El Kashef Photocopy, ITSA/FAYOUM/, Cairo (2026)

Name: El Kashef Photocopy
Address: ITSA/FAYOUM/, Cairo, 63716, EG
Telephone: +201007566127
Price range: Not applicable

22/04/2026

حفل مناقشة وتوقيع رواية "الناسخ: لا أحد يعود كما ذهب"، للكاتب والمصور: محمد الكاشف، والصادرة عن دار صفصافة للنشر.
القاهرة - مصر - 2026

Book Discussion and Signing: "The Scribe: No One Returns as They Went" By Writer and Photographer: Mohamed El Kashef
Published by Sefsafa Publishing House
Cairo - Egypt - 2026

Mohamed El Kashef is a poet and freelance photographer. Born in Faiyum in 1985, he graduated from the Department of History, Faculty of Arts and Social Sciences, Minia University.

El Kashef possesses a unique visual perspective that blends technical mastery with the ability to manipulate light and angles to create cinematic compositions of exceptional quality. His expertise focuses on documenting social issues, folklore, and portraiture through a distinctive style that pays meticulous attention to detail. This approach ensures images of profound visual depth and clarity, reflecting the true identity of the place or person. This vision is evident in his numerous photographic projects to date, where he integrates visual composition skills with a passion for the philosophical analysis of imagery. This synergy lends his work an intellectual character that transcends traditional aesthetics to engage the viewer’s consciousness.

El Kashef’s creative roots extend into the realm of the Poem; writing was the primary catalyst and the spark that later shaped his visual awareness. For him, photography is nothing but "poetry written with light." In his early career, he was influenced by the work of the Syrian poet: Riad al-Saleh al-Hussein, drawing inspiration from his profound simplicity and ability to capture forgotten everyday details a quality reflected in his camera lens as he searches for the human essence.

This literary journey has culminated in the publication of five poetry collections:
- Perhaps the Sky Will Soften, Al-Naseem Publishing, 2016.
- Half a Spoon of Sugar, Al-Adham Publishing, 2023.
- A Mischievous, Not Unkind Boy, Tafra Publishing, 2023.
- Facing the World with a Lost Soul, Al-Naseem Publishing, 2024.
- As If I Am a Rose Overcome by Its Thorns, Al-Naseem Publishing, 2025.

These works represent a fundamental pillar of his creative project, where language flows to create the image, and the image transforms into a visual text that transcends documentation into the horizons of interpretation.

El Kashef is a member of the Literary Club at Itsa Culture House in Faiyum. He served as the official photographer for the Aswan International Women Film Festival (AIWFF) for its 3rd (2019) and 4th (2020) editions, as well as the official photographer for the Cairo Literary Forum (CLF) for its 6th (2024) and 7th (2025) editions.

His poems, journalistic features, and photo essays have been published across various websites and magazines. His work has been featured in interviews and profiles by: Al-Ahram (Daily and Evening), Akhbar Al-Nojoum, Raseef22, RE Cultural Platform, Masryat, Al-Araby Al-Jadeed, Bab Masr, Merit Digital Magazine, Radio and Television Magazine, Rose al-Yusuf, Funoun, Al-Thaqafa Al-Jadida, Al-Karma, Al-Qahira Cultural Newspaper, Al-Ummah Cultural Newspaper, and Akhbar Al-Adab.

"The Scribe: No One Returns as They Went" is El Kashef’s debut novel. The discussion featured writer and literary critic: Magdi Nassar, and novelist and short story writer: Wsam Genedy, moderated by screenwriter and novelist: Hend Mokhtar.

A special heartfelt thank you to my dear friend, the creative photographer: Yasmeen Ahmed Al-Azab, for her efforts and hard work in documenting the event and its details.

Cairo - Egypt - 2026

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05/04/2026

الفيديو التلخيصي للإجتماع السنوي للجمعية العمومية لصناديق الإدخار والتمويل التعاوني بدفي قرية إبوان بمحافظة المنيا تحت شبكة الاقتصاد الإجتماعي والتعاوني بالشرق الأوسط وشمال أفريقيا.
المنيا - مصر - 2026

Summary video of the General Assembly's annual meeting of savings and cooperative finance funds was held in the village of Ibwan, Minya Governorate, under the auspices of the Social and Cooperative Economy Network in the Middle East and North Africa.
Minya - Egypt - 2026

Yesterday, the General Assembly of the Cooperative Savings and Credit Funds was held in Abwan village, Minya Governorate – Egypt, reflecting the advancement of a farmer-led solidarity-based economic model.

