersfield Photography Group

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๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†Credit: Lizandro PerezMcWay FallsThis was taken in February at McWay Falls, on my first drive back up Hi...
03/28/2026

๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†

Credit: Lizandro Perez

McWay Falls

This was taken in February at McWay Falls, on my first drive back up Highway 1 after it had been closed for nearly three years. The road reopening felt like a reason to go. I had just started shooting film, still figuring it out, but that uncertainty made the moment feel more intentional. I shot this on a Nikon F3 with Portra 400.

๐—ฉ๐—ถ๐—ฒ๐˜„ ๐—ฎ๐—ป๐—ฑ ๐—ฏ๐—ผ๐—ผ๐—ธ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ด๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

https://bakersfieldphotographygroup.com

๐—๐—ผ๐—ถ๐—ป ๐—ผ๐˜‚๐—ฟ ๐—™๐—ฎ๐—ฐ๐—ฒ๐—ฏ๐—ผ๐—ผ๐—ธ ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ

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๐—ฆ๐˜‚๐—ฏ๐˜€๐—ฐ๐—ฟ๐—ถ๐—ฏ๐—ฒ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ป๐—ผ๐˜๐—ถ๐—ณ๐—ถ๐—ฒ๐—ฑ ๐—ผ๐—ณ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

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๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†Credit: Aris TurnerPismo Beach, CAMy wife and I were taking a little cruise along the beach, and I notic...
03/25/2026

๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†

Credit: Aris Turner

Pismo Beach, CA

My wife and I were taking a little cruise along the beach, and I noticed this strip of wet sand left over from the high tide. It caught my eye, and I followed the wet strip along until I caught some buildings that seemed to work and snapped the shot!

๐—ฉ๐—ถ๐—ฒ๐˜„ ๐—ฎ๐—ป๐—ฑ ๐—ฏ๐—ผ๐—ผ๐—ธ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ด๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

https://bakersfieldphotographygroup.com

๐—๐—ผ๐—ถ๐—ป ๐—ผ๐˜‚๐—ฟ ๐—™๐—ฎ๐—ฐ๐—ฒ๐—ฏ๐—ผ๐—ผ๐—ธ ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ

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๐—ฆ๐˜‚๐—ฏ๐˜€๐—ฐ๐—ฟ๐—ถ๐—ฏ๐—ฒ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ป๐—ผ๐˜๐—ถ๐—ณ๐—ถ๐—ฒ๐—ฑ ๐—ผ๐—ณ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

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๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†Credit: Avi DasTaft, CaliforniaOn a January afternoon in 2025, I decided to head out for a drive in sear...
02/27/2026

๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†

Credit: Avi Das

Taft, California

On a January afternoon in 2025, I decided to head out for a drive in search of subjects worthy of photographing somewhere. It had started out as a sunny day, but early in the afternoon, clouds started rolling in. I thought it would be a perfect day to photograph on the Carrizo Plain with clouds to bring contrast to the landscape, so I decided to head that way. By the time I got on the road later in the afternoon, the clouds took over most of the sky, which was a very welcome sight for my eyes. However, while driving on Taft Highway towards Maricopa, the clouds looked ominous and dark, and it being winter time, I didn't have a whole lot of daylight left. Moreover, it looked like rain was on the way. Anyone who has driven on the unpaved stretch of Soda Lake Road on the Carrizo Plain would know how nasty the soft clay and mud can be after a rain, especially in the dark. I have experienced both situations in the past, and I have promised myself not to ever do it again. So a few miles into the drive, since I was close to Taft, I decided to get a coffee and head back home. I was quite disappointed having to abort my initial plan, but it was better to be safe than sorry.
After picking up coffee in town, I drove through Center Street, the quaint commercial strip where the Fox Theater is. It was a Sunday evening, and the street was empty, but it looked beautiful as the streetlights came on. I made a turn onto 5th Street and saw the Bank Bar at the end of the block with its colorful neon signs glowing against a dark sky. The scene immediately struck me as an interesting subject to photograph. The composition called for a wide-angle lens to capture the emptiness of the scene. Just the bar, a few parked cars, and not a soul in sight. I took the picture with a 20mm wide lens on 400 ISO film and pushed it one stop to an Exposure Index (EI) of 800 ISO during processing, which heightened the contrast and grain of the film. The picture turned out as I had envisioned it. Forlorn, moody!

๐—ฉ๐—ถ๐—ฒ๐˜„ ๐—ฎ๐—ป๐—ฑ ๐—ฏ๐—ผ๐—ผ๐—ธ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ด๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

https://bakersfieldphotographygroup.com

๐—๐—ผ๐—ถ๐—ป ๐—ผ๐˜‚๐—ฟ ๐—™๐—ฎ๐—ฐ๐—ฒ๐—ฏ๐—ผ๐—ผ๐—ธ ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ

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๐—ฆ๐˜‚๐—ฏ๐˜€๐—ฐ๐—ฟ๐—ถ๐—ฏ๐—ฒ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ป๐—ผ๐˜๐—ถ๐—ณ๐—ถ๐—ฒ๐—ฑ ๐—ผ๐—ณ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

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๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ถ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ถ๐—ป ๐—ฃ๐—ต๐—ผ๐˜๐—ผ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐˜† | Bakersfield, CA 93308, United States - 10am - 3 Hours | Sun 25 Jan 2026๐—•๐—ผ๐—ผ๐—ธ ๐—ป๐—ผ๐˜„:https://ba...
01/17/2026

๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ถ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ถ๐—ป ๐—ฃ๐—ต๐—ผ๐˜๐—ผ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐˜† | Bakersfield, CA 93308, United States - 10am - 3 Hours | Sun 25 Jan 2026

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๐— ๐—ผ๐—ฟ๐—ฒ ๐—ถ๐—ป๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป:
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๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†Credit: Gerry ChuaArvin, CA.Taken Sept 14, 2015. Taken with Leica M240 with Leica Tri Elmar 16-18-21 len...
01/14/2026

๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†

Credit: Gerry Chua

Arvin, CA.

