Krotky.Luke

Krotky.Luke Hallo ich bin Lukasz "Krotky" Krotkiewicz dein Professioneller Fahrzeug-Fotograf.

04/06/2026

Ein Tag an der Rennstrecke

04/06/2026

Wieso ist der Rettungshubschrauber gekommen..
Und wie ich den Tag am Hockenheim Verbracht habe

SUPER REDWhat happens when you remove every distraction?For this image of the Ferrari 812 Superfast, I deliberately wrap...
01/06/2026

SUPER RED

What happens when you remove every distraction?

For this image of the Ferrari 812 Superfast, I deliberately wrapped the entire scene in Ferrari red. Not to create drama, but to simplify. Much like black-and-white photography strips away color to reveal form, this monochromatic approach uses Ferrari’s own signature color to focus attention on what truly matters: the design.

Under this red light, the car almost stops looking like a photograph. It becomes graphic, nearly illustrated. The lines appear sharper, the surfaces more sculptural, and every design decision becomes easier to read.

I experimented with selective white highlights on the wheels and bodywork using controlled light modifiers, isolating specific areas without contaminating the rest of the scene. Technically it worked. Visually it didn’t. Every additional accent pulled attention away from the purity of the concept.

By leaving everything in red, the design language of the 812 Superfast speaks for itself. Every crease, every curve, every air channel, every surface shaped to guide airflow becomes visible. You can almost follow the pencil strokes of the Ferrari designers who first imagined this car.

Enjoy Super Red.

P.S. This image only truly works as a large print. The scale is part of the experience, and that’s why I’m considering turning Super Red into a poster.

Want to win one?

Comment “RED” below or tag someone who should have this on their wall.

I’ll be giving away 10 posters to selected participants.

SUPER REDWhat happens when you remove every distraction?For this image of the Ferrari 812 Superfast, I deliberately wrap...
01/06/2026

SUPER RED

What happens when you remove every distraction?

For this image of the Ferrari 812 Superfast, I deliberately wrapped the entire scene in Ferrari red. Not to create drama, but to simplify. Much like black-and-white photography strips away color to reveal form, this monochromatic approach uses Ferrari’s own signature color to focus attention on what truly matters: the design.

Under this red light, the car almost stops looking like a photograph. It becomes graphic, nearly illustrated. The lines appear sharper, the surfaces more sculptural, and every design decision becomes easier to read.

I experimented with selective white highlights on the wheels and bodywork using controlled light modifiers, isolating specific areas without contaminating the rest of the scene. Technically it worked. Visually it didn’t. Every additional accent pulled attention away from the purity of the concept.

By leaving everything in red, the design language of the 812 Superfast speaks for itself. Every crease, every curve, every air channel, every surface shaped to guide airflow becomes visible. You can almost follow the pencil strokes of the Ferrari designers who first imagined this car.

Enjoy Super Red.

27/05/2026

be a warrior not a worrier

The new generation of the Porsche 911 GT3 RS with the latest Weissach Package is not a car built for attention — it is b...
24/05/2026

The new generation of the Porsche 911 GT3 RS with the latest Weissach Package is not a car built for attention — it is built for purpose.
Every surface, every wing, every canard, every airflow guide exists for one reason only: performance. Brutal from every angle, almost monstrous in its presence, this Sonderwunsch configuration assembled at Porsche Zentrum Darmstadt feels less like a road car and more like a precision weapon engineered for the racetrack — the place where it truly belongs.

Photographing it in this unexpected setting of water, architecture, reflections, and cubistic lines created a deliberate contrast. The environment is calm, geometric, controlled. The GT3 RS is aggressive, mechanical, alive.
The only harmony between both worlds is found in the light — and in the blue and white tones connecting machine and space.

Some people cook. Others dedicate their lives to creating experiences.Thomas is one of them.Watching him work felt less...
21/05/2026

Some people cook.
Others dedicate their lives to creating experiences.

Thomas is one of them.

Watching him work felt less like being in a restaurant kitchen and more like watching a craftsman completely disappear into his craft. Every movement had purpose. Every detail mattered. Texture, temperature, timing, balance — nothing was accidental.

That evening, I was sitting directly at the chef’s table while he prepared a multi-course dinner for his guests.
The concentration in the kitchen was intense, almost silent at times. You could feel the pressure, but even more, you could feel the passion behind it.

What fascinates me most about Thomas is the way he rethinks familiar flavors.
He takes regional ingredients and transforms them into something unexpected.

He even changed the way I think about Brussels sprouts.

As a kid, I hated them. Probably because I only knew them prepared badly.
Thomas showed me what they could actually taste like — deep, balanced, almost explosive in flavor when treated with respect and creativity.

That’s what separates someone who cooks from someone who truly understands food.

This series is exactly why I started “THE ART OF MAKING”.
To document people who live their profession with absolute dedication.
People who care about details nobody else sees.

And honestly — I think I’ll continue this series in black and white.
It strips everything down to what really matters: focus, emotion, character, craftsmanship.

If you are passionate about your profession and would like me to document you while doing what you love, send me a message.
I’d love to tell your story through my lens.

Thomas

Shot like an editorial, not like a snapshot.A 90s Toyota Land Cruiser, reimagined as a subject rather than just a utilit...
05/05/2026

Shot like an editorial, not like a snapshot.

A 90s Toyota Land Cruiser, reimagined as a subject rather than just a utility tool — a towing truck with presence. The idea was never to “just document it”, but to elevate it into something closer to high-end automotive storytelling.

Everything was pre-planned and scouted: the location, the timing, the sun angle, the contrast between natural and artificial light. Even the setting — a raw workshop entrance with a rolling garage door — was chosen to frame the character of the vehicle instead of hiding it.

The goal was simple: strip away the ordinary context and let the Land Cruiser speak through form, texture, and atmosphere. Controlled light, intentional composition, and a scene built to feel both industrial and cinematic.

A working machine, treated like a hero car.

I love capturing the details in cars. Here are a few details from the Daytona’s interior.
01/05/2026

I love capturing the details in cars. Here are a few details from the Daytona’s interior.

24/04/2026

Casting für model 2027

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Orber Str. 4a
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60386

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