For the first time, the model enabled farmers to move beyond dependence on small traders and high-interest profit-driven financing, which has long constrained agricultural production. The funds achieved a growth rate of 125%, demonstrating strong performance and scalability.

The model also supports the transition toward agroecology by providing cooperative financing and establishing a “community house for inputs and seeds,” strengthening farmers’ autonomy and production sustainability.

Each fund generated an average of 32 cooperative financing opportunities for agricultural activities, alongside providing inputs and seeds—marking a shift toward organized collective action.

This innovative model, developed by the Social and Cooperative Economy Network in the Middle East and North Africa, is implemented in Egypt through member organizations, notably Taawon and the Human Services Office of the Catholic Diocese.

The assembly brought together key partners, including Misr El Kheir Foundation, the Food and Agriculture Organization (FAO) in Egypt, and the Cooperative Production Union, who emphasized the importance of scaling up the model.

The event featured an open dialogue with farmers and concluded with an increase in fund capital by members, alongside the inclusion of new farmers—reflecting growing trust in the model.

What is happening in Abwan represents a replicable approach toward a more just cooperative economy and stronger community-led development.

Minya - Egypt - 2026

Photography, videography, Montage and director: Mohamed El-Kashef

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05/04/2026

الإجتماع السنوي للجمعية العمومية لصناديق الإدخار والتمويل التعاوني في قرية إبوان بمحافظة المنيا تحت شبكة الاقتصاد الإجتماعي والتعاوني بالشرق الأوسط وشمال أفريقيا.
المنيا - مصر - 2026

The annual general assembly meeting of savings and cooperative finance funds was held in the village of Ibwan, Minya Governorate, under the auspices of the Social and Cooperative Economy Network in the Middle East and North Africa.
Minya - Egypt - 2026

On Monday, March 30, 2026, the General Assembly of the Cooperative Savings and Credit Funds was held in Abwan village, Minya Governorate – Egypt, reflecting the advancement of a farmer-led solidarity-based economic model.

For the first time, the model enabled farmers to move beyond dependence on small traders and high-interest profit-driven financing, which has long constrained agricultural production. The funds achieved a growth rate of 125%, demonstrating strong performance and scalability.

The model also supports the transition toward agroecology by providing cooperative financing and establishing a “community house for inputs and seeds,” strengthening farmers’ autonomy and production sustainability.

Each fund generated an average of 32 cooperative financing opportunities for agricultural activities, alongside providing inputs and seeds—marking a shift toward organized collective action.

This innovative model, developed by the Social and Cooperative Economy Network in the Middle East and North Africa, is implemented in Egypt through member organizations, notably Taawon and the Human Services Office of the Catholic Diocese.

The assembly brought together key partners, including Misr El Kheir Foundation, the Food and Agriculture Organization (FAO) in Egypt, and the Cooperative Production Union, who emphasized the importance of scaling up the model.

The event featured an open dialogue with farmers and concluded with an increase in fund capital by members, alongside the inclusion of new farmers—reflecting growing trust in the model.

What is happening in Abwan represents a replicable approach toward a more just cooperative economy and stronger community-led development.

Minya - Egypt - 2026

Your moments deserve to be immortalized in the most beautiful pictures. Let us capture unforgettable memories for you.📸🌻

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01/02/2026

ندوة: " لغة تُنقذ العالم: قصيدة النثر وأسئلتها الكبرى"، بالصالون الثقافي في معرض القاهرة الدولي للكتاب.
القاهرة - مصر - 2026

Seminar: "A Language to Save the World: The Prose Poem and Its Grand Inquiries", Venue: Cultural Salon.

57th Cairo International Book Fair – Egypt – 2026

In a session marked by intellectual vitality and creative diversity, the Cultural Salon at the Cairo International Book Fair hosted a profound discussion titled "A Language to Save the World: The Prose Poem and Its Grand Inquiries." The event explored the intersections of poetry, language, and humanity, examining the role of writing in an era of major global shifts.

