http://www.bangor-camera-club.co.uk/

Bangor and North Down Camera Club, 100 Ward Avenue, Bangor (2026)

22/03/2026

On Friday 20th March we had the pleasure of having Ken Best talking about the Kodak Vest pocket camera.
Ken Best’s talk on Kodak was as much a personal journey as it was a history lesson. It all began back in 1974 at the DDee Camera Club, when a friend handed him three old cameras — two ordinary ones and a Vest Pocket Kodak from 1922. That little camera sent him down “several rabbit holes,” uncovering a story far bigger than he expected.
Ken set the scene by describing the early days of photography, when cameras were heavy wooden boxes and photographers wrestled with wet glass plates. Into this world came George Eastman, born 12 July 1854. Eastman left school at 14, worked in insurance, and tinkered with photography in his spare time. Frustrated by the messy plate process, he began experimenting at home. By 1879 he had invented a machine to produce dry plates, and a few years later he perfected emulsion on celluloid, leading to his 1885 roll‑film patent.
In 1888 he launched the Kodak brand with the slogan that changed everything: “You press the button, we do the rest.” His aim was simple — make photography accessible to everyone. The Brownie camera, released in 1900 for just $1, did exactly that. Children could use it, families could afford it, and photography suddenly belonged to the public.
Ken traced how roll film shaped the world: cinema, X‑ray imaging, and even aerial reconnaissance in WWI. Eastman became a visionary on the scale of today’s tech giants, yet remained a generous philanthropist.
The star of Ken’s research, though, was the Vest Pocket Kodak (VPK) — a tiny folding camera released in 1912. It used 127 film, a format still celebrated today by the World 127 Club, whose special shooting day, 12/7, coincidentally falls on Eastman’s birthday. The VPK became known as the “Soldier’s Camera,” carried by officers in WWI, by Frank Hurley on Shackleton’s Antarctic expedition, and by Mallory and Irvine on Everest in 1924.
To bring history to life, Ken loaded the 1922 VPK with film — £18 for the roll, £12 to develop — and with only eight exposures, he carefully recreated local scenes such as Bangor Castle, Ulster Bank, and Coates Memorial. He compared each shot with a modern digital version, revealing both the charm and the challenges of early photography: fiddly film loading, tiny viewfinders, and the constant risk of light leaks.
Ken finished by showing how the VPK evolved into the Model B, a more refined but still characterful camera. His talk was a reminder that photography’s past is full of ingenuity, adventure, and human stories — all sparked, in his case, by a gifted camera and a curious mind.

Leanne Simpson
information officer
BNDCC

16/03/2026

Bangor and North Down Camera Club
Panels Competition

Panels is a group of six images with a common theme or story arranged in a pleasing aesthetic cohesive body . As members began to arrive Matthew Canning AIPF .CPAGB,DPAGB,the judge for this event was already ensconced and busy inspecting the panels on display Mathew commenced by thanking the club for inviting him to be the judge and said that he had a choice to judge a NIPA event but choose to come to the Bangor club as he enjoyed seeing photographic panels.

Matthew beginning with the colour category gave an incisive investigation of each panel declaring that cohesiveness was the principal attribute necessary for a successful panel . Line, shape perspective are he said important elements to engage the viewers attention but colour cohesiveness also was significant. A varied subject matter of architecture, flower and lighthouse images was on display .Matthew advised and suggested that perhaps a slight rearrangement or reposition of an image would be beneficial in some instances and noted where accidental blemishes were present . Applied overlays and blending given to an image was an additional attractive enhancement .

Overall Mathew said how much he enjoyed the panels and gave his verdict for first ,second and third places.
Colour Print Advanced
Edward McCavana Flower Arrangement First
Mandy Milliken St Pauls Cathedral London Second
Noel Maitland Lighthouse Third

