AKS - Afzal Khan Visuals

AKS - Afzal Khan Visuals unparalleled imagination | storyteller. A Creative Director, Filmmaker, Photographer, Writer

The condition of families and their household items at the Bagmati area, a lingering trace of the October 2024 Kathmandu...
26/04/2026

The condition of families and their household items at the Bagmati area, a lingering trace of the October 2024 Kathmandu flood and a stark reminder that the disaster was fueled not only by nature, but by urban neglect and climate change.

After the Floods...
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EXPOSURE: 1/640 SEC AT F8 (ISO 500)
CAMERA: SONY A7R IV | LENS: SONY CARL ZEISS SONNAR T* FE 55MM ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.

afzalkhanvisuals.wordpress.com/2026/03/19/after-the-floods



सुकुमबासीको चर्चा चल्दा एउटा तस्बिर पोस्टाए । २ बर्ष अघी काठमाण्डौमा बाढी गए पछीको दृश्य हो यो। यो तस्बिरले सुकुमबासीहरु...
24/04/2026

सुकुमबासीको चर्चा चल्दा एउटा तस्बिर पोस्टाए । २ बर्ष अघी काठमाण्डौमा बाढी गए पछीको दृश्य हो यो। यो तस्बिरले सुकुमबासीहरुको असल कथा देखाउछ । त्यो कथा दुख:को गरीबिको मात्र नभएर अलि फरक छ । यहाँ भारी तान्दै गरेको हिलोमा लुट्पुटिएका खुट्टा देख्नु हुन्छ र कथा त्यो तान्नुको परीश्रमको होईन । बर्षौ देखीको खुकुलो राजनिती को हो । जस्ले गरीबलाई चप्पल त दियो तर कहिले अनुभव गर्नु भएको छ यो चप्पल हिल्लोमा यसरि चोपिन्दा हिड्न गाह्रो मात्र होईन असम्भव सरह हुन्छ । त्यो चप्पल बोझ बन्छ । सुरक्षा दिदैन उल्टै दुख दिन्छ । त्यसैले अब चप्पल बाड्ने बहना होईन हिलो सुकाउने काम हुनु पर्छ अनि मात्र परिवर्तन आउछ । बुझ्नु भयो होला नबुझे हिलोमा एक पटक यसरि चप्पल लगाउनु होला ।

Life’s quiet battles
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EXPOSURE: 1/125 SEC AT F8 (ISO 500)
CAMERA: SONY A7R IV | LENS: SONY CARL ZEISS SONNAR T* FE 55MM ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.

afzalkhanvisuals.wordpress.com/2026/03/18/lifes-quiet-battles



Wet books lie scattered across the banks of the Bagmati, left out to dry– a lingering trace of the October 2024 Kathmand...
22/04/2026

Wet books lie scattered across the banks of the Bagmati, left out to dry– a lingering trace of the October 2024 Kathmandu flood and a stark reminder that the disaster was fueled not only by nature, but by urban neglect and climate change.

Truth on the Banks V2
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EXPOSURE: 1/1000 SEC AT F5 (ISO 100)
CAMERA: SONY A7R IV | LENS: SONY CARL ZEISS SONNAR T* FE 55MM ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.

afzalkhanvisuals.wordpress.com/2026/03/17/truth-on-the-banks-v2



Wet books lie scattered across the banks of the Bagmati, left out to dry– a lingering trace of the October 2024 Kathmand...
20/04/2026

Wet books lie scattered across the banks of the Bagmati, left out to dry– a lingering trace of the October 2024 Kathmandu flood and a stark reminder that the disaster was fueled not only by nature, but by urban neglect and climate change.

Truth on the Banks V1
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EXPOSURE: 1/1000 SEC AT F8 (ISO 100)
CAMERA: SONY A7R IV | LENS: SONY CARL ZEISS SONNAR T* FE 55MM ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.

afzalkhanvisuals.wordpress.com/2026/03/15/truth-on-the-banks-v1



Bagmati’s banks remain scarred with garbage tangled in trees, a lingering trace of the October 2024 Kathmandu flood and ...
18/04/2026

Bagmati’s banks remain scarred with garbage tangled in trees, a lingering trace of the October 2024 Kathmandu flood and a stark reminder that the disaster was worsened not just by nature, but by urban neglect and climate change.

Trash tells the Story V1
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EXPOSURE: 1/640 SEC AT F8 (ISO 500)
CAMERA: SONY A7R IV | LENS: SONY CARL ZEISS SONNAR T* FE 55MM ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.

afzalkhanvisuals.wordpress.com/2026/03/14/trash-tells-the-story-v1



Clouds paint the Golden sky during sunset. In the foreground, the iconic silhouette of the Swayambhunath Stupa adds a ti...
16/04/2026

Clouds paint the Golden sky during sunset. In the foreground, the iconic silhouette of the Swayambhunath Stupa adds a timeless charm to this serene scene.