Taken Sept 14, 2015.
Taken with Leica M240 with Leica Tri Elmar 16-18-21 lens. Handheld. I was working at that time for an apple packer when the clouds showed some signs of "burning". I grabbed my camera and walked to the back of the company property, and walked up the dirt mound to take this photo. Processed using Capture One Pro.

๐—ฉ๐—ถ๐—ฒ๐˜„ ๐—ฎ๐—ป๐—ฑ ๐—ฏ๐—ผ๐—ผ๐—ธ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ด๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

https://bakersfieldphotographygroup.com

๐—๐—ผ๐—ถ๐—ป ๐—ผ๐˜‚๐—ฟ ๐—™๐—ฎ๐—ฐ๐—ฒ๐—ฏ๐—ผ๐—ผ๐—ธ ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ

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๐—ฆ๐˜‚๐—ฏ๐˜€๐—ฐ๐—ฟ๐—ถ๐—ฏ๐—ฒ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ป๐—ผ๐˜๐—ถ๐—ณ๐—ถ๐—ฒ๐—ฑ ๐—ผ๐—ณ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

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๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†Credit: Ed RuthDowntown BakersfieldThank you. Yes, please do use the photo as you wish. I like the citys...
11/01/2025

๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†

Credit: Ed Ruth

Downtown Bakersfield

Thank you. Yes, please do use the photo as you wish. I like the cityscape of this part of Bakersfield as it has a touch of mystery to it. In actual fact, isolating this perspective from distractive elements was a bit of a challenge. I stretched the vertical a bit in Photoshop to add substance. Cheers!

๐—ฉ๐—ถ๐—ฒ๐˜„ ๐—ฎ๐—ป๐—ฑ ๐—ฏ๐—ผ๐—ผ๐—ธ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ด๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

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๐—๐—ผ๐—ถ๐—ป ๐—ผ๐˜‚๐—ฟ ๐—™๐—ฎ๐—ฐ๐—ฒ๐—ฏ๐—ผ๐—ผ๐—ธ ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ

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๐—ฆ๐˜‚๐—ฏ๐˜€๐—ฐ๐—ฟ๐—ถ๐—ฏ๐—ฒ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ป๐—ผ๐˜๐—ถ๐—ณ๐—ถ๐—ฒ๐—ฑ ๐—ผ๐—ณ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

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๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†Credit: Avi DasWhite barn and Bear Mountain. Union Ave, Bakersfield.On a few occasions, returning to Bak...
10/29/2025

๐—ฃ๐—ต๐—ผ๐˜๐—ผ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐˜†

Credit: Avi Das

White barn and Bear Mountain. Union Ave, Bakersfield.

On a few occasions, returning to Bakersfield from Los Angeles or Orange County, I've taken the CA-99 Business/Union Ave exit just to see if I can find anything worth photographing. I always have a camera with me when I'm out, in case something interesting catches my eye. I like the serene agricultural scenes and tall trees along Union Ave heading into Bakersfield. On that road, a white gambrel-roofed barn sitting perpendicular to the avenue catches my eye every time. I always tell myself, one day I will catch it in good light.

On one winter afternoon, I was passing by and saw that the light was just right, illuminating the barn with Bear Mountain rising behind it, lending a contrasting background. The barn, positioned flat to the camera, made its architectural design stand out against the distant mountain. The double-sloped gambrel roof and the mountain's ridgeline created a graphical composition. I could visualize what I wanted and knew I needed a telephoto lens to compress the distance between the barn and the faraway mountain.

I replaced the 50mm lens on my Nikon FE with a Zoom Nikkor 80-200mm and composed the shot. Through the viewfinder, I could see how beautifully the barn stood out in the soft afternoon light. There were interesting elements throughout the frame, farm details around the barn, and a dusting of snow on Bear Mountain in the background, lit by that same soft light.

After I measured the scene with the Nikon FE's built-in light meter, I chose f/11 to get front-to-back sharpness, and because I was shooting Fomapan 400 pushed to 800 ISO, I could maintain a sharp handheld exposure at 1/250th. I overexposed by one stop from the meter reading, shooting at 1/125th of a second, to ensure the white barn remained white on the negative. I leaned against my truck to steady myself, leveled the horizon, and made the exposure. The film was processed at home in Kodak HC-110 developer-dilution B, pushing it one stop to get the pronounced grain I was looking for.

๐—ฉ๐—ถ๐—ฒ๐˜„ ๐—ฎ๐—ป๐—ฑ ๐—ฏ๐—ผ๐—ผ๐—ธ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ด๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

https://bakersfieldphotographygroup.com

๐—๐—ผ๐—ถ๐—ป ๐—ผ๐˜‚๐—ฟ ๐—™๐—ฎ๐—ฐ๐—ฒ๐—ฏ๐—ผ๐—ผ๐—ธ ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ

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๐—ฆ๐˜‚๐—ฏ๐˜€๐—ฐ๐—ฟ๐—ถ๐—ฏ๐—ฒ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ป๐—ผ๐˜๐—ถ๐—ณ๐—ถ๐—ฒ๐—ฑ ๐—ผ๐—ณ ๐˜‚๐—ฝ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐˜€

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