Alessandro Grassani

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Alessandro Grassani Photographer & Journalist | The New York Times | United Nations | Sony Global Imaging Ambassador

Lost in Lecco’s old town? Just follow the large prints. They’ll lead you straight to Torre Viscontea, where the rest of ...
09/10/2026

Lost in Lecco’s old town? Just follow the large prints. They’ll lead you straight to Torre Viscontea, where the rest of is waiting.

Sony Italia

09/10/2026
SAVE THE DATE | October 3, 2026Moldova, the Cold Divide opens at Torre Viscontea in Lecco.Join us at 6 PM for the exhibi...
25/09/2026

SAVE THE DATE | October 3, 2026
Moldova, the Cold Divide opens at Torre Viscontea in Lecco.
Join us at 6 PM for the exhibition presentation with me and Alberto Basciani, Full Professor of the History of East-Central Europe at Roma Tre University, followed by a guided tour at 7 PM. Looking forward to seeing you there! Sony Italia

For El País Semanal I photographed the Garatti high jewellery atelier, with Milena Bertocchi Garatti, gemologist and Cr...
22/09/2026

For El País Semanal I photographed the Garatti high jewellery atelier, with Milena Bertocchi Garatti, gemologist and Creative Director, her sons Nicolas and Luca Garatti, and the artisans behind the jewels. A story of craftsmanship, family, and the art of high jewellery. Sony Italia

Father Vincent Souly, a priest from Ivory Coast who oversees several parishes in the Prato area, in a story I covered on...
10/09/2026

Father Vincent Souly, a priest from Ivory Coast who oversees several parishes in the Prato area, in a story I covered on assignment for The New York Times. It is the main story on the front page of the International Edition.

The story of Father Vincent Souly made it to the front page of The New York TimesWith his kindness, Father Souly welcome...
31/08/2026

The story of Father Vincent Souly made it to the front page of The New York Times
With his kindness, Father Souly welcomed us into his life in Prato, where he arrived from the Ivory Coast, and into the lives of the people around him.
Grateful to have photographed this story alongside and

A candid shot along the Dniester River. Couldn’t leave this one in the archive.           Sony Italia .eu
17/07/2026

A candid shot along the Dniester River. Couldn’t leave this one in the archive. Sony Italia .eu

The Dniester River marks the de facto border between Moldova and Transnistria. Within the Security Zone created after th...
12/06/2026

The Dniester River marks the de facto border between Moldova and Transnistria. Within the Security Zone created after the 1992 conflict, Moldovan-administered communities remain on the Transnistrian side of a border shaped by a conflict that is still frozen today.

01 – Along the Dniester River, where local youth often gather for weekend picnics. In the photo, Costantino Purici, 30, smokes a ho**ah. “I like living here; I feel safe. Since the war in Ukraine began, there have been moments when this sense of security has felt more uncertain, making it difficult to think about the future. At one point, as the fighting approached southern Ukraine, there was a feeling that if Russian forces had reached Odesa, these villages, up to the bridge where Russian soldiers are stationed, would have been among the first to be taken.”

02 – On the streets of the village of Coșnița, one of several Moldovan-administered settlements located within the Security Zone, between the Dniester River and the territory controlled by the breakaway republic of Transnistria.

03 – The Dniester River near the village of Coșnița. Young people gather along its sandy banks to ride off-road motorcycles.

Sony Italia .eu

The Dniester River, marking the border between Moldova and Transnistria, flows through a fragmented landscape within the...
20/05/2026

The Dniester River, marking the border between Moldova and Transnistria, flows through a fragmented landscape within the Security Zone established after the 1992 conflict, a history that remains unresolved to this day. Between checkpoints and territories shaped by an ongoing military presence, the landscape still carries traces of a suspended past.

All these images, taken last March within the Security Zone, were shot on expired film stock dating from before 1989. The film becomes a bridge between past and present: its chromatic shifts and imperfections are not defects, but an inseparable part of the photographs themselves, embedding time into the image and echoing an unresolved history.

05/02/2026

Indirizzo

Milan

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