Sunset Symphony: Swayambhunath V
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EXPOSURE: 1/8000 SEC AT F8 (ISO 500)
CAMERA: SONY CARL ZEISS 135MM F1.8 SONNER T* ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.



afzalkhanvisuals.wordpress.com/2026/03/13/sunset-symphony-swayambhunath-v

प्रकाश नयाँ, प्रयास नयाँ, उदेश्य नयाँ, उमाङ नयाँ, मिती फेरिए सगैं बिचार नयाँ, ब्यवहार नयाँ, नयाँ बर्षले हामीलाई पुन मौका...
14/04/2026

प्रकाश नयाँ, प्रयास नयाँ, उदेश्य नयाँ, उमाङ नयाँ, मिती फेरिए सगैं बिचार नयाँ, ब्यवहार नयाँ, नयाँ बर्षले हामीलाई पुन मौका दिएको छ । नबनेको बनाउ, नसकेको गरौ, नजानेको सिकौ, नभनेको भनौ, ८३ मा सबैको नयाँ उदय होस । आफ्नो जीवनलाई महँगो होईन महत्वपुर्ण बनाउनुहोस।

Dawnfire
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EXPOSURE: 1/2500 SEC AT F8 (ISO 500)
CAMERA: SONY CARL ZEISS 135MM F1.8 SONNER T* ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.



afzalkhanvisuals.wordpress.com/2026/03/12/dawnfire

Dynamic clouds paint the sky during sunset. In the foreground, the iconic silhouette of the Swayambhunath Stupa adds a t...
13/04/2026

Dynamic clouds paint the sky during sunset. In the foreground, the iconic silhouette of the Swayambhunath Stupa adds a timeless charm to this serene scene.

Sunset Symphony: Swayambhunath IV
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EXPOSURE: 1/6400 SEC AT F8 (ISO 500)
CAMERA: SONY CARL ZEISS 135MM F1.8 SONNER T* ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.



afzalkhanvisuals.wordpress.com/2026/03/10/sunset-symphony-swayambhunath-iv

During Indra Jatra in Kathmandu, a tableau called 'Dasavatar' is performed near the Kumari House each night. Young boys ...
11/04/2026

During Indra Jatra in Kathmandu, a tableau called 'Dasavatar' is performed near the Kumari House each night. Young boys portray the ten incarnations of Vishnu through colorful costumes and gestures, creating a sacred and dramatic display that blends mythology and cultural celebration.

Faces of Dasavatar IV
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EXPOSURE: 1/50 SEC AT F1.8 (ISO 800)
CAMERA: SONY A7R IV | LENS: SONY CARL ZEISS SONNAR T* FE 55MM ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.

afzalkhanvisuals.wordpress.com/2026/03/09/faces-of-dasavatar-iv



Swet Bhairab statue (the most dangerous face of Lord Shiva) at Basantapur, Kathmandu.The aggressive: Swet Bhairab-------...
08/04/2026

Swet Bhairab statue (the most dangerous face of Lord Shiva) at Basantapur, Kathmandu.

The aggressive: Swet Bhairab
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EXPOSURE: 1/125 SEC AT F3.5 (ISO 640)

©2024 AKS™–Afzal Khan Visuals. All rights reserved.



During Indra Jatra in Kathmandu, a tableau called 'Dasavatar' is performed near the Kumari House each night. Young boys ...
07/04/2026

During Indra Jatra in Kathmandu, a tableau called 'Dasavatar' is performed near the Kumari House each night. Young boys portray the ten incarnations of Vishnu through colorful costumes and gestures, creating a sacred and dramatic display that blends mythology and cultural celebration.

Faces of Dasavatar III
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EXPOSURE: 1/125 SEC AT F1.8 (ISO 800)
CAMERA: SONY A7R IV | LENS: SONY CARL ZEISS SONNAR T* FE 55MM ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.

afzalkhanvisuals.wordpress.com/2026/03/06/faces-of-dasavatar-iii



Statue of Garuda is a serpent killer giant mythical bird, the vehicle of the God Vishnu. After the giant earthquake of 2...
04/04/2026

Statue of Garuda is a serpent killer giant mythical bird, the vehicle of the God Vishnu. After the giant earthquake of 2015, the many temples of Basantapur was completely destroyed, but the giant Garuda in its typical Namaskar position was intact.

Immortal piece of Art VIII
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EXPOSURE: 1/125 SEC AT F1.8 (ISO 800)
CAMERA: SONY A7R IV | LENS: SONY CARL ZEISS SONNAR T* FE 55MM ZA

©2024 AKS™–Afzal Khan Visuals. All rights reserved.

afzalkhanvisuals.wordpress.com/2026/03/04/immortal-piece-of-art-viii



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