The seminar was moderated by Esraa El-Nemr, an acclaimed poet and cultural journalist. El-Nemr began her career in early 2011, moving from Akher Sa’a magazine to the prestigious Akhbar Al-Adab in 2015. She is notably the recipient of the Egyptian Journalism Award for Cultural Journalism (2022).

The panel featured a diverse group of contemporary voices:
- Ahmed Salama Al-Rashidi (Poet, Egypt)
- Alaa Fouda (Poet, Egypt)
- Lin Al-Waary (Poet, Palestine)
- Zainab Al-Qaisi (Poet, Jordan)

The Poetics of the Human Condition:
In her opening remarks, Esraa El-Nemr expressed her alignment with the prose poem, describing it as a medium preoccupied with the human predicament rather than mere linguistic decoration. She argued that the controversy surrounding this form stems from its disruption of traditional prosody (Arud) and its proximity to everyday language, which transforms the reader into an active partner in the text. El-Nemr noted that the roots of this poetic spirit are embedded in Arabic heritage, particularly in Sufi prose.

Beauty as an Existential Necessity
Dr. Ahmed Salama Al-Rashidi, poet and physician (author of The Men Who Carried Their Wills to Me), posited that beauty is not a luxury but an existential requirement. Citing John Steinbeck’s observation on how humans "decorate their cages," he suggested that art, love, and friendship are the subtle tools by which we endure and navigate life's harsh realities.

Poetry and the Palestinian Narrative
Addressing the prose poem's capacity to confront tragedy—specifically the ongoing genocide in Gaza—Lin Al-Waary, a Gazan poet of Jerusalemite descent, argued that monumental tragedies are often best captured through the "small details" that traditional metrical poetry might overlook. She asserted that the prose poem resonates most closely with the zeitgeist of the new generation, rejecting rigid molds and the need for institutional "validation" to write in specific forms.

Resistance and Evolution
Dr. Zainab Al-Qaisi, a scholar of English Literature and literary activist, discussed the evolution of resistance literature. While acknowledging the enduring influence of Mahmoud Darwish, she noted that Darwish remained an exception by writing about the Palestinian human rather than just the cause. Al-Qaisi emphasized that the contemporary prose poem effectively documents the brutal daily realities of Palestinians, asserting that writing about love and mundane life is a fundamental human right that does not diminish one's political commitment.

The Subjective as a Mirror to the World
Alaa Fouda, winner of the Akhbar Al-Adab award for her debut A Hoarseness in a Wolf’s Howl and author of the newly released I Sever My Branch from the Family Tree (Al-Mutawassit), argued that a subjective perspective in poetry is not an escape from major causes but a reflection of them. In an era of "collapsing grand narratives," Fouda believes the poet’s return to the self acts as a mirror to global crises. She further stressed the freedom of the text, noting that the prose poem—often born as a singular emotional burst—should remain open to multiple interpretations without forced explanation.

The seminar saw a remarkable turnout, including a group of students from Sharqia Governorate who attended with their teacher—a testament to the prose poem's ability to engage younger audiences and spark dialogue.

Following the seminar, Alaa Fouda held a book signing for her latest collection, I Sever My Branch from the Family Tree, at the Al-Mutawassit Publishing booth.

Note: The photography for this seminar was commissioned by poet Alaa Fouda as a professional courtesy to the participants and attendees of the Cultural Salon.

My heartfelt wishes to the author for continued success and brilliance.

57th Cairo International Book Fair – Egypt – 2026

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28/01/2026

ندوة مناقشة كتاب: "بلاغة الكود: الفنون والآداب في عصر المخاطر"، للناقد المصري: Medhat Safwat مدحت صفوت.
معرض القاهرة الدولي للكتاب - القاهرة - مصر - 2026

Book Discussion Seminar: "The Rhetoric of Code"
Title: The Rhetoric of Code: Arts and Literature in the Age of Risks Author: Medhat Safwat (Egyptian Critic)
Venue: Cairo International Book Fair – Cairo, Egypt – 2026
About the Author
Medhat Safwat is an Egyptian literary critic and researcher specializing in discourse analysis. He has served as a visiting lecturer at the University of Copenhagen, Denmark, and has lectured at several Egyptian research centers. Safwat is a prominent intellectual contributor, with essays featured on platforms such as Al Arabiya and Al-Manassa.

