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Teryoshi, Olten (2026)

15/08/2025

Workshop in Olten, Switzerland next thursday! 🇨🇭⚡️

Flash in Street and Documentary Photography during the IPFO festival where I’m also going to show the “nothing personal” series.

In this workshop, you’ll have the opportunity to gain insight into the working methods of award-winning photographer Nikita Teryoshin, known for his biting projects on the global arms trade, the dairy industry, and national party conventions. You’ll learn how to consciously use flash and composition to direct the viewer’s attention to what matters most and to communicate effectively with your audience.

The workshop begins with a theoretical introduction and a short portfolio review, followed by a practical session where you’ll head out together to practice using flash in different lighting conditions and training your eye to capture the “imperfect moment.” Afterwards, you’ll review and edit the results.

Requirements

Some experience in street or documentary photography is an advantage.

Beginners in flash are welcome.

What to bring

Digital camera

External flash / hot-shoe flash

Transmitter (optional)

Laptop

Language: German
Price: CHF 435.00 (incl. lunch)
Participants: Min. 6 – Max. 15

Link in Bio ✌️

11/08/2025

Emre Can, German national football team player and captain of Borussia Dortmund on the Ruins of the former Steel industrial plant Phoenix West for

Picture editor: .pernkopf
Assistant: Cihan Hazinedar
Author: Max Nölke

08/08/2025

Happy international cat day! 😽

from Backyard Diaries Vol.1
St. Petersburg

05/08/2025

„Nothing personal“ has been published in print media across the 🌍 since the book came out. Finally I had some time to photograph the teryosheets for my website featuring 🇺🇸 🇮🇹 🇬🇧 .die_tageszeitung 🇩🇪 .diewochenzeitung 🇦🇹 🇪🇸 🇬🇧 🇵🇹 among others

04/08/2025

Strawberry Overkill at Karls Erdbeerhof for

picture editor:
article:

30/07/2025

Last part of “Creation of Beauty” (2024 - ongoing)

Since antiquity humanity has pursued beauty – once carved in marble, painted onto canvas, and today, reshaped through the global aesthetics industry. In Creation of Beauty, I explore this modern ideal in places like Istanbul’s hair transplant clinics, world’S biggest Beauty trade fair in Düsseldorf, and luxurious aesthetic congresses in Monaco and Paris, attended by professionals from all across the globe.

With a focus on staged realities and silent absurdities, I document fluorescent treatment rooms, anonymized bodies in transformation, and machines that promise perfection. Beauty is no longer a mystery – it’s a product: marketable, standardized, buyable.

But beauty ideals are never universal. In ancient China, corpulence symbolized prosperity. Today, faces and bodies are filtered through algorithms, shaped by influencers, and measured against globalized standards. Throughout history, beauty has always been political.

This becomes especially clear in Germany’s past. Under the N**i regime, the idea of the Übermensch – the racially defined “superhuman” – also shaped ideals of physical appearance. Jewish individuals, like Margot Friedländer, underwent nose surgeries to avoid persecution. For some, altering their looks became a strategy of survival.

Nowadays plastic and cosmetic procedures aren’t only serving vanity or conformity. For many people, they offer relief from real psychological suffering. In a society where physical appearance can deeply affect social belonging, confidence, and self-worth, changing one’s body can become a way to reclaim control. These interventions can in some cases reduce the inner pressure and stigma that individuals feel – especially when appearance becomes a source of exclusion, ridicule, or dysphoria.

Creation of Beauty is a reflection on how concepts of beauty are shaped by society, power, commerce, and identity – between ideal, illusion, trauma and optimization.

Full series now on my website. Link in bio

29/07/2025

Creation of Beauty(2024 - ongoing)

Since antiquity humanity has pursued beauty – once carved in marble, painted onto canvas, and today, reshaped through the global aesthetics industry. In Creation of Beauty, I explore this modern ideal in places like Istanbul’s hair transplant clinics, world’S biggest Beauty trade fair in Düsseldorf, and luxurious aesthetic congresses in Monaco and Paris, attended by professionals from all across the globe.

With a focus on staged realities and silent absurdities, I document fluorescent treatment rooms, anonymized bodies in transformation, and machines that promise perfection. Beauty is no longer a mystery – it’s a product: marketable, standardized, buyable.

But beauty ideals are never universal. In ancient China, corpulence symbolized prosperity. Today, faces and bodies are filtered through algorithms, shaped by influencers, and measured against globalized standards. Throughout history, beauty has always been political.

This becomes especially clear in Germany’s past. Under the N**i regime, the idea of the Übermensch – the racially defined “superhuman” – also shaped ideals of physical appearance. Jewish individuals, like Margot Friedländer, underwent nose surgeries to avoid persecution. For some, altering their looks became a strategy of survival.

Nowadays plastic and cosmetic procedures aren’t only serving vanity or conformity. For many people, they offer relief from real psychological suffering. In a society where physical appearance can deeply affect social belonging, confidence, and self-worth, changing one’s body can become a way to reclaim control. These interventions can in some cases reduce the inner pressure and stigma that individuals feel – especially when appearance becomes a source of exclusion, ridicule, or dysphoria.

Creation of Beauty is a reflection on how concepts of beauty are shaped by society, power, commerce, and identity – between ideal, illusion, trauma and optimization.

Full series now on my website. Link in bio

26/07/2025

Creation of Beauty(2024 - ongoing)

Since antiquity humanity has pursued beauty – once carved in marble, painted onto canvas, and today, reshaped through the global aesthetics industry. In Creation of Beauty, I explore this modern ideal in places like Istanbul’s hair transplant clinics, world’S biggest Beauty trade fair in Düsseldorf, and luxurious aesthetic congresses in Monaco and Paris, attended by professionals from all across the globe.

With a focus on staged realities and silent absurdities, I document fluorescent treatment rooms, anonymized bodies in transformation, and machines that promise perfection. Beauty is no longer a mystery – it’s a product: marketable, standardized, buyable.

But beauty ideals are never universal. In ancient China, corpulence symbolized prosperity. Today, faces and bodies are filtered through algorithms, shaped by influencers, and measured against globalized standards. Throughout history, beauty has always been political.

This becomes especially clear in Germany’s past. Under the N**i regime, the idea of the Übermensch – the racially defined “superhuman” – also shaped ideals of physical appearance. Jewish individuals, like Margot Friedländer, underwent nose surgeries to avoid persecution. For some, altering their looks became a strategy of survival.

Nowadays plastic and cosmetic procedures aren’t only serving vanity or conformity. For many people, they offer relief from real psychological suffering. In a society where physical appearance can deeply affect social belonging, confidence, and self-worth, changing one’s body can become a way to reclaim control. These interventions can in some cases reduce the inner pressure and stigma that individuals feel – especially when appearance becomes a source of exclusion, ridicule, or dysphoria.

Creation of Beauty is a reflection on how concepts of beauty are shaped by society, power, commerce, and identity – between ideal, illusion, trauma and transformation.

Teryoshi

15/08/2025

11/08/2025

08/08/2025

05/08/2025

04/08/2025

30/07/2025

29/07/2025

26/07/2025

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