Brent Newman Photography

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Brent Newman Photography Landscapes, nightscapes, and naturescapes

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Bat Country, 2024After nearly a decade of attempts, I got the shot I was looking for: a stream of bats glowing in the fi...
10/30/2026

Bat Country, 2024

After nearly a decade of attempts, I got the shot I was looking for: a stream of bats glowing in the final moments of golden hour. These are migratory Brazilian Free-tailed Bats (Tadarida brasiliensis), and they visit Colorado only during the warmer months before returning to Brazil. Most of the time, they begin their mass exodus from their cave after sunset, making it impossible to photograph them illuminated in sunlight. Finally, another reason these bats are difficult to photograph is that they are extremely fast. Indeed, the Brazilian Free-tailed Bats are the fastest free-flying animals in the world...at speeds of 100 mph, not even the peregrine falcon can catch up to these mammals when flying horizontally!

In 2024, I got lucky with the sunlight and brought my full-spectrum modified camera, and I opened the aperture wider and dropped the exposure time to 1/400" to capture sufficient light while reducing the motion blur of these super-fast flyers.

Draconid Meteor Over the US Continental Divide9 October 2026Single Exposure I somehow missed this gem when I previously ...
10/19/2026

Draconid Meteor Over the US Continental Divide
9 October 2026

Single Exposure

I somehow missed this gem when I previously flipped through the 3,000 raw files from the night of October 9-10th when I slept on the US Continental Divide.

I chose to produce this image from a single exposure because I feel there is a certain elegance when experience and luck all come together in a single click of the shutter that reflects objective reality, particularly in the age of artificial intelligence-derived images. Rest assured, no ai tools or techniques were used in creating this image.

EXIF
Sony a7III FS w/ UV/IR cut, Samyang 50mm ƒ/1.4, @ ƒ/1.8, ISO 3200, 4"

Of Tropospheric and Galactic Clouds Over the US Continental DivideStacked, UntrackedLast weekend, I slept on the US Cont...
10/16/2026

Of Tropospheric and Galactic Clouds Over the US Continental Divide

Stacked, Untracked

Last weekend, I slept on the US Continental Divide under the stars and woke up to snow, moose, and the sound of marmots. I thought I had my last imaging the Milky Way core over a different portion of the US Continental Divide during a previous outing the weekend prior, but the weather provided for one last alpine tundra night under the cosmos, and the predawn snow and wildlife were icing on the cake.

EXIF
Sony a7III FS w/ UV/IR cut, Samyang 50mm ƒ/1.4, @ ƒ/1.8, ISO 3200, 16*4"

Last weekend, I slept on the US Continental Divide under the stars and woke up to snow. The photos were captured minutes...
10/15/2026

Last weekend, I slept on the US Continental Divide under the stars and woke up to snow. The photos were captured minutes apart, with different light from the snow, and if you look closely, you can see the Continental Divide Trail switchbacking upslope. The timelapse captures the moment that the snow began to overrun me.

First Snow, Last Milky Way Core 2 October 2026Stacked, UntrackedAs the 2026 summer Milky Way core season comes to a clos...
10/06/2026

First Snow, Last Milky Way Core
2 October 2026

Stacked, Untracked

As the 2026 summer Milky Way core season comes to a close in the Northern Hemisphere, the first snow in Colorado's Mosquito Range beckons a return to winter. A little more than an hour prior, I dragged my partner along with me to hike up to the summit of the US Continental Divide to watch the sunset and, of course, to take pictures. I still haven't looked at my raw sunset files, but here's to my farewell to the 'summer' night sky. Until we lap the Sun again.

EXIF
Sony a7III FS w/ UV/IR cut, Samyang 50mm ƒ/1.4, 16*4", ƒ/1.8, ISO 3200

Happy Equinox and happy Zodiacal Light season! For those in the Northern Hemisphere, Happy Autumnal Equinox!For those in...
09/22/2026

Happy Equinox and happy Zodiacal Light season!

For those in the Northern Hemisphere, Happy Autumnal Equinox!

For those in the Southern Hemisphere, Happy Spring Equinox!

