Альберт Фасхутдинов

Альберт Фасхутдинов Портретная и рекламная фотография.

One of the photos I entered has been selected by the LensCulture editors to be featured in the Portrait Awards 2021 Comp...
02/02/2021

One of the photos I entered has been selected by the LensCulture editors to be featured in the Portrait Awards 2021 Competition Gallery, visible to everyone who visits the website. This is great news, I guess.

Check out Albert’s entry to the LensCulture Portrait Awards 2021! Share this post and help discover the best photography from all over the world!

This project began to be developed at the beginning of the year, but then a pandemic struck, and now it is already Augus...
27/08/2020

This project began to be developed at the beginning of the year, but then a pandemic struck, and now it is already August. The client has a need to make an advertisement for a limited series of cupcakes for September 1st (Knowledge Day). A simple idea was born: a satisfied schoolboy is carrying a huge cupcake.

The shooting was divided into two days: the model and the cupcake were filmed separately.

On the first day we filmed the boy Vlad. He was tasked with holding an imaginary cupcake in his hands and taking a step back and forth. At first we gave him a paper cylinder as a dummy, but this idea was quickly abandoned. Instead, every few takes we let him hold the flower pot in the studio to feel its weight - this allowed us to achieve realistic posture and make the final shot more believable.

I didn't expect to make a “perfect” shot inside the camera, so I shot using a tripod, rhythmically pressing the button. This allowed me to capture different variations in hand positions, facial expressions, and walking phases. I took 300+ frames home to make one picture out of them.

On the second day, I shot a cupcake at a client's office. It was necessary to repeat the light scheme of the first day, while observing the scale (in the final picture, the cupcake should be much larger than its real size), so that the lighting characteristics on the boy and on the cupcake were the same. On-camera flashes were used as stripboxes, and a studio flash with a standard reflector imitated a 120-cm octobox.

Lighting Breakdown:
Godox Gemini GS300II with octagon (120 cm) as key light.
Godox Quicker 300D and Godox Gemini GS300II with gridded stripboxes (160x35 cm) as rim lights.
Godox Gemini GS300II with softbox (120x80 cm) bounced from the ceiling as fill light.

Camera Specs:
Canon 5D Mark II
Tamron 28-75mm f/2.8 @ 75mm
f/8
1/200
ISO 100

When the Internet speed in a small Siberian town was still very slow, and films had to be searched for on DVDs in variou...
16/06/2020

When the Internet speed in a small Siberian town was still very slow, and films had to be searched for on DVDs in various small shops, one of the most desirable films for me was Scorcese's Raging Bull. As I saw on television a couple of b&w clips with De Niro fighting fiercely, I lost peace. I searched for it on disks, searched for file hosting in local networks, but to no avail.

And then suddenly I found it two years later.

It must be understood that a long search for something carries a very big risk of disappointment at the time of the acquisition of the coveted object. But not at this time. The viewing impressions were so powerful that all the effort spent paid off in the first minutes. Who did not watch - I highly recommend it.

Well, now, after fifteen years from that first viewing, I tried not to copy any of the frames, but to shoot something with the same brutal energy and presence effect that I felt then. Hope it worked out.

Initially, I wanted to shoot an artist Andrei Zhuravlev in his studio, where he would sit and draw something, and then I...
06/05/2020

Initially, I wanted to shoot an artist Andrei Zhuravlev in his studio, where he would sit and draw something, and then I would composite it into one nice photo.

But five minutes after the start, there was a feeling that it was becoming some kind of dull and uninteresting crap. And what was left to do? Give up this idea? Move the shooting to another date? Hell no!

Instead, we took a white table from his office and carried it to a nearby unused production room that was dusty but spacious. And we began to shoot black and white portraits on a 20 mm lens.

In general, it was possible to shoot the same thing on a black background in a studio in much more comfortable conditions, but if you use your brain, you don’t have to go anywhere. And the result is absolutely identical.

P.S. Everything was shot with one octagon with grid located directly behind the camera at 45° down. Since there are ten meters to the back wall, and not a single ray of light from the flash gets there, the background is pitch black without any exhausting post-production. In general, everything is extremely simple, but looks cool nevertheless.

If we discard the creative component, then, in my opinion, the main advantages in working as a photographer are to get a...
28/04/2020

If we discard the creative component, then, in my opinion, the main advantages in working as a photographer are to get acquainted with those whom I would hardly meet, and to be where I have not been before.

So earlier this month I managed to visit the Kurma eco-farm, where after eating an excellent kebab, I shot a portrait of Larion Kurminsky, the owner of this farm.

