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Dr Aperture •Travel and Portrait photographer
Based on 🇧🇩
•Loves to Explore 🧭

The beauty of Colonial architecture Time stops among these design …where present and past exist at the same time Locatio...
23/09/2026

The beauty of Colonial architecture

Time stops among these design …where present and past exist at the same time

Location:
Puthia , Rajshahi

Shot on iphone 17 pro max and pro raw format
All rights are reserved by Dr Aperture

Rajshahi The silk city of Bangladesh Though famous for its silk…we never looked at the making process behind it . This d...
04/09/2026

Rajshahi

The silk city of Bangladesh
Though famous for its silk…we never looked at the making process behind it . This documentary of craft and craftsman focuses on bringing the story behind the beautiful craftsmanship. The story of rajshahi silk is not only about its delicate nature but also about the working hand , their labour and their extraordinary skill which brings this art to life .

Craft and the craftsman— vol 2
The making of Rajshahi Silk

All rights of these images are reserved by Dr Aperture

প্রত্যেক ফটোগ্রাফার এর জন্য এমন কিছু ছবি থাকে যা তার লাইফ এর কিছু বাকেট লিস্ট শট । এই শট গুলাই তাকে ইন্সপায়ার করে । তাকে...
19/08/2026

প্রত্যেক ফটোগ্রাফার এর জন্য এমন কিছু ছবি থাকে যা তার লাইফ এর কিছু বাকেট লিস্ট শট । এই শট গুলাই তাকে ইন্সপায়ার করে । তাকে নতুন নতুন আর্ট তৈরি করতে, নতুন টেকনিক ব্যবহার করতে উৎসাহিত করে ।

এমন কিছু শট গুলার মধ্যে অন্যতম কিছু শট এগুলো । আমার টোটাল জার্নি তে এইগুলা আমার তোলা সবথেকে পছন্দের ।

Happy world photography day to all photographers

Where the clouds touch the hills, rivers whisper through the valleys, and every path leads to another story.This is not ...
04/08/2026

Where the clouds touch the hills, rivers whisper through the valleys, and every path leads to another story.

This is not just a journey across Sylhet—it’s a journey into its soul.

A Travel Documentary by Dr Aperture

The Invisible ThreadWe build our lives in centimeters, tracing the familiar lines of a routine, convincing ourselves we ...
05/06/2026

The Invisible Thread

We build our lives in centimeters, tracing the familiar lines of a routine, convincing ourselves we belong to the destinations we choose. But there is a specific time of year when the air changes—when the pull becomes too heavy to ignore.

Homecoming isn't just a direction on a map. It’s a return to ourselves.

Eid , 2026

A documentary by Dr aperture

আমি শ্রম। আমার হাত কখনো চা-পাতায়, কখনো শুকনো মাছের লবণে ডুবে থাকে — তবু এই হাতেই টিকে আছে পৃথিবী। আমি ধোঁয়ার ভেতর দাঁড...
01/05/2026

আমি শ্রম। আমার হাত কখনো চা-পাতায়, কখনো শুকনো মাছের লবণে ডুবে থাকে — তবু এই হাতেই টিকে আছে পৃথিবী। আমি ধোঁয়ার ভেতর দাঁড়াই, রোদের ভেতর নুই, পিঠে বোঝা নিয়েও হাঁটি — কারণ থামা আমার ধর্ম নয়। আমি সেই শিশু, সেই নারী, সেই বৃদ্ধ মুখ — যাদের নাম ইতিহাস মনে না রাখলেও, যাদের ঘামে লেখা হয়েছে সভ্যতার প্রতিটি পাতা।

Happy International Workers’ Day. 🩶

𝑳𝒊𝒇𝒆 𝒉𝒆𝒓𝒆 𝒅𝒐𝒆𝒔𝒏’𝒕 𝒘𝒉𝒊𝒔𝒑𝒆𝒓. 𝑰𝒕 𝒃𝒍𝒐𝒐𝒎𝒔. 𝑰𝒕 𝒓𝒆𝒔𝒕𝒔. 𝑰𝒕 𝒔𝒑𝒊𝒍𝒍𝒔. 𝑨𝒏𝒅 𝒕𝒉𝒆 𝒄𝒊𝒕𝒚? 𝑰𝒕 𝒏𝒆𝒗𝒆𝒓 𝒔𝒕𝒐𝒑𝒔 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒊𝒕𝒔𝒆𝒍𝒇 𝒂𝒍𝒊𝒗𝒆.📍: Dhaka ,...
21/04/2026

𝑳𝒊𝒇𝒆 𝒉𝒆𝒓𝒆 𝒅𝒐𝒆𝒔𝒏’𝒕 𝒘𝒉𝒊𝒔𝒑𝒆𝒓. 𝑰𝒕 𝒃𝒍𝒐𝒐𝒎𝒔. 𝑰𝒕 𝒓𝒆𝒔𝒕𝒔. 𝑰𝒕 𝒔𝒑𝒊𝒍𝒍𝒔. 𝑨𝒏𝒅 𝒕𝒉𝒆 𝒄𝒊𝒕𝒚? 𝑰𝒕 𝒏𝒆𝒗𝒆𝒓 𝒔𝒕𝒐𝒑𝒔 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒊𝒕𝒔𝒆𝒍𝒇 𝒂𝒍𝒊𝒗𝒆.

📍: Dhaka , Bangladesh

চিত্রবৃত্ত Episode -2চিরন্তনীThe Eternal Oneরাণুপ্রিয়া। এই নামটা তার দিদিমা রেখেছিলেন।বলেছিলেন — “এই নামে একজন রাজকন্যা...
03/04/2026

চিত্রবৃত্ত
Episode -2

চিরন্তনী

The Eternal One

রাণুপ্রিয়া। এই নামটা তার দিদিমা রেখেছিলেন।
বলেছিলেন — “এই নামে একজন রাজকন্যা আছে, ভুলিস না।”
রাণু ভোলেনি।
কিন্তু রাজত্ব ভুলে গিয়েছিল নিজেকে।
আজ সে ফিরে এসেছে — নদী পেরিয়ে, স্বপ্ন পেরিয়ে, ধ্বংস পেরিয়ে।
নিজের কাছে।
এই তার গল্প। এই তার বংশ। এই তার জীবন।
যা গেছে তা মিথ্যে নয় —
যা নেই তাও শেষ নয়।
ইটের ফাঁকে ফাঁকে এখনো শ্বাস নেয়
একটা মেয়ের পূর্বজন্মের স্মৃতি।

📸 Dr Aperture
“চিরন্তনী — The Eternal One”
A fine art narrative on lineage, memory, and the self.

Featuring : Nazla Faiza

𝐂𝐫𝐚𝐟𝐭 𝐚𝐧𝐝 𝐜𝐫𝐚𝐟𝐭𝐬𝐦𝐚𝐧 𝗩𝗼𝗹𝘂𝗺𝗲 -01••𝗚𝗨𝗧𝗧𝗘𝗗••There is a word fishermen’s children learn before they learn to read: “শুঁটকি-Dr...
06/03/2026

𝐂𝐫𝐚𝐟𝐭 𝐚𝐧𝐝 𝐜𝐫𝐚𝐟𝐭𝐬𝐦𝐚𝐧

𝗩𝗼𝗹𝘂𝗺