For all Earthlings, I hope you enjoy your equal split of day and night and be sure to look for the Zodiacal Light!

09/18/2026

BOLIDE!
22:04-22:16 MT, 9 September 2026
Single exposure timelapse

It is a bit of a long story how I ended up in a remote area of the White River National Forest on the night of the 9th and why I did not have a tripod with me, but the important thing was that I did have my camera with my 15mm lens with me and ready to go. Due to the difficulties associated with attempting my original composition with the setting Milky Way core without a tripod, I elected to use a table at camp as a tripod and shoot the California Nebula and Pleiades Cluster rising over the dramatic volcanic cliffs below. With a large coronal hole pointed directly at Earth on the ninth of September, I also suspected there would be a vivid airglow display to complement the timelapse.

Shortly after I composed the camera with random camping gear on the table and began the timelapse sequence, I stood to the side and began to let my eyes adjust to the starlight as I began to see the splendor for my own eyes. As my dilated eyes began to render the 'winter Milky Way', kaboom! The entire sky illuminated with a bright fireball slowly streaking across the northern sky directly in front of me. "BOLIDE!" I yelled in the darkness as a smoke trail and smoke ring developed in front of my eyes. I could not believe my eyes as the phenomenon went on for at least a minute. I've seen a few bigger bolide explosions, but never under some of Colorado's most pristine dark skies with my eyes adjusted, looking right at it, and with my camera rolling. I knew my full spectrum mod would pick up considerably more detail than I experienced with my own eyes, but I never expected to see this display go on for more than 10 minutes!

I cannot help but see this space rock hit the top of the atmosphere, not unlike a stone falling into a pond as the ripples propagate from the impact. Speaking of propagating ripples, notice how the atmospheric gravity waves illuminated by the vivid airglow appear to be rotating about the celestial pole counterclockwise.

Did anyone else see or hear this one?

Sony A7iii full spectrum w/ UV/IR cut, Laowa 15mm (cropped) ƒ/2 @ƒ/2.8, ISO 3200, 33*20"

When I'm Small A self portrait While I'm a reasonably large human, while out there I feel infinitely small. Small compar...
08/21/2026

When I'm Small
A self portrait

While I'm a reasonably large human, while out there I feel infinitely small. Small compared to the boulders I scrambled. Small compared to the mountains I climbed. Small compared to the interstellar space of the Milky Way Galaxy that raced around the cirque with me.

For years, I have had an idea of shooting myself climbing a mountain or something cool while racing the Milky Way core in the darkness. While daydreaming at work one afternoon this month, I created a concept of a plan, packed my gear, and headed out. The idea was to circle the cirque valley as I approached the 14k' summit while keeping my headlamp in frame and the camera rolling on the opposite side of the basin, safe from the wind and potential early morning hikers in the high of the tundra. Heavy wildfire smoke rolled in and slowed me down some, but I was on track to get the highest summit completed before twilight began to fade the Milky Way and my headlamp. I also wanted to stay close to the edges of the ridgeline to expose my headlamp to the camera but I decided to go around a large tower as I did not pack a helmet and didn't know the rating for continuing the ridgeline climbing. I remember seeing the tower in the smoky moonlight and thinking, this is it for my headlamp, so here's one last blast from across the cirque before I vanished from view.

With my light refracting off the lake centered and in line with the Milky Way core, I decided to make this self portrait from my 700 image stack.

To ask "what color are the stars?" stretches objective truth, blurring into a philosophical debate. Most of them appear ...
07/09/2026

To ask "what color are the stars?" stretches objective truth, blurring into a philosophical debate. Most of them appear white to my unaided eyes, but are they?