More information about Larion and his farm can be read in the May issue of the Irk.Sobaka.ru Magazine (and on their website), so I won’t retell everything here. I will quote only one phrase that he said during the interview: "Happiness is when you are needed, and people smile at your work." In my opinion, it is a great approach to life and work.

P.S. Color correction was done with an eye on Grant Wood's American Gothic. Any similarities?

P.P.S. There's a mistake on the backstage photo. It's not TT600, it's AD600BM, obviously.

I just made a post on Behance about the photoshoot I made for a barbershop last year. It contains some photos I didn't p...
02/03/2020

I just made a post on Behance about the photoshoot I made for a barbershop last year. It contains some photos I didn't post here and additional info about this project so make sure to check it out.

I'm new on Behance so I will be very grateful for your likes and comments there.

A photoshoot for a local Irkutsk barbershop Borodach. When I was shooting I knew that I would have to deal with distortion from a wide-angle lens on a model in post-production. My overall goal was to make the figure of the model to look normal, and the ba…

At the very beginning of the new year, I rushed to Thelma to take a portrait of Eugene Timkovich.Eugene is a sculptor. A...
23/02/2020

At the very beginning of the new year, I rushed to Thelma to take a portrait of Eugene Timkovich.

Eugene is a sculptor. And if you have ever been to Irkutsk, then you have almost certainly seen his work, even if you yourself do not suspect it. After all, he has been doing this for two decades, so somewhere you must have seen something. And in Thelma, he spent an entire week creating an ice composition depicting the birth of Jesus.

Lighting Breakdown:
Godox AD600BM with shoot through umbrella (110 cm) as key light.
Godox TT600 with shoot through umbrella (110 cm) as rim light.

Camera Specs:
Canon 5D Mark II
Tamron 28-75mm f/2.8 @ 50mm
f/8
1/160
ISO 100

31/12/2019

Немного фотошопной магии со съёмки рекламы для . Да, кругом обман (и даже Дед Мороз ненастоящий).

#фотографиркутск #альбертфасхутдинов #фотографальбертфасхутдинов

Под конец уходящего года удалось снять рекламу для иркутского барбершопа Borodach. Ребята приятные, дружелюбные, а самое...
26/12/2019

Под конец уходящего года удалось снять рекламу для иркутского барбершопа Borodach. Ребята приятные, дружелюбные, а самое главное терпеливые — съёмка длилась шесть часов (хотя с учётом настройки оборудования и перерывов фактически снимали меньше, конечно).

К слову, впервые в жизни побывал в подобном заведении (хоть и не в качестве клиента, а по работе). Лично я вот уже девятнадцать лет стригусь в одной и той же парикмахерской. Вот как переехали в соседний от неё дом, когда я ещё учился в седьмом классе, так с тех пор ни с кем ей не изменял. Уже давно живу отдельно в другом городе, а до сих пор заезжаю туда постричься время от времени. Стабильность!

На фото мастер Андрей.

P.S. Кто ещё не подписался на мой инстаграм .pictures, может немедленно подписаться. Некоторые фотографии появляются только там.

#альбертфасхутдинов #фотографальбертфасхутдинов #фотографиркутск #иркутск

Из невошедшего в предыдущий пост с Дечебалом Григоруцэ.Как всегда, буду рад вашим комментариям и репостам. #фотозамечате...
17/12/2019

Из невошедшего в предыдущий пост с Дечебалом Григоруцэ.

Как всегда, буду рад вашим комментариям и репостам.

#фотозамечательныхлюдей

Вот и подоспел очередной герой рубрики  #фотозамечательныхлюдей. И более-менее регулярные посетители Иркутская областная...
09/12/2019

Вот и подоспел очередной герой рубрики #фотозамечательныхлюдей. И более-менее регулярные посетители Иркутская областная филармония уже наверняка узнали его.

В кадре сегодня Дечебал Григоруцэ — композитор, органист, солист Иркутской областной филармонии, музыковед, член Союза композиторов России, автор и ведущий собственной радиопрограммы. Одним словом, человек заслуженный.

Давно хотел поснимать в такой величественной обстановке, и вот — мечта исполнилась. Спасибо Дечебалу за такую возможность.

А пока вы читаете этот пост, ещё остаются места (я проверил) на концерт из цикла «Sax&Organ», где Дечебал Григоруцэ и Андрей Гедеон будут вместе фигачить каверы на Кино, Queen и других рок-гигантов. Был на двух предыдущих концертах. Оба раза — отличные. Билеты можно взять на IRK.ru - твой Иркутск.

P.S. Пока у меня только полтора подписчика, так что только благодаря вашим репостам, кто-то вообще сможет увидеть эти фотографии. Поэтому всем репостнувшим заранее спасибо.

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