Turning then to the advanced mono panel featuring interior architecture ,Exterior architecture and bird photography was on display .
As with the colour category Matthew would be concerned to see a cohesive body of work. First up was a interior panel of Somerset House London .Matthew praised the beautiful greys and the soft delicate light coming through . The arrangement of stair elements leading the eye into the panel was significant and pleasing to the eye . Mathew pondered if some redistribution of the layout might make a slight improvement but concluded that the photographer made a conscious choice .Once again he expressed his appreciation for this panel .
Next a panel of bird photography Here the photographer in the upper three images displayed delicate high key images with negative space giving the subjects room to breathe and in the lower three a slightly darker palette was evident in the lower three . Matthew referred to one image which he thought would be a beautiful detailed stand alone print .
A Panel of the docklands theatre Dublin was next up for consideration .Here the square format and sharp defined edges tied this panel together .
Mono Print Advanced
Edward McCavana Docklands Theatre Dublin First
Mandy Milliken Somerset House Second
Nigel Snell Birds Third
Before the break for refreshments Matthew considered the novice projection images of which there was only one so the accolade was awarded to Keith Hassell for Is There Anybody Out There .Matthew concluded this section with advice and encouragement for the novice photographer in their development as a photographer .

Last but not least the advanced digital projection category came under Matthew's scrutiny.
Birds , Gondolas , abstract .architecture and flowers were featured and here Matthew applied the same principals of cohesion and balance as that in the colour and mono panels .
Advanced Digital Projection
Edward McCavana Yellow Flowers First
Leanne Simpson Abstract Perspectives Second
Alastair Bell Gondolas Third
Overall panel winner Edward McCavana for Yellow Flowers

Many thanks to Matthew Canning for his generous and incisive consideration of the panels on show . Congratulations to those who were awarded with a placing . Thanks to al who entered their work and indeed thanks to all who who participated in the competitions during the 2025 2026 season .
Thanks also to competitions secretary Harry Watson for his work in directing this important part of the clubs programme .
Next week A History George Eastman- Ken Best

Edward McCavana BNDCC Information Officer

09/03/2026

Street photography by Charles Ashton FRPS

Charles Ashton FRPS approaches street photography with a strong sense of timing, composition, and visual storytelling. Much of his work relies on waiting for the right person to walk into the perfect spot, often against striking backdrops such as billboards, textured buildings, or architectural features like Blackfriars Bridge. He favours high‑contrast lighting and often uses posters with a three‑dimensional feel to create visual connections between subject and background.

Charles frequently works with very wide lenses—sometimes as wide as 9mm—which introduces distortion without becoming fully fisheye. This choice exaggerates the foreground and adds drama to everyday scenes. He also experiments with different viewpoints, shooting from eye level, low angles, or elevated positions such as the Tate Modern. In contrast, telephoto lenses allow him to compress scenes and change the emotional tone of an image entirely.

Colour plays an important role in his decision‑making. When colours clash or distract, he often converts images to black and white. He also pays close attention to symmetry, such as in his carefully aligned shot of Waterloo Station.

Charles’s work spans many global locations, from Times Square at dawn, the steam escaping from the grates of New York to the misty streets of Shanghai and the markets of Nepal. He embraces a wide range of techniques, including panning, slow shutter speeds, and even drone photography in Bangladesh, where restrictions are minimal. He often underexposes his images to enhance mood and emphasise strong shadows, particularly in places like Baker Street Station where light creates natural spotlights.

Reflections, puddles, and windows are recurring themes, offering emotional depth and layered compositions. He also creates street portraits, matching backgrounds to subjects’ clothing and occasionally blending separate portraits with different backgrounds to form composites. His environmental portraits, from barbershops to street cooks, capture the character of diverse cultures.

Whether photographing night scenes on buses or modern tunnels like Canada Square, Charles consistently brings order to the chaos of urban life, using light, perspective, and human presence to create compelling street narratives.
You can find Charles's work on his website https://charlesashton.net

Leanne Simpson
Information officer
BNDCC

02/03/2026

Bangor and North Down Camera Club

Tracey Lund Wildlife Photographer

On Friday 27th February theBangor club welcomed the the return of renowned wildlife photographer Tracey Lund . Tracey is a professional wildlife photographer who presented a talk on her adventures in Zimbabwe, Spain .Svalbard and in Scotland .She has achieved many prestigious awards including The World Nature Photographer of the Year and The Federation of European Photographers Wildlife Photographer of the Year .
FEP Wildlife Photographer of the Year SINWP Wildlife Photographer of the Year ,Cosmos Awards Wildlife and Animal Photographer of the Year and many more.

Tracey emphasised the importance of respect of the subject and of the environment .Tracey stressed that her aim is to where possible to get close and down to the eye level of the creatures she photographs
In Zimbabwe's Mana Pools National Park she encountered and photographed the life of elephants, wild dogs ,hippos, buffalo, hyena, lion and many bird species .In Spain she documented a successful conservation project for the Liberian lynx .Tracey discussed her experiences with macro close up photography .which included capturing species like jumping spiders , tarantulas, Chameleons, and frogs .

