oyvindwashere

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oyvindwashere 🇸🇯 Photographer. I like street scenes and geometry.

Japanese women pretending to be geishas, a geisha apprentice and finally a real geisha • Kyoto, 2023 and 2026📷 Fujifilm ...
23/10/2026

Japanese women pretending to be geishas, a geisha apprentice and finally a real geisha • Kyoto, 2023 and 2026
đź“· Fujifilm X-E5
đź“· Fujifilm X-T4
🔍 Fujinon XF 23mm f/1.4 LM WR
🔍 Sigma 18-50 f/2.8 C


Fall • It’s become tradition for me to post something fall-related to the sound of Jonas Alaska’s beautiful song “Octobe...
19/10/2026

Fall • It’s become tradition for me to post something fall-related to the sound of Jonas Alaska’s beautiful song “October”. Here’s this year’s installation. • Oslo, October 2026
đź“· Fujifilm X-E5
🔍 Fujinon XF 23mm f/2




Intervention • Japan, I love you, but you have a serious smartphone addiction problem. I thought Norway was bad, but you...
13/10/2026

Intervention • Japan, I love you, but you have a serious smartphone addiction problem. I thought Norway was bad, but you’re on another level • Tokyo, Osaka and Kyoto, October 2026
đź“· Fujifilm X-E5
🔍 Fujinon XF 23mm f/2
🔍 Sigma 18-50 f/2.8 C


Starting today is Oslo Negativ , where my image “Opsal Janisjar» was voted in the top 5 in the Oslo Street Photography C...
10/10/2026

Starting today is Oslo Negativ , where my image “Opsal Janisjar» was voted in the top 5 in the Oslo Street Photography Collective exhibit and is therefore on display in large glory. The image is from my ongoing project “Norwegian Situations”.

Henrik Ibsen wrote Peer Gynt while living in Italy, in self-imposed exile from Norway, which he felt rejected him. The play is a satire over Norwegian hypocricy and lack of a real identity. In the play, Peer peels and onion but discovers that it only has layers and no core, a metaphor for his own and therefore Norway’s lack of identity and principles; he has no backbone.

This is the one quest I always come back to. I look for the core in the Onion that is Norway if you will. Nothing is more hard core Norway than Constitution Day, the 17th of May. And nothing is more 17th of May than marching brass, dressing up, drinking and chaos. That’s why this image is so important to me.

I’m proud to have «Oppsal Janitsjar» on the wall at the old National Gallery together with the rest of Oslo Street Photography Collective and all of the other, much more hard-working photographers that are exhibiting there. I am also proud to have had this image on display as part of the FRAME TOKYO exhibit in August this year.
Oslo, May 17th 2026

Hernia • The past couple of days I’ve been largely confined to the hotel bed with a back that simply does not like being...
06/10/2026

Hernia • The past couple of days I’ve been largely confined to the hotel bed with a back that simply does not like being upright. Only interrupted by brief and painful strolls around the block to sustain a minimum of blood flow and find food. Osaka is happening outside my window for the most part so this is all I got. Luckily I have the excellent Thulsa Doom album “A keen eye for the obvious” keeping me company, which besides being musically fantastic, has a title that is a nice way to describe street photography • Osaka, October 2026
đź“· Fujifilm X-E5
🔍 Sigma 18-50 f/2.8 C

Harajuku Tokyo, October 2026📷 Fujifilm X-E5🔍 Fujinon XF 23mm f/2
05/10/2026

Harajuku Tokyo, October 2026
đź“· Fujifilm X-E5
🔍 Fujinon XF 23mm f/2


Pachinko and other Tokyo street scenes • Tokyo, October 2026📷 Fujifilm X-E5🔍 Fujinon XF 23mm f/2
04/10/2026

Pachinko and other Tokyo street scenes • Tokyo, October 2026
đź“· Fujifilm X-E5
🔍 Fujinon XF 23mm f/2

Tokyo character • Tokyo, October 2026📷 Fujifilm X-E5🔍 Fujinon XF 23mm f/2
04/10/2026

Tokyo character • Tokyo, October 2026
đź“· Fujifilm X-E5
🔍 Fujinon XF 23mm f/2




Tokyo first impressions • I’ve been to Tokyo before, three years ago. And while I did get some images then that I love v...
03/10/2026

Tokyo first impressions • I’ve been to Tokyo before, three years ago. And while I did get some images then that I love very much, it is refreshing to be back and see how I have matured. Nothing makes you notice your own progression like shooting the same experience years apart. I notice differently now. Last time I was like “maybe this could be something” and then I would tweak the images to try to bring them closer to what I think I saw when I shot them. This time around I know better what it is that I’m reacting to and what I want the image to be as I’m shooting. My post processing is also a lot more subtle and targeted. Good job, me!
Tokyo, October 2026. First image is from the Shibuya crossing.
đź“· Fujifilm X-E5
🔍 Fujinon XF 23mm f/2





In Japan you don’t walk and drink or eat. Still there are vending machines every 50 meters, but trash cans are few and far between.

Trains passing through the inner city at high speed

Actors clinic

Meiji Iris Garden

Fall mix. Oslo, August, September, October 2026📷 Fujifilm X-E5🔍 Fujinon XF 23mm f/2🔍 Fujinon XF 27mm f/2.8
30/09/2026

Fall mix. Oslo, August, September, October 2026
đź“· Fujifilm X-E5
🔍 Fujinon XF 23mm f/2
🔍 Fujinon XF 27mm f/2.8




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