Color is our physiobiological experience with the visible slice of the electromagnetic spectrum. Compared to other animals, our experience is quite good but still very limited. Other animals, such as birds and insects, also see ultraviolet slices of the electromagnetic spectrum. While others can see into the near infrared and even 'see' infrared light, as do pit vipers. Stars emit wavelengths far beyond any animal perception, but we don't call it 'color' as we're blind to it. We perceive color as the most abundant reflected visible wavelengths. For our own star, the Sun, the most abundant reflected visible wavelengths are green. Therefore, it might sound reasonable to say that the Sun is green, but it doesn't appear green to me. It usually appears yellowish to me, but with the recent wildfire smoke, I would call it red. In the absence of atmospheric filtering, the Sun appears as white as fresh snow. Indeed, snow is white because it is derived from white light reflecting and refracting from the white Sun (minus a slight shade of blue refracted from a blue sky).

Our Sun is fairly average in terms of size, color, and luminosity. But an average star is not necessarily the most common, as there is a great amount of size, color, and luminosity diversity amongst our neighboring stars. Astronomers standardize star color by their color temperature in degrees of Kelvin. Much like when a metal glows red, you know it's toasty, and when liquid metal glows white, it's very hot. Likewise, reddish stars are the coolest, while blue stars are immensely hot. Much to my dismay, many photographers still get color temperature confused.

Being diurnal, our vision is best suited for seeing color with high luminosity. As luminosity fades, as with the night sky, we can no longer discern wavelengths of light into individual colors, and our vision becomes grayscale, or 'panchromatic'. To our eyes, only the brightest night sky objects preserve their colors. But capturing these colorful objects with a camera is limited only by the exposure time and dark, clear skies. Most of the colorful objects trailing the frame are stars. But, look closely to see a few pinkish trails where hydrogen emission nebulae in the Milky Way core are also observed dancing across the sky with the stars. I began 'nebula trailing' one night a few winters ago, bored, with the Orion Nebula, and wondered if I could trail it. Sure enough, it works well with a full spectrum camera, and I'm surprised I haven't seen it done elsewhere.

Last Moonlight on the Monolith Featuring Startrails

Last Moonlight on the Monolith Untracked Stack Featuring the Milky Way Core To kick off the 2026 galactic core season, I...
07/08/2026

Last Moonlight on the Monolith
Untracked Stack Featuring the Milky Way Core

To kick off the 2026 galactic core season, I brought my dog to camp by one of my favorite monoliths and watched the Milky Way core rise before dawn during mid-February. I knew the moon would be nearly full but also that it would set nearly an hour before dawn. Not only would I have sufficient time without moonlight, but I also wanted to make use of the setting moonlight to illuminate the top of the monolith. More importantly, the weather looked very suitable to make it happen with mostly clear skies, winds less than 30 mph, and not bitterly cold for winter camping in the Rockies.

That was the plan. But I ended up having one of the wildest experiences taking photos in the backcountry to date. After my dog and I enjoyed a nice evening beside a warm campfire under the lowering moon, I positioned my tripod near my tent and next to a cliff...sans camera. I set my alarm for 3 am and tucked my dog into his sleeping bag. Right before I passed out, I heard a loud rushing sound. It wouldn't be the first time I'd been grazed by a fighter jet in the backcountry, so I initially tried to dismiss the sound. As it grew louder, I realized it was the wind I was hearing, and I remember thinking, 'Oh, that's probably not good.' BOOM! I was upside down in what remained of the tent with my terrified dog. The wind literally picked up the tent with my dog and me in it and tossed us towards the cliff like a magic tent ride before I hit the ground in my sleeping bag like a sack of potatoes. Worried that if I tried to get us out of the tent would increase the drag in the hurricane-force winds and we would again be launching airborne towards the cliff, so I held my dog and just waited. After what felt like an entire night, the extreme wind relaxed enough to get us out of the tent and collect ourselves. We were a bit bruised but otherwise unharmed from the rogue Chinook event. After I cleaned up the remains of our camp, I noticed my tripod still standing strong, bungeed to the ground with heavy rocks. I chuckled to myself, thinking this was not my first rodeo with the wind, and I grabbed a quick nap in the truck before my alarm went off. After a whirlwind of a night, I was delighted to initiate shooting under a lighter breeze with the moon beginning to eclipse the horizon.

EXIF
Sony a7III FS, Samyang 50mm ƒ/1.4,
16*6", ƒ/2.0, ISO 640

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