Svalbard Snowmobile Adventure
Tracey spoke of her experiences of a challenging500 mile snowmobile journey through an artic wilderness and the constant need for polar bear watch while sleeping in tents and members of the group taking turns throughout the night to keep a watchful eye for any approaching polar bears .
Tracey confided that travelling for many hours at 70 mph accidents occurred , fortunately there were no serious injury to any party members .
Tracey expressed her disappointment that a hired camera lens malfunction inhibited her ability to photograph the creatures encountered but despite the technical difficulty's was rewarded with an encounter with a polar bear and cub.

In Scotland Tracey highlighted the importance to photography hides which allow the photography of many species of birds some of which she was unaware were native to The UK .

Tracey leads unforgettable wildlife photography tours around the globe and has fine art prints of her work for sale
[email protected]

Many thanks to Tracey for her engaging and instructive talk which shows this photographer to be not only a dedicated wildlife photographer but also as a passionate advocate for the conservation of wildlife and the natural environment of our planet .
Next week the club hosts Charles Ashton FRPS Street Photography

Edward McCavana BNDCC Information Officer

22/02/2026

Last Friday, February 20th, the Bangor Camera Club was treated to a return presentation by Stan Farrow, who is based near St Andrews in North East Fife, Scotland, that was less of a technical lecture and more of a challenge to the way we see. Trained as a biologist he also had a passion for photography.
Stan didn’t just show us beautiful images, he urged us to look past the material world to find the extraordinary hiding in the what is usually seen as uninteresting or dull.
Seeing with the Mind’s Eye
Stan’s philosophy is, while abstract art can come from pure imagination, abstract photography must start with something physical. We may eventually tire of a familiar landscape on the wall, however a strong abstract remains open to interpretation, offering something new each time we revisit it.
His portfolio is a testament to this "mind’s eye" approach. He finds “Martian landscapes” in peeling boat paint, elegant geometry in the neck of a glass bottle, glass brick and shimmering colour in water sprayed across a DVD. One of his most practical tips is the use of the Square format, which strips away the viewer's sense of scale and context, forcing them to engage with the shapes and colors themselves.
Stan shared a treasure trove of methods for transforming the ordinary:
With Physical Textures: He creates unique backgrounds using alcohol inks on Yupo paper, melting ice with salt, or even using vinegar to corrode metal, spreading crackle paste over clay, or freezing marbles and ice to capture the colourful “rivers” that form as they melt.
He advocates for mastering Intentional Camera Movement (ICM) and double exposures, noting that "knowing your manual" is essential so that switching off autofocus and adjusting exposures becomes instinctive.
In Photoshop, Stan reimagines his work through the Inversion Method, flipping tonal values to create surreal, metallic textures. He also demonstrated a Rotation Technique, layering a single leaf skeleton up to 16 times to create complex abstracts.
The Image is Never Enough
Drawing inspiration from masters like Mark Rothko, Stan’s message was clear: abstraction allows us to see with the mind what the eyes cannot.
Stan proves that a subject is everywhere if you are willing to experiment. There was indeed a lot of information packed into the time that he had but made a fascinating talk and on behalf of the club we would like to thank him for all his hard work and time.
To conclude; Stan has, for a long time, given these talks and presentations for free asking clubs to consider giving a donation to go towards the MS society, the link which can be found on his website which is https://www.stanfarrowphotography.co.uk/
Next week February 27th, the clubs' presentation is Tracey Lund with wildlife photography.

Leanne Simpson
BNDCC

22/02/2026

BNDCC Continuing Birthday Celebrations
The Beauty of Light

In celebration of its 65th year of existence the Bangor club has an exhibition of members work on display in the cafe at Bangor Museum and on Thursday evening the 19th February members and visitors gathered for a talk presented by fellow member John Sullivan .Proceedings were commenced by Leanne Briggs Museum Assistant who before introducing John said how delighted she was to stage the work on display and mentioned the encouraging feedback by many visiting cafe customers..