His critical bibliography explores deconstruction strategies, Arabic discourse, and heritage issues. His most recent works include:

- The Rhetoric of Code: Arts and Literature in the Age of Risks (House of Wisdom for Cultural Industries, 2025).
- Power and Interest: Deconstruction Strategies and Arabic Discourse (General Egyptian Book Organization).
- The Voice of Al-Ghazaly and the Parchment of Averroes, featuring a study of Averroes’ famous treatise The Decisive Discourse (General Egyptian Book Organization).
- 5×5: Ghosts of Truth in Contemporary Narrative (Mutoon Al-Muthaqaf Publishing), which was awarded the State Prize for Critical and Linguistic Studies in 2023.

As part of the 57th Cairo International Book Fair, the "Writer and Book" hall hosted a seminar to discuss Safwat's latest release.

The session was moderated by Cultural broadcaster Ms. Fatima El-Saurady, with distinguished contributions from:
- Prof. Dr. Mahmoud El-Dabaa, Dean of the Faculty of Arts and Humanities at Suez Canal University.
- Prof. Dr. Dina Abdel Salam, Professor of Literature at Alexandria University.

The seminar was attended by a notable gathering of academics, researchers, and cultural figures, whose insightful interventions and inquiries greatly enriched the intellectual dialogue.

My heartfelt wishes to the author for continued success and brilliance.

Cairo International Book Fair – Cairo, Egypt – 2026

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07/01/2026

حفل مناقشة وتوقيع رواية: "سيرة المرأة العجوز"، للصديقة العزيزة، الكاتبة الروائية والسيناريست: هند مختار .
دار صفصافة للنشر - القاهرة - مصر 2025

A discussion and book signing event for: "The Biography of the Old Woman", by my dearest lovely friend, writer, novelist and screenwriter: Hend Mokhtar.

Sefsafa Publishing House - Cairo - Egypt 2025

Hend is an Egyptian writer, novelist and screenwriter, she was born in Riyadh in 1977. and graduated from the Faculty of law, Banha University, and obtained a diploma in art criticism in 2005.

She is a freelance journalist who writes for numerous Egyptian websites, newspapers, and magazines, including: (Masryat.com\Raseef22.com\Al-Mizan.com\Alam Al-Kitab Magazine\black and white Magazine\Akhbar Al-Nujoum Magazine\Al-Dustour Newspaper, and Harf Magazine), and others.

and through 25 years in the writing field, She participated in writing many scenarios for drama and cinema for the Egyptian Radio, the Egyptian Television, the Saudi Television, and the Egyptian Cinema, and co-wrote and preparing the documentary "Gab El-Deeb Men Deleh" (He Pulled the Wolf by His Tail), about the life story of the great late author and theatrical producer, Samir Khafagy.

She also teaches literary writing and scenario methods in many of her workshops in cooperation with literary institutions.

she has published:
- Sugar block, a novel, by the Egyptian-Lebanese House, 2012.
- The Biography of the Old Woman, a novel, by Sefsafa Publishing House, 2026.

In a realistic language that blends storytelling with confession and reflection, Hind builds a world that is both familiar and mysterious, following the biography of a woman who revisits her life not as a longing for the past, but as an attempt at understanding, reconciliation, and reconsideration. Through a calm and intense narrative, memory opens up to stations of love and loss, to the body when it ages, and to the soul when it insists on remaining awake, so that the story turns into a deep human reflection on time, women, and the indelible mark that age leaves on us.

"The Biography of the Old Woman" was discussed by The literary critic: Magdi Nassar and the Egyptian writer: Omneya Talaat, it was moderated by Al-Araby TV correspondent: Ahmed Hussein.

I wish for continued success in her professional and personal life.

Cairo - Egypt 2025

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06/12/2025

حفل مناقشة وتوقيع المجموعة القصصية: "رابونزل لا تجيد تصفيف شعرها"، للصديقة العزيزة، الكاتبة: دينا الحمامي .
دار ريشة للنشر والتوزيع- القاهرة - مصر 2025

Discussion and book signing event for the short story collection: "Rapunzel Can't Style Her Hair" by our dear friend, the writer: Dina El-Hammamy

Risha for Publishing and Distribution House - Cairo - Egypt 2025

Dina El-Hammamy was born in Cairo in August 1990. She studied and graduated from the Italian Language Department at the Faculty of Al-Alsun, Ain Shams University in 2011.

