Amaan Ali Photography

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London, 2025
19/03/2026

London, 2025

My latest commission for celebrating the 50th anniversary of ‘Wish You Were Here’ by on the streets of London.
17/12/2025

My latest commission for celebrating the 50th anniversary of ‘Wish You Were Here’ by on the streets of London.

Idk why but the place lingers. In retrospect, I feel like I wandered Ladakh cluelessly, like a flaneur eyeing peculiarit...
08/12/2025

Idk why but the place lingers. In retrospect, I feel like I wandered Ladakh cluelessly, like a flaneur eyeing peculiarity. On the side, I was also working on a project involving grandmothers and kids who lived in this no network zone. I met them through a lady who also shared the monastery I was living in.
Weirdly, the cooks working in the monastery were from my hometown. They offered us free dinner probably because I mirrored their demeanour.
The Enfield Classic became our daily companion, and the eerie arcadia held us captive for a month. There was no reason not to ride to Pangong, which is arguably the most serene and popular. But “regret,” as an emotion, brings me back to the apple pies I should’ve packed home.

I have a bunch of snapshots in my archive (taken on phone) that I don’t feel like sharing, but here are some stills that always give me an uncanny stare.

This was the last time I was in the mountains.
The last photo, however, is from Kashmir.
Well… that’s another story altogether.

Camera - Nikon Z6II

#2022

Thankful to have exhibited and curated this show(Vestiges) at Safehouse Gallery, London.Vestiges emanated from a desire ...
27/10/2025

Thankful to have exhibited and curated this show(Vestiges) at Safehouse Gallery, London.

Vestiges emanated from a desire to think about what remains after time, loss, and transformation. The works in the show, from Rayya Khuri’s painted archives of the Arab world, Bacon’s analogue meditations on ruins and empires, Sonia’s glowing resin pieces, Larry’s mirror frames that carry time like skin, Simran’s Gut Feeling exploring the gut as a living archive of trauma and inherited memory, to my own project Ruins of a body, all spoke to traces that resist disappearance.
Each of them lingered between life and decay, inhabiting Safehouse Gallery like living ghosts, enduring and deeply human.

Grateful to all the artists and everyone who came to see the show and share the space.

A recent commission for , portraits of theatre actors reimagining Lady Butler and her paintings at the exhibition.Love...
18/09/2025

A recent commission for , portraits of theatre actors reimagining Lady Butler and her paintings at the exhibition.

Loved working on this!

Had a fantastic time with the incredibly talented at her artist residency
14/08/2025

Had a fantastic time with the incredibly talented at her artist residency

Mimosa at St Giles Church during the refugee week 2025, wearing her traditional Albanian dress.
28/07/2025

Mimosa at St Giles Church during the refugee week 2025, wearing her traditional Albanian dress.

Portraits from Lambeth, where the borough breathes through its youth.
14/07/2025

Portraits from Lambeth, where the borough breathes through its youth.

Glimpses from the Faces/Visages exhibition, held along the river Rhône during Arles Photography Festival. It felt surre...
13/07/2025

Glimpses from the Faces/Visages exhibition, held along the river Rhône during Arles Photography Festival. It felt surreal to realise that this was the very place where Van Gogh once painted Starry Night over the Rhône.

Such an innovative curation by .tkachenko.studio.

The portrait ‘Anar’ is a part of my long-term project Ruins Of A Body, which traces grief and resilience through the life of British-Iranian activist Azamat Azhdari.

Copyright images: .official
Thanks .boggy for the video!

Pleased to share that my portrait ‘Anar’ is now exhibited at the massive Arles International Photo Festival (Rencontres ...
08/07/2025

Pleased to share that my portrait ‘Anar’ is now exhibited at the massive Arles International Photo Festival (Rencontres d’Arles) in France.
The image is part of the Art-Icon exhibition Faces (Visage) — a powerful collection of portraits from around the world.

Anar is taken from my ongoing project Ruins of a Body, which traces the emotional and political aftermath of the downing of flight PS752. The portrait is of Azamat Azhdari wearing her sister Ghanimat’s necklace, anar, a symbol of immortality in Iran. The project combines still images, moving footage, and personal artefacts to explore how grief lives on in the body, in memory, and protest.

The exhibition opened yesterday along the banks of the Rhône River in Arles, covering Quai Marx Dormoy, Quai Saint-Pierre, and Quai de Trinquetaille. It will run until Tuesday the 15th.

Feeling grateful to be part of this powerful gathering of stories and images, and to share a work that means so much to me.

Huge thanks to curator .tkachenko.studio and the .official for including Anar in this year’s edition.


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