John then proceeded to present his talk which was delivered with much wit and with a dose of irony for good measure .
To begin John drew upon the work of Nicephore Niepce who lived in Eastern France and who in the mid 1820s developed the first photographic process of heliography .By this process and the use a camera obscure he captured a view from a window in his home . From that time photography has witnessed a continuous development of process and technology in film and darkroom processes to the age of the digital cameras of today all of which has been embraced by the club during its long existence.

The Bangor club has existed in several locations before arrival in its present location in Ward Avenue Bangor . This was made possible by the dedication and determination of members who granted loans to the club to enable the reconstruction of a derelict building to make it safe for occupation .
Not only is the club engaged in stills photography initially in film and ,now with digital medium there is also and active and award winning AV [audio visual group].
With Judith Kimber ,Jane McIlroy and Jack Thompson .
One such AV by Judith Kimber was screened and that was followed by the screening of members work featured in the exhibition .
The Wednesday club where presently Harry Watson holds court is an informal venue of much benefit to new and aspiring members .
Messages of congratulations from world renowned photographers Joe Cornish and Dan Burkholder were screened.
To finish John made mention of I -phone photography and how some have taken their interest an art and abstract photography to an expressive level of creativity . The image by Gerry Coe of the Long Hole Bangor is an example of this genre.[With some licence and reference to Nicephore Niepc John indicated that this image may have been taken from a window location ] and several members have had their work accepted into The Royal Ulster Academy Exhibition .

“Plus ca change,c'est la meme chose “

[everything will change but remain the same ]

Many thanks to John Sullivan for his entertaining talk and thanks to the Bangor Museum and Leanne Briggs Museum Assistant for their valued expertise in the staging of the exhibition ,to all who provided examples of their work and to Gerry Coe who took on the task of making the arrangements with the museum and placing all the prints in mounts and frames .

Edward McCavana BNDCC Information Officer

09/02/2026

Bangor and North Down Camera Club

Infrared Black and White Photography

On Friday 6th February two members Ray Magill and Hugh Rooney .
gave a talk and discussion on the topic of INFRARED PHOTOGRAPHY [IR]

IR photography captures light beyond thevisible spectrum creating dream like images with bright white foliage and dark skies often experienced as high contrast images .

Both Ray and Hugh are expert black and white photographers and although infrared colour is known as false colour photography in this talk black and white was dominant . IR photography results in surreal dream like fine art images that portray a landscape in a different manner to how humans normally see and perceive their environment .

Ray was first to take the floor and presented a technical overview of this genre of photography.Ray displayed a chart showing the light spectrum from that perceived by humans [400 -700nm] to the IF SPECTRUM of APPROX 700-900 nm [nano meters]
Ray achieves this by converting a digital cameras sensor to remove its internal protective infrared-blocking filter .Ray prefers to use a sensor at around 720 nm as this gives him a much preferred image balance without the extreme contrast of higher nm levels. Bright sunlit conditions are often recommended but Ray prefers a more subtle and atmospheric result by shooting in partly cloudy skies .In post capture production Ray employs Lightroom , Photoshop and nik silver efex to fine tune tune the raw image as it comes from the camera to obtain the desired final result .

To finish Ray displayed examples of his work both as digital projections and as photographic prints taken on his favoured locations around Castlerock .the North Antrim Coast .

Following a break for refreshments Hugh commenced to outline his endeavours with IR photography.Hugh unlike Ray rather than adapt the sensor in a camera he fits a specialist filter to the front of the camera lens .
There are many different strengths of nm filters available and a popular choice is 720 nm which is that chosen by Hugh .This approach has the advantage of not being as expensive as altering a camera sensor but there is a disadvantage in that shutter speeds are dramatically increased to around thirty seconds necessitating the use of a tripod .

Hugh then concentrated on IR photography using an I-phone [or android] and the need to fit an adaptor to allow placing a 720 nm filter to the lens . As with Ray Hugh prefers the more fine art and subtle results rather than strong high contrast work . Hugh then displayed the work of some noted IR photographers such as Paul Gallagher ,Paul Mitchell and Rab Drew and then some of his own prints taken with the following I-phone apps.The standard i-phone app, Ree -Held for long exposure and a new app from Adobe called Project Indigo with different camera settings were passed along . for all to view

To finish proceedings Hugh screened a short video by photographer Jimmy McDonald on location in Glendalough Co Wicklow

Many thanks to Ray and Hugh for sharing their work and insights on infrared photograph.