El-Hammamy worked in the field of sports translation in: (the International Federation of Arab workers syndicates/ the International Handball Federation), and published technical, qualitative and humanitarian articles in many newspapers and journalistic websites such as: (Al-Masry Al-Youm/ Raseef22 website/ Al-Bawabah News website).
Her writings were distinguished by addressing the three taboos, and her topics rebelled against reactionary legacies, most notably patriarchal authority.

She published her first novel, “Al Farouda - A Biography of Loss and Distraction", with Risha Publishing and Distribution House in 2024, after her manuscript reached the long list of the Khairy Shalaby Award for First Fiction in its fourth session.

The short story collection: "Rapunzel Can't Style Her Hair" discussed by the Egyptian translator: Fatma Naoot and the literary critic: Magdi Nassar.

I wish for continued success in her professional and personal life.

Cairo - Egypt 2025

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24/11/2025

جلسة تصوير الفنان التشكيلي الكبير، الصديق العزيز، الأستاذ: علي المريخي.
القاهرة - مصر 2025

Photo Session of the Renowned and Visionary Visual Artist: Ali El-Merekhy
Cairo - Egypt - 2025

Ali El-Merekhy is an Egyptian visual artist, born in the village of Higaza in the Kom Ombo district of Aswan in 1965. He graduated from the Department of Philosophy at the Faculty of Arts and Humanities, Assiut University, in 1986. He later worked as a director for Egyptian Television and served as the head of Channel 8 "Tiba Channel".

His talent was discovered early during his primary school years. In preparatory school, he learned the craft of wall painting from village artists, gaining strong skills in color work and ornamentation.

El-Merekhy is known for his distinctive expressionist style, which draws on memory, childhood joy, and everyday life. His work vividly portrays the customs and traditions of village life in Upper Egypt. Throughout his career, he has focused on preserving the village’s collective memory, the aesthetics of rural architecture, village celebrations, and has also been active in television directing and community arts.

He has participated in numerous group exhibitions with artists from Aswan, including the 44th and 45th editions of the General Exhibition, the 6th Cairo Art Exhibition at the Grand Egyptian Museum in 2025, as well as solo exhibitions in various galleries across Egypt, in addition to taking part in Egypt’s first international art fair.

Selected artworks:
- "Village Memory" Exhibition (1995): An expressionist exploration of his village’s customs and traditions.

- "Mountain Houses" Exhibition (2004): A visual study of the aesthetics of rural architecture and the role of women in decorating and beautifying homes. A film of the same title was produced and later won an award at the Arab Media Festival in 2006.

- "The stick and the Turban" Exhibition (2018): A tribute to cultural symbols such as (the stick, the turban, and the gallabeya) material elements of Upper Egyptian heritage that express identity and pride.

El-Merekhy has also directed several notable documentary films, including: Three Women (1999), The Mawlid (2000), Pilgrimage Murals (2001), Mountain Houses (2006), and The Magic of Luxor (2009).

Awards:
- The Silver Award at the Radio and Television Festival for the documentary Pilgrimage Murals (2001).

- The Artistic Award at the Arab Media Festival for his documentary Mountain Houses (2006).

- The Shield of the General Authority of the Egyptian Ministry of Culture (2009).

It was a great honor to sit with him and capture a few portraits.
From the heart, I sincerely wish him continued success and fulfillment in his creative journey.

Cairo - Egypt 2025

Your moments deserve to be immortalized in the most beautiful pictures. Let us capture unforgettable memories for you.

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10/09/2025

جلسة تصوير سريعة الفنان التشكيلي الكبير، الأستاذ: عمر الفيومي.
القاهرة - مصر 2025

Mini Photo Session of the Distinguished Visual Artist: Prof. Omar El Fayoumi
Cairo - Egypt, 2025

Omar El Fayoumi is a free-spirited Egyptian visual artist, born in Giza in 1957. He graduated from the Mural Painting Department, Faculty of Fine Arts, Helwan University, in 1981. He later earned a Master’s Diploma in Mural Painting from the Academy of Arts in Repin, Saint Petersburg, Russia (1991), followed by a practical specialization in mural painting in Saint Petersburg (1993).

El Fayoumi is a member of the Syndicate of Plastic Artists, the Cairo Atelier, and the Fine Arts Alumni Association.

