Pep Avila Photo

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Professional Photographer

20/10/2026

Ocho fotografías tomadas en distintos lugares del mundo. Ocho momentos aparentemente inconexos.

Sin embargo, hay algo que los une. Una sensación de misterio, una belleza inesperada, quizás algo ligeramente inquietante.
Nada fue escenificado. Solo instantes en los que la realidad parecía un poco más extraña que la ficción.

Six photographs I took in different parts of the world. Eight seemingly unrelated moments.

Yet there’s something that connects them. A sense of mystery, an unexpected beauty, perhaps something slightly unsettling.

Nothing was staged. Just moments when reality felt a little stranger than fiction.

13/10/2026

Last week I’ve been very proud to collaborate with UNICEF and with a nice team of creatives and producers.

Algorithms learn through repetition. Let’s teach them a lesson.
For every signature, a machine will write: “I will not control children with my algorithm.”
Sign to help protect children’s mental well-being.

Special thanks to who helped us with this clip: https://www.instagram.com/reel/DeKF3jGjbqR/?stkn=YzF0Z3VwbDhnY2ll

UNICEF
UNICEF España
Viernes,

17/09/2026

In this photograph, space is not a backdrop, but the true protagonist.
Arches, columns, and volumes create a rhythm that guides the eye and suggests an almost impossible architecture.
The human figure introduces scale, but also time and movement.
The elements organize the space, while the emptiness connects them and gives them meaning.
Composition is about deciding where to place forms, but also how to arrange distances and silences.
Because sometimes, the most important part of an image is precisely what seems not to be there.

Shot in ninetreesstudio by Barcelona Production

10/09/2026

I’m very happy to share my new website.
Revisiting and editing years of work has been an intense process, but also a chance to see it all from a new perspective. New projects, a new design, and
above all, more space for the images.

I hope you enjoy it.

www.pepavila.com

25/08/2026

A few years ago, I photographed Govinda / Dahi Handi in Mumbai, and I couldn’t help thinking of the castellers of Catalonia.
Two very different traditions, two distant cultures, and the same basic idea: for one person to rise, many others have to support them.
In Govinda, everything happens amid water, shouting, vertigo, and chaos; with the castellers, the construction feels more precise and ritualized. But when you get close with a camera, the essence is the same: trust, collective effort, and many bodies supporting one.
Mumbai reminded me that sometimes the most distant cultures meet in a very simple gesture: supporting one another.

18/08/2026

Nothing inspires me more than painting as a way to dive into mystery—the mystery of color, composition, volume, and the illusion of light and depth.

In Milan: the Pinacoteca di Brera, Castello Sforzesco, and the Cenacolo Vinciano.

Francesco Hayez, Leonardo da Vinci, Canaletto, Piero della Francesca, Michelangelo, Andrea Mantegna, Francesco Hayez.

Nada me inspira más que la pintura para bucear en el misterio. El misterio del color, la composición, el volumen, la ilusión de la luz y de la profundidad.

En Milán: Pinacoteca da Brera, Castello Sforzano y Cenacolo Vinciano.
Francesco Hayez, Leonardo da Vinci, Canaletto, Piero della Francesca, Michelangelo, Andrea Mantegna, Francesco Hayez

16/08/2026

In Milan, the sidewalks are paved with asphalt. Nothing really distinguishes them from the roadway except that they are slightly raised and edged with stone. A few days ago, I was walking along one of them in the full sun, searching for shade, when I suddenly came across this delightful scene.
Against the uniform gray of the street—a seamless blend of roadway and sidewalk—there were splashes of color that, as I got closer, revealed themselves to be a series of brightly colored paper boats floating in a puddle of water. My first thought was that a child had left them behind after finishing a game. But no. As I was photographing my discovery, a man suddenly appeared out of nowhere, smiling as if looking for a knowing accomplice.
That was when I realized he was the creator of this innocent, poetic installation: his own Strait of Hormuz, filled with motionless boats, free of mines and threats. En Milán, las aceras están asfaltadas. Nada las distingue realmente de la calzada, salvo que están ligeramente elevadas y bordeadas de piedra. Hace unos días caminaba por una de ellas a pleno sol, buscando la sombra, cuando de pronto me encontré con esta deliciosa escena.
Sobre el gris uniforme de la calle —una continuidad casi perfecta entre calzada y acera— aparecían unas manchas de color que, al acercarme, se revelaron como una serie de barcos de papel de vivos colores flotando sobre un charco de agua. Mi primer pensamiento fue que algún niño los había abandonado después de terminar su juego. Pero no. Mientras fotografiaba mi hallazgo, un hombre apareció de pronto de la nada, sonriendo como si buscara una mirada cómplice.
Fue entonces cuando comprendí que él era el autor de aquella ingenua y poética instalación: su propio estrecho de Ormuz, lleno de barcos inmóviles, libre de minas y amenazas.

10/08/2026

Mountaineering…

10/08/2026

Mountaineering…

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