OTHER NEWS

This year the Bangor club celebrates its 65th year of existence and now has an exhibition of members work[ The Beauty of Light ]on show in The Cafe ,North Down Museum until Sunday 22nd March and on Thursday 19th February there will be a talk presented by Bangor and North Down Camera Club on the history of the club and the changing role of photography from traditional analogue cameras to the digital photography of today .It is necessary to pre book this talk with The North Down Museum
Tel 028 91181 0803
E:[email protected]

Edward McCavana BNDCC Information Officer

01/02/2026

Venice – A Photographic Journey by Trevor Craig

On Friday we had the pleasure of our very own club member giving a presentation on Venice, a place he has visited for many years. Trevors talk offered an atmospheric journey through Venice, thoughtfully divided into themed sections that revealed both the grandeur and the intimate details of the city. He began with the iconic canals and gondolas, exploring how reflections, bridges and the ever-changing light on water create endless photographic possibilities. His fascination with windows—framed, weathered, or brightly painted—became a recurring motif, and he guided the club members through images of six distinct areas of Venice, each with its own character.

The Rialto Market section burst with colour and texture. Trevor highlighted the vibrancy of chillies, the striking reds of the fish stalls, the shapes of colourful pasta, and the deep tones of dried tomatoes with contrasting fresh tomatoes set on top. He emphasised how patterns and textures can become powerful compositional tools when photographing busy market scenes.

Moving to Piazza San Marco, Trevor showcased gondolas at sunrise with the city’s architecture glowing softly behind them. He demonstrated how straight shots and long exposures can transform the same scene, and he presented multiple angles from the promenade to show how perspective shifts mood. The Doge’s Palace featured prominently, its elegance captured in both daylight and dusk.

Street life offered another layer of Venice. Trevor discussed photographing the Rialto Bridge, the Accademia Bridge, and Ponte Maria Callas, noting how ironwork handrails cast intricate shadows that create graphic shapes. Long exposures of 2–4 minutes added atmosphere and motion to these familiar landmarks.

Carnival brought a burst of personality: colourful characters, elaborate masks, hats and costumes, all rich in detail. One of Trevor’s images was a character he referred to fondly as "Dr. Nose" This costume, featuring the distinctive long, bird-like beaked mask, was worn by doctors during outbreaks of the bubonic plague, particularly in 17th-century Europe, and he delighted in posing for the camera.

His visit to Burano revealed a world of bright houses, textured walls, hanging laundry, and bicycles set against bold colours. Narrow canals provided perfect reflections, while peeling paint and exposed brick added charm.

Trevor concluded with his evolving photographic journey suggesting recent trips, with other members of the club, have drawn his attention towards smaller details likened to a micro Venice, concentrating on the detail of smaller areas, as opposed to landscapes, and a lot of these images are muted palettes and graphic shapes.
He also discussed his RPS panel attempt, shifting from toned‑down colours to strong black‑and‑white night scenes full of light, shadow and atmosphere which is a work in progress.
We would like to thank Trevor as a club for giving his time and showing us his images of a truly fascinating place.
On Friday 6th we have another talk on infrared photography by two other club members, Ray Magill and Hugh Rooney.

Bndcc information officer
Leanne Simpson

20/01/2026

Bangor And North Down Camera Club

An evening With Paul Killeen

On Friday 16th January the first formal meeting of the new year club members welcomed Belfast photographer Paul Killeen an award winning fine art landscape photographer . Pauls work is exemplified with ethereal image made both at home and abroad. Paul is a fine art landscape photographer from Northern Ireland and known for his atmosand emotionally resonant images of the natural world. Making images throughout Ireland and abroad passion is to capture ethereal beauty in his work . Paul has received international recognition and multiple awards including UK Landscape Photographer of the Year[collection n 10]-216,UK Landscape Photographer of the year[collection 15]-Black and WhiteCategory Winner 2022, World Landscape Photographer2020- Shortlist listed World Landscape Photographer2022- Overall Winner. Pauls work has been featured in various photographic magazines and publications.
Rather than documenting locationsPaul aims to to convey feeling and stillness ,inviting inviting viewers to slow down and form a deep connection with the landscape and with a refined minimalist approach he continues to establish himself as a distinctive voice in contemporary landscape photography

Paul is a purist at heart and strives to achieve results in camera preferring to be on location rather than at a computer doing post capture work in software .

What sets Pauls work apart is an ability to capture mood with soft light .mist and minimalist composition . Wether in a windswept shoreline or deep within a woodland environment Paul captures fleeting moments which reveal a poetic interpenetration which he visualises in his mind before firing the camera shutter.This sensitive approach results in the presentation of each image with the dedication and care that reflects his relation with the environment he so ably captures .

Paul runs 1-2-1 workshops mentoring photographers of all ability and is passionate in helping others develop their photography,taking satisfaction in seeing others improve and progress.

Pauls outstanding work can be viewed on Instagram many other social media platforms : Paul Killeen Photography

https://www.instagram.com/paulkilleenphotography?igsh=MWpiYjk0dGZkc2Zsbg==

Many thanks to Paul for a most entertaining evening and for sharing his fabulous work .

Next Week Inter Club Round Four Intentional Camera Movement Photography/
Edward McCavana BNDCC Information Officer
Leanne Simpson BNDCC Information Officer

01/12/2025

Bangor And North Down Camera Club
John Miskelly
Fine Art Photography
Or How To Be a scoundrel.

Before coming to last Friday's talk by club member John Miskelly a mention that in September ,Bangor and North Down Camera Club launched a ten week beginners course ,originally planned by our late chairman Ian .We are grateful to Jane McILROY who took the first week and John Sullivan who conducted the rest of the sessions following Ian’s vision with support from fellow member Hazel Newell. The course welcomed just under a dozen participants and proved to be a great success,with a strong interest suggesting we may run another next year details to be confirmed. To sign up and register please contact the club secretary Hazel Newell [email protected]

On Friday 28th November members welcomed John Miskelly who took those present on his personal journey in photography. John recounted how at the start of his journey as is the case with everyone capturing normal straight images was a beginning but this did not yield distinctive work as defined by the requirements of The RPS for those seeking to achieve a Fellowship Of The Royal Photographic Society.

Following an encounter with landscape photographer Joe Cornish John decided to pursue his journey with landscape photography which is still his involvement to this day .
This has taken John to many parts of the world ,to Africa to India where he is involved in a charitable organisation which seeks to improve the lives of slum dwellers . John stated that we should not visit such locations as mere tourists but rather best to in some way make lives the better. The city of Venice holds a special regard for John who has returned time and time again and it was there that his distinctive long shutter speed photography was honed with in addition visits to Iceland ,France and at home with The Wild Atlantic Way where John explored panoramic image making stitching in software up to eight images to make one single photograph .On location waiting for the light to be right is often necessary in order to capture a good image . In Iceland and exploring the interior wilderness and driving alone in a four wheel drive vehicle John was unfortunate to suffer terminal damage to two tyres and there being only one spare wheel needed to call for emergency rescue .

More recently John has commenced exploring alternative processes such as ICM INTENTIONAL CAMERA MOVEMENT both in camera and in software and at times combining both in a single image . With these techniques John has perfected delicate soft coloured work and by reducing the blue saturation resulting from the filters attached to a lens which allows long exposure capture his hallmark landscape photography continues to explore the wonders of our world .
In breaking the rules ,looking for something different and distinctive says John is necessary to break away from and develop a unique style that expresses our personal vision and soul .in this endeavour John archives an artistic impressionist interpretation of the subject. John identifies J.M.W. Turner ,the impressionists such as Claude Monet whose activities rocked established norms challenging the status quo with new visions .
HEREIN LIES THE MEANING OF BEING A SCOUNDREL
'If I did what has already been done ,I would be a plagiarist and would consider myself unworthy, so I do something differentand people call me a scoundrel.I'd rather be a scoundrel than a plagiarist'
Paul Gaugin

John has explored abstract landscape photography by the use of a drone whereby looking down from a hight gives a new perspective of shape and vibrant colour which when enhanced in software renders an extremely artistic interpretation.

To round up John revealed that he was now exploring watercolour painting and thought that these might be combined in software with photographic images to effect yet another development in his multi visionary capability.
To inquire further contact [email protected]

Many thanks to John for sharing his life's work and photographic development .

NEXT WEEK Inter club round three judging .

Edward McCavana BNDCC Information Officer

Bangor and North Down Camera Club

22/03/2026

16/03/2026

09/03/2026

02/03/2026

22/02/2026

22/02/2026

09/02/2026

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20/01/2026

01/12/2025

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