Since his graduation, El Fayoumi has been a prominent figure in the Egyptian art scene, having lived and worked between Egypt, Russia, and Tunisia. His works are characterized by bold brushstrokes, vibrant colors, and intricate details. He has held numerous solo and group exhibitions both in Egypt and abroad.

His works are housed in the Museum of Modern Art in Egypt, as well as in private collections around the world. Among his most notable works is a mural in the Fustat Market in Historic Cairo, which reflects his mastery in blending cultural heritage with contemporary aesthetics.

El Fayoumi’s art often captures the essence of daily life in Egypt’s streets and café culture, with a focus on human interactions and everyday moments. His paintings whether portraits or street scenes combine the vibrancy of daily life with profound emotional depth, showcasing his remarkable command of form and color.

With decades of experience and a distinctive artistic vision, Omar El Fayoumi continues to inspire audiences through his dynamic and captivating works. His ability to weave stories of contemporary life into his murals and paintings cements his status as one of the leading figures in modern Egyptian art.

It was a great honor to sit with him and capture a few portraits. From the heart, I sincerely wish him continued success and fulfillment in his creative journey.

Cairo - Egypt 2025

Your moments deserve to be immortalized in the most beautiful pictures. Let us capture unforgettable memories for you.

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03/09/2025

جلسة تصوير الفنانة التشكيلية: د. فاطمة عبد الرحمن نوح.
القاهرة - مصر 2025

Photo Session of the Visual Artist: Prof. Dr. Fatma Abdulrahman Noah
Cairo – Egypt, 2025

Fatma Abdulrahman, a visual artist, was born in Cairo. She graduated from the Department of Graphics, Printmaking Division, Faculty of Fine Arts, Helwan University in 1995, and was appointed as a teaching assistant in 1996.

She obtained her Master’s degree in Fine Arts in 2002, after defending her thesis entitled: "The Works of Odilon Redon in Printmaking". In 2008, she earned a Ph.D. in Philosophy of Fine Arts from the Faculty of Fine Arts, Helwan University.

Over the years, she progressed through various academic and administrative positions until she was appointed Vice Dean for Education and Student Affairs at the Faculty of Fine Arts, Helwan University, in 2023.

Her journey in the Egyptian art movement began with her participation in the 5th Youth Salon in 1993, followed by continuous contributions in several editions, as well as through numerous solo and group exhibitions both in Egypt and abroad.

Fatma has received numerous national and international awards, including:
- First Prize in Painting, 8th Youth Salon (1996), 11th Youth Salon (1999), and 17th Youth Salon (2005).
- First Prize in Painting, 5th Port Said National Biennale (2001).
- International Acquisition Prize, Chamalières International Triennial, France (1997).
- Encouragement Prize, International Graphic Triennial, Egypt (2006).
- State Encouragement Award in Fine Arts (Painting & Imaging), Egypt (2017).
- Encouragement Award in the Arts, Supreme Council of Culture, Egypt (2018).

In addition to her artistic achievements, Abdulrahman is an academic professor in the Department of Graphics at the Faculty of Fine Arts. Her teaching has greatly shaped her artistic vision, which is fundamentally rooted in the art of painting. She has always been devoted to reinterpreting her surroundings in harmony with her own perspective a goal and a medium at the same time. Her artistic practice is imbued with reverence for nature, her first teacher, and a constant pursuit of unity with it through her works.

Throughout her creative journey, Abdulrahman has introduced diverse and innovative artistic experiences, articulated in a unique visual language grounded in contemplation, awareness, and profound engagement. By immersing herself fully in her artistic process, she has been able to capture and translate the most intricate details through her brush.

Artistic and Public Contributions:
- Member of the Supreme Jury and Selection Committee, 27th Youth Salon (2016).
- Commissioner of the Painting Workshop, 27th Youth Salon (2016).

Her name was also featured in The Encyclopedia of the Youth Salon, Vol. II, compiled by critic Mohamed Hamza (2002), published by the Fine Arts Sector.

From the heart, I sincerely wish her continued success and inspiration in both her professional and creative journey.

Many thanks and love to the visual artist: Prof. Dr. Hayam Haroun, and the visual artist: Sahar Alamir, for this wonderful opportunity.

Cairo - Egypt 2025

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