04/06/2026
The latest work by legendary artist Banksy.
This time, he didn't make the usual mural; instead, it's a statue set on a monolith.
Banksy's work on Waterloo Place in London acts as a cold shower for all of us who sometimes get lulled into myths about our own national greatness. The figure proudly carrying the flag, yet allowing it to cover her face, becomes a perfect metaphor for the moment when symbols cease to be landmarks and become blindness. At that moment, we no longer see where we stand or where we are going.
The flag falling over our heads is not a celebration of identity, but a warning. It speaks to how nationalism, when it turns into mythomania, can separate us from reality — from real people, real problems and the real needs of the community. In this blindness, it is easy to step into the abyss, into a spiral of misery, into conflicts that do no one any good. A blindness that prevents us from knowing ourselves.
This work reminds us that the greatness of a nation does not lie in fantasies about the past, but in the ability for all — majority, minority and neighbours — to live in peace, dignity and contentment. Only when we lift the curtain can we see where we are and what we need to do to be better.
Therefore, the author, whoever he is 😁, should be given credit for the unique clarity with which he conveys messages of humanity and goodwill. His art does not shout, but hits straight to the heart — and forces us to look at ourselves without illusions.
Although the statue was placed there overnight, I find it hard to believe it was not done in agreement with the local authorities; even Banksy could not have done it a few steps from St. James's Palace without the authorities nodding.