Richard Sharum

Richard Sharum Photographer, Humanist. Richard Sharum is a documentary and project-based photographer based in the Dallas, Texas area.

Mainly focusing on socio-economic or social justice dilemmas concerning the human condition, his work has been regarded as in-depth, up-close and personal. Selections have been added to private and public collections across the world, with exhibitions in Kyoto, Japan, Sao Paulo, Brazil, Reggio Emilia, Italy, New York, and Dallas.His commissions include those by The Meadows Foundation, Centers for

Community Cooperation, Harvard Law School, Student Conservation Association, Childrens Medical Center (Oncology), Childrens Cancer Fund, Notre Dame School for the Mentally Ill, Family Gateway Homeless Shelter, and several others over the years. His publications include those by Texas Monthly, The New York Times Lens Blog (Great American Eclipse), D Magazine, International Business Times Weekly, Glasstire, The Dallas Observer, SpacingToronto Magazine.In 2015 and 2016, he initiated the Observe Dallas Project, where 8 photographs (40 feet x 60 feet) were draped on 5 different buildings in Downtown Dallas for a total of two months. This became the largest outdoor photography exhibit in the city’s history and helped serve as a catalyst for a city-wide conversation on the homeless population. He was awarded the Cultural Projects Grant as a result.In 2019 he was one of 5 finalists for the International Center for Photography/GOST First Book Award with his Campesino project and became a # # Eddie Adams Alumnus in upstate New York.His first major title Campesino will be released Spring 2021 under GOST Books (London).

http://bit.ly/4yFUQh7In continuing my active trilogy of documentation on the contemporary United States (Of Thee I Sing)...
29/07/2026

http://bit.ly/4yFUQh7

In continuing my active trilogy of documentation on the contemporary United States (Of Thee I Sing), I decided to take on murder as a subject, and what I feel is a growing lack of empathy, in order to attain a macro-view on the societal effects of homicide on people, both individually and as a group.

American Homicide is being built in three parts: Families of Victims, Families of Perpetrators (including the Murderers themselves), and the Investigative Ecosystem surrounding Homicide. This includes Medical Examiners, Crime Scene technicians, Prosecution and Defense Attorneys, Forensic Anthropologists and the lives of Homicide Detectives, who are caught in the middle trying to both apply justice and to also remain human, for themselves and their families.

The goal is to look at how one act affects all parties involved. Traditionally, when looking at murder, most attention is paid to the victim and their immediate family. Although this is justified to a certain degree, I am more interested in the larger picture, and how cumulatively, these homicides affect us as a society.

After my time with detectives, I was granted permission to visit and photograph convicted murderers in two states, encompassing eight prisons.

In the final production of the book, I plan on including full spreads of school-age photos, of both victims, and murderers, when they were all still children. Why, you may ask? To infer the obvious: that these children, before they were killed, or felt they had to kill others, still had a chance to be saved, on both sides. To advocate for the pre-emptive action between individuals that is still needed to save us all.





A three year documentation of homicide - how it affects not only victims, but also perpetrators and the investigators caught in between

14/05/2026

Go check out and his press .books

His new book GOOD BONES is great

OUTTAKES- Spina Americana. Oh how I miss the prairies as the storms roll in. These are from all 6 states covered in the ...
07/04/2026

OUTTAKES- Spina Americana.

Oh how I miss the prairies as the storms roll in.

These are from all 6 states covered in the book- TX, OK, KS, NE, SD, ND

27/03/2026
31/01/2026

Speaking to a journalism class in Moody School of Communications on the purposes of incorporating the stories of different communities for the purposes of speaking on something higher and universal.

Violet, at the beginning of the pandemic. Dallas, TX. March 2020.Don't judge the color. I'm color-blind.Shot on Portra w...
24/01/2026

Violet, at the beginning of the pandemic. Dallas, TX. March 2020.

Don't judge the color. I'm color-blind.

Shot on Portra with my fat Rollie, for those interested.

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Venice

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