18/09/2026
What a privilege to be creatively involved in this (now officially) 10/10 show!!
Every role - cast and crew - has been filled with people of high calibre, who genuinely love what they do, and that always creates some special magic. ✨
For my part, working on bringing the set to life (with painting, props), and a bit of photography, has been hugely satisfying ~ and what an incredible team to work with.
Thank you Nelson Musical Theatre ❤️
Thank you director Francesca Beckett .... you are an absolute joy and a legend. xx
Nelson Musical Theatre’s 9 to 5 scores a 10/10 in review!
Nelson Musical Theatre’s production of 9 to 5 was a fun-filled romp through a workplace era best left in the past, where sexism ruled the office and three determined women decided to clock in for a little sweet revenge. Packed with laughs, heart, and Dolly Parton’s infectious score, this production worked overtime to leave audiences thoroughly entertained.
The evening began with an announcement that the actress playing Violet, Maree Hatton, had unfortunately lost her voice. In one of those uniquely theatrical moments where the show simply must go on, Musical Director Jess D’Ath stepped in to perform the role’s vocals from offstage. Huge credit is due to D’Ath and the cast, as the transition was remarkably seamless. Once the audience settled into the story, it became barely noticeable. It was a testament to both the professionalism of the company and the magic of live theatre.
Kameta Kaea was a standout in the role of Doralee, made famous by Dolly Parton. With outstanding vocals, great charm, and comedic timing to boot, she honoured the country music icon while bringing her own flash to the character.
Laura Rollinson played Judy with endearing sweetness and sincerity. Capturing the character’s naïve optimism perfectly, she delivered some truly show-stopping vocals that ensured she was impossible to ignore whenever she stepped into the spotlight.
Meanwhile, the jerk of a boss was portrayed with glorious precision by Nate Farrow. Smarmy, sexist, and utterly insufferable, he became the villain everyone loved to hate. His performance had the audience groaning, laughing, and cheering for his downfall in equal measure.
The ensemble was consistently strong, producing rich harmonies and a clear, powerful sound throughout. The colourful and efficient set allowed the action to flow smoothly, while the lighting design helped highlight each scene and reinforce the show’s comic energy. Kudos to the production team and Director Francesca Beckett for a top-notch show.
Hopefully you managed to stumble out of bed and book a ticket, because word has clearly spread. The show is sold out, and deservedly so. Nelson Musical Theatre has punched the clock on another crowd-pleasing success.
