MXphotostudio.com - Max Czaplewski Photography

Name: MXphotostudio.com - Max Czaplewski Photography
Address: Camino Real del Alamo 45, Teror, 35339, ES
Telephone: +34698351379
Price range: $$

Casa
España
Teror
MXphotostudio.com - Max Czaplewski Photography

My name is Max Czaplewski. Currently, I'm living on Gran Canaria and here I'm working as a freelancer of sport, adventure and reportage photography.

As a hobby, I love to shoot wild nature and landscapes.

25/01/2026

Belgrade, as I mentioned recently, is an extraordinary city.
Before coming to Serbia, I expected to see a grey, post-communist, unattractive place. And what is Belgrade really like? It is grey and post-communist - but not ugly.

Belgrade is a city layered with history. Its architecture is a mix of Ottoman heritage, Austro-Hungarian elegance, socialist modernism, brutalism, and contemporary glass-and-steel high-rises. In the city center, modern skyscrapers stand next to damaged, bombed-out buildings - silent witnesses of recent history. Among them are the ruins of the former Yugoslav Ministry of Defence (Generalštab) and the Radio Television of Serbia (RTS) building, both heavily damaged during the NATO bombings in 1999.

Belgrade is a city developing at an astonishing pace. Grey during the day - perfect for black and white analog photography - but at night it transforms. Illuminated buildings, vibrant streets, bars, restaurants, and people everywhere. A city that feels raw, alive, and unapologetically real.

18/01/2026

Belgrade is a city of contrasts. It’s raw, it’s complex, and sometimes it’s hard to put into words. But then you step inside the Church of Saint Sava, and everything changes.

From a photographer’s point of view, this place is a masterpiece of light and texture. What you see on these walls isn't paint—it’s over 15,000 m² of mosaics. Millions of tiny pieces of glass and 24-karat gold leaf that catch the light in a way no fresco ever could.

The scale is hard to capture in a single frame, but I tried to focus on the golden glow that defines this interior. Swipe for some details.

09/01/2026

Tara National Park in my analog camera Canon 7. Film trix 400

I took six rolls of Kodak Tri-X 400 with me on my trip to Serbia. Unfortunately, only two of them ended up with photos.

What happened? A simple but costly mistake—the film wasn’t properly aligned on the spool. As a result, I spent three days shooting without capturing a single analog frame.

Mistakes don’t cost money, but they do teach valuable lessons. From now on, I know it’s always worth double-checking that the film is loaded correctly.

06/01/2026

Our last trip to Serbia was supposed to be a winter trip full of snow. Belgrade greeted us with an early autumnal feel. However, in the Tara Mountains, the temperature dropped below freezing. There was no snow, but thanks to the foggy weather, we had a bit of hoarfrost. Here, check out the first small part of photos from this trip.

01/12/2025

One of my best decisions this year was buying a Mamiya 645 Super camera and then a Canon 7. I'd never done analog photography before, but for about six months, I've been in love with it, especially now that I do the entire process myself. At first, I was afraid of developing film, but now I see it as one of the most enjoyable parts of analog photography. I love finding undeveloped film; I usually don't remember what's on it, and then I discover it... and memories come flooding back. The entire process, from inserting the film into the camera, through developing it, and finally scanning it, is quite slow... not instant, not fast. It's like experiencing the photographs rather than simply taking them.

31/10/2025

Mamiya 645 super
Secor-c 70 2.8
Porta 800

Dev and scan:

#645

22/04/2025

The first roll of film from my new Mamiya has been developed, and I’m excited to share the very first photo — a portrait of someone who means the world to me.

Camera: Mamiya 645 Super
Lens: Mamiya-Sekor C 80mm f/2.8
Film: Portra 800
Developed & scanned by

10/01/2025

Raul Prieto in . You can watch it in .

13/12/2024

One of my favorite photos I took while filming . is now available on the new platform.

.group.productions

21/09/2024

We are slowly approaching the end of filming . I think it’s a good time to show portraits of a small part of the crew, thanks to whom this film is possible, even though we never see them. In reality, however, they are present in every shot – through the lighting, set design, makeup, costumes, the framing of each scene, the equipment brought to the set, and so much more. Every frame is a result of their hard work. Without them, this film could not have been made.
.group.productions

09/09/2024

Extremely intense week behind us. It was a lot of night filming, and here are a few shots from my camera from last week. An extraordinary job by the entire film crew, which I am not able to name each one individually.

04/09/2024

The last few weeks have been pretty intense. Pre-production for is finished and now we're at the recording stage.

Director José Ortuño
Producer Lydia Palencia
Guión José Ortuño Nuria V. Martín
DOP Ivana Vladic
Dirección de Arte Toñi Parrales
Jefa de Producción Roberta Martino
Montaje Fátima de los Santos
group.productions

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Dirección

Camino Real Del Alamo 45
Teror
35339

Teléfono

+34698351379

Página web

https://mxphotostudio.com/

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