28/10/2026
After building just over 30 setups, and getting feedback from a selection of photographers using their cameras, I spent some time last week making a few design changes to the film caddy and masks.
As well as reducing the number of separate parts, I concentrated on film flatness by holding it down only at the edges with fixed rails. To do this I’ve designed a pair of interchangeable sprung pressure plates, one for 120 and one for 35mm, which maintain flatness and ensure full frame coverage. I’ve also modified the frame masks so that they lock in to the front of the film back securely, maintaining the same flexibility of allowing you to change medium format frame size mid-roll.
Another improvement is that I’m now building all Six7 cameras with frame lines integrated into the ground glass, rather than needing to carry multiple format masks. The full glass is 6x7, the other lines show 6x6, 6x3 and 32x68mm pano.
As I needed to test the design I’ve also built up my own new ‘brassed’ version that I’m looking forward to get some film through and will be creating a new video soon.
If you’d like your own Six7 I’m currently able to offer the same 1 week build time as the Six17, so what’s stopping you? 😉