Slow photography / Photographie Lente

Slow photography / Photographie Lente Even when the shutter speed reaches 1/2000 sec, every picture contains time. The one you take before and after the action. The time you take to be there !

Une page de Charles Lemaire (https://www.facebook.com/charles.lemaire.photographe)

Et encore un mouvement slow? Pour quoi faire? D'abord pour penser la photo autrement: Photographier lentement... prendre le temps de photographier... se demander à quel rythme on photographie... ou bien photographier vite ou régulièrement... ne pas oublier de photographier... ne pas se laisser bouffer par le temps

qui nous empêche de photographier... La photographie, ce n'est pas seulement le résultat de la lumière... mais le produit temps*lumière...

Et puis pour pratiquer la photo autrement...

Et, à partir du 1er septembre 2011, la publication de fiches pratiques et d'exercices de Slow Photography/Photographie lente, référencées ici, mais publiées sur http://photographielente.blogspot.com/

Donnez du temps à vos projets.Laissez-les respirer!Laissez-les de côté et puis retournez-y quand l'inspiration vous vien...
23/11/2025

Donnez du temps à vos projets.
Laissez-les respirer!
Laissez-les de côté et puis retournez-y quand l'inspiration vous vient.

Commencé en 2006, mon projet "image latente/l'attente" n'en finit pas de produire des effets.
Les deux derniers cette année encore.

https://charleslemaire.eu/Travaux/image-latente

18/11/2025
04/08/2025

I‘m definitely the bottom one right now

04/08/2025

Is this the future we want for art? 🤖

AI art tools like Lensa App, Midjourney or Stable Diffusion have recently taken the world by storm.
It’s impressive what these applications are capable of but most people aren’t aware of the very worrisome implications this trend has for the future of art:

1. AI tools are algorithms that need source data to function. In the case of AI art software, the source data is a pool of millions of artworks that were created by human artists over the centuries. AI tools can only create stunning images because they have access to this vast library of art. The problem is that most artists didn’t give permission for their art to be used this way. Furthermore, contemporary art is protected by copyright laws and is used against the artists’ will to feed a machine that aims to replace them by recreating their art style. This is not only morally reprehensible but most likely illegal. It is art theft on a massive scale disguised as technological progress.

2. AI art threatens the livelihoods of millions of artists, designers, photographers & other creatives. These tools are built to create artistic or photorealistic images in a myriad of different styles and in an instant. “Fast art“ you might call it. No human artist can compete with a machine that can create 20 different iterations of a prompt in 5 seconds. The basic economic principles of supply and demand dictate that when the art market is flooded with cheap & easy to create AI art, the wages for artists will go down even lower — when most creatives can already barely cover their living expenses. Why should companies or individuals pay a human artist when they can get AI to create their desired outcome in the blink of an eye and for the fraction of the cost? We already see this happen in certain fields and this trend will only accelerate.

3. AI tools devalue art to a mere product of algorithmic approximation and a means to serve consumerism. They mash together source material to create images that are visually pleasing but have no human soul. Art has been a form of human expression and communication for as long as we have existed. From cave paintings to impressionistic masterpieces of more recent centuries — art is a vital part of who we are! It helps us make sense of the human condition and put beauty into our world. Capitalism has the tendency to reduce things to products merely designed to generate revenue. We have seen this happen in the world of movies and video games, where the same generic themes are rehashed over and over because they are „safe“ and sell. Rarely do we see hollywood directors truly tread new paths because corporate profits are more important than having creative vision. Do we want the same thing to happen to art?

4. AI art apps like Lensa encourage their users to upload photos of themselves and turn them into artistic masterpieces. This poses a huge risk to the privacy and safety of the app‘s users because their likeness is fed into the AI‘s source data and may end up being used for unwanted nefarious purposes. It has been reported that Stable Diffusion, the software Lensa App is based on, has been used by some to create p*rnographic images. Would you want your face to float around in a software that can create these kinds of images?

5. AI art tools enable art thieves in completely new and dangerous ways. Some artists have already experienced this: the thieves would feed the artwork they want to steal into the AI and let it create a variation. The outcome would be very similar to the original artwork but different enough to protect the thief from a copyright lawsuit. Even entire art styles can be imitated. A digital artist called SamDoesArt recently had thieves train AI software to almost perfectly copy his art style. They even made a contest out of it, rewarding whoever got closest to Sam‘s art style. While a certain style is not protected under copyright laws, it takes artists years and years to find their unique voice and perfect it. To have it stolen like that, without a legal way to fight back, is beyond frustrating.

6. Lastly, this AI art trend discourages people to get into the arts and develop the necessary creative skills it takes to become a professional. I myself had many aspiring creatives reach out to me, telling me how scared they were for their future and that they didn’t know if going to an art school or studying art by themselves was even worth it anymore. Choosing an artistic career is already daunting and difficult enough. Having to compete with machines that have no downtime, no self-doubt and learn at a much faster pace than humans could, will cost us entire generations of actual humans wanting to add their creative voice to society.

I am not against technological progress. I think AI is fascinating and can be used for good in so many ways. I just believe that we shouldn’t automate things that are so central to who we are as humans. We risk losing touch with our own humanity. Think about how much art has an influence on our everyday lives: it’s in the music we listen to on our way to work, in the design of the car we drive or in the Netflix show we watch to wind down in the evening.

If you want to support the survival of human artists and protect their rights, consider doing any of the following:

- share this post so that more people are educated about the topic
- write to politicians and lawmakers so that we get clear and tight regulation around AI art
- demand companies to continue to hire human creatives and don’t buy products that were AI-generated
- continue to support the human artists around you

As for me, I will keep creating — it is an integral part of who I am.

I hope so will you.

23/05/2025

[Digital film simulation]

When people are comparing analog to digital photography, they typically mention two or three things, always the same: megapixels (how much detail each type of camera can capture) rendering / film simulation (the way it is rendered, and the ability of the digital to imitate the film)

The last would, according to them, be enough to discard analog photography. "You can do exactly the same with a digital camera", they say.

But, is it the point?
And again, isn't it reducing photography to its results? The pictures.

What about the process?
What about the unique and mysterious way you create an analog picture? Carry it, invisible, after taking it. Operating like a rope dancer, just looking in front of you, not seeing what is behind. Half blind, not knowing how good you did, but trusting your experience and/or your taste for danger.

The tool changes the way you work!
I do not want to forget the good things I learned from analog photography.
I also want some of them to be applied to the way I photograph digitally.
I want to be a rope dancer even when I photograph digitally!

Slow art again / latent words in place of latent pictures2014-2114 / 100 unpublished manuscriptsThe Future Library proje...
14/03/2025

Slow art again / latent words in place of latent pictures

2014-2114 / 100 unpublished manuscripts

The Future Library project (Norwegian: Framtidsbiblioteket) is a public artwork that aims to collect an original work by a popular writer every year from 2014 to 2114. The works will remain unread and unpublished until 2114. One thousand trees were specially planted for the project in the Nordmarka forest at its inception; the 100 manuscripts will be printed in limited-edition anthologies using paper made from the trees. The Guardian has referred to it as "the world's most secretive library" (wikipedia)

Web site: https://www.futurelibrary.no/
Facebook: https://www.facebook.com/Futurelibrary.no/
Instagram: https://www.instagram.com/futurelibraryno/

See also my work: https://www.charleslemaire.eu/Travaux/image-latente

6,593 Followers, 753 Following, 368 Posts - See Instagram photos and videos from Future Library ()

Sometimes, in bright winter mornings, my sleeping room becomes a giant
02/03/2025

Sometimes, in bright winter mornings, my sleeping room becomes a giant

09/09/2024

Je ne suis pas le seul à proposer des exercices de Slow Photographie: une nouveauté

Slow Photography : 3 Exercices Méditatifs pour Prendre le Temps de Créer
Par Genaro Bardy
Sortie le 8 sept. 2024
"Dans cette vidéo, je vous propose de découvrir 3 exercices pratiques pour vous initier à la Slow Photography, une approche méditative qui vous invite à prendre le temps de créer des images uniques. En ralentissant votre processus de prise de vue, vous développerez une meilleure connexion avec votre environnement et affinerez votre regard."
https://www.youtube.com/watch?v=E9iBPoUNSmU

Pour vous rappeler aussi que je vous en ai proposé 14 autres dans mon blog
https://photographielente.blogspot.com/search/label/_exercices

Quelle que soit votre pratique de la photo (non, il n'y a pas de sauf ceux qui...)passez une heureuseJournée mondiale de...
19/08/2024

Quelle que soit votre pratique de la photo
(non, il n'y a pas de sauf ceux qui...)
passez une heureuse
Journée mondiale de la Photographie
ce lundi 19 août 2024

[Analogique ou digital ?]La question qui revient toujours quand on expose: c'est de l'analogique ou du digital ?Et le li...
25/04/2024

[Analogique ou digital ?]

La question qui revient toujours quand on expose: c'est de l'analogique ou du digital ?
Et le lieu de disputes aussi idéologiques que vaines: et c'est quoi le mieux ? et vous préférez quoi ?

Comme si: la question pouvait, et devait, être tranchée il n'était pas possible de pratiquer les deux, de "préférer les deux" (préférer faire en même temps du digital et de l'analogique) la réponse d'hier devait être la même que celle d'aujourd'hui et celle de demain

Mais surtout, oubliant que cette question de l'analogique et du digital ne se pose pas seulement pour la photo, objet de l'exposition, mais aussi pour ses modalités.

Est-il indifférent de n'exposer son travail que sur le net ? ou de le vendre comme NFT ?
Est-il indifférent de ne faire la promotion de son exposition que sous format électronique ?

Ces jours ci, la poste est en grève.
Et pourtant cela ne m'empêchera pas de poster un bon paquet d'invitations papier.
En espérant qu'elles arrivent à temps pour le vernissage.
Mais en sachant que, de toute façon, prises dans les mains, l'enveloppe ouverte, manipulées un instant, elles pourront laisser une autre trace dans l'esprit du public.

Une trace analogique !

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