12/03/2026
Fisheye lenses are the kind of lenses that photographers both love and hate. They are not easy to master, and using them feels very different from a typical wide-angle lens. The exaggerated perspective and strong distortion can feel a bit overwhelming at first, which often makes people hesitate to use them.
But once you get used to it, you start to realize that the visual impact it creates is something a 35mm or 50mm lens simply cannot replace. With a fisheye lens, you need to get very close to your subject—almost uncomfortably close. That sense of compression and intensity often turns into a unique visual strength that makes the photo more dynamic and interesting.
For this series, I didn’t rely on the fisheye lens alone. I also paired it with a 50mm and a 135mm lens during the shoot, allowing the images to balance between exaggerated perspective and compressed framing, making the overall set feel more varied and less monotonous.