Tokyo-SPC

Tokyo-SPC Tokyo Street Photography Collective.

TokyoSPC member
13/12/2021

TokyoSPC member

TokyoSPC member .tokyo_
29/11/2021

TokyoSPC member .tokyo_

Tokyo Street Photography Club.July 25th, 2021.📸 by
26/07/2021

Tokyo Street Photography Club.
July 25th, 2021.

📸 by

We’re introducing the Tokyo SPC members who participated in the last exhibition 📸 Check & Follow .tokyo_---------Hi, I’m...
26/07/2021

We’re introducing the Tokyo SPC members who participated in the last exhibition 📸 Check & Follow .tokyo_
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Hi, I’m Yusuke Nagata.
I started Tokyo-SPC to make friends of street photography 3 years ago. And now, I have many street photography friends and so happy that I could participate in the group exhibition with & .
Unfortunately I can’t travel abroad due to COVID now, but I really love to travel to your countries and hold my exhibition in the near future!
Let’s drink together at that time! Cheers🍺

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(I forgot to take a photo of my print at the gallery😂)
The title of this print is “ZEN TOKYO”. This print type is a platinum print, and I printed by myself in the darkroom.

Tokyo is a noisy place for me, and I feel like people have some kind of stress by living in Tokyo.
But those noises and stresses disappear in an instant in the photograph I feel. And looking at this photo leads me to a ZEN mood.

We’re introducing the Tokyo SPC members who participated in the last exhibition 📸 Check & Follow .m.k.i---------Immediat...
26/07/2021

We’re introducing the Tokyo SPC members who participated in the last exhibition 📸 Check & Follow .m.k.i
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Immediately after quitting my job, I went to see Nuts, who was staying in New York at that time. There, I came into contact with the culture of street photography and I began to witness the various ways of life and values of people; how behaviors that were usually criticized were accepted. I think my early photographs were works that sent respect to people in the city who lived in their own way, and their liberation, from narrow horizons. Now I'm in the process of gaining new perspectives and values through cameras and photography.

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The series I am working on now, JAM PHOTO, is one of them. Until now, I have learned life from street photography, and this time I am exploring what I think of as a work. JAM PHOTO was a series that I started to make unconsciously, but looking back, if there even is a correct answer in street photography, I think I was born with the desire to aim for something that does not have to be the correct answer. There are no fixed rules for JAM in music. I moved to Kanagawa and met many wonderful musicians, and it was at this time I became aware of this.
This Shinjuku night cruising photo combines two areas in Photoshop contrasting Tokyo at night with the beach, where I live, at noon.

We’re introducing the Tokyo SPC members who participated in the last exhibition 📸 Check & Follow ————-Hi I’m Haruki! I’m...
26/07/2021

We’re introducing the Tokyo SPC members who participated in the last exhibition 📸 Check & Follow
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Hi I’m Haruki! I’m a photographer based in Tokyo.
I’ve always had a love for art and entertainment. When I was teenager I wanted to make films, but I never had the confidence to pursue it. I thought I could only ever be in the audience.
Finally I discovered photography in 2019, it was so easy, all I need to do was buy a camera and release the shutter, and I thought “this is it, it’s my time, time to be an artist”

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On the day I took this photo I went to Yokohama with my friend . At that time there weren’t any moments or scenes that I loved, so we were just walking around the pier for a while. However, when we happened to look down at the dock below from the pier, this scenery was laid out under us. I remembered the line "beautiful things don’t ask for attention" from a movie.
True beauty, doesn’t show up right away, we don't know where it is, we may have overlooked it, but it should be waiting to be discovered. This shot reminds me that street photography is about exploring such things and valuing them.

この日は友人のヘクターと横浜へ写真を撮りに行ったが、その時はあまりいい写真が撮れたと思える瞬間がなくそれでもひたすら2人で横浜の大桟橋をフラフラと歩いていた。ふと桟橋から下のドックに目をやるとこの光景が広がっていた。その時ある映画の”beautiful things don’t ask for attention” というセリフを思い出した。
本当に美しいもの、本当にいいものはすぐには顔を出してはくれない、どこにあるか分からない、見落としているかも。でも本当は発見されるのを待っているはず。ストリート写真とはそういうものを探究してそれに価値づけすることなんだなぁと思った一枚です

We’re introducing the Tokyo SPC members who participated in this week’s exhibition 📸 Check & Follow  ----------Hi I am S...
25/07/2021

We’re introducing the Tokyo SPC members who participated in this week’s exhibition 📸 Check & Follow
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Hi I am Sumire!

Can my photos be street photos? I always get too close to the subject, so this exhibition is a new change for me. My photo doesn’t explain or insist on anything, but I am trying to tell some stories from the texture of the skin or how the light shines.

We’re going to introduce the Tokyo SPC members participating in this week’s exhibition over the next few days📸 Check & F...
25/07/2021

We’re going to introduce the Tokyo SPC members participating in this week’s exhibition over the next few days📸 Check & Follow
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Hello I'm Craig a graphic designer and photographer. I came to Japan in 2019 and connected with Tokyo SPC after seeing them on Instagram. I love photography especially film photography and I like capturing small moments of people's lives.

We’re introducing the Tokyo SPC members who participated in this week’s exhibition 📸 Check & Follow ----------My name's ...
25/07/2021

We’re introducing the Tokyo SPC members who participated in this week’s exhibition 📸 Check & Follow
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My name's Alex and I've been taking pictures on the street since around 2017. My initial interest in the genre actually came a lot earlier when I visited a Garry Winogrand retrospective at the SFMOMA back in 2013 without really knowing who he was or what the work was. I didn't own a camera at the time and wouldn't for a few more years, but the photographs I saw at that exhibition made a lasting impression and led me to where I am today.

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The title of the photograph I've chosen is "Love in the Time of Corona". It's a play on the title of a Gabriel García Márquez novel - Love in the Time of Cholera - although I didn't have any deeper connection between the two in mind when I chose it and it's more me being glib than anything. The photo is of a couple embracing in front of Shibuya station. Next to them, a sign is warning people to maintain social distance. For me the scene captures the pandemic as I experienced it here - often met with a sense of apathy and denial, but with an underlying malaise that things were no longer as they used to be.

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Shibuya-ku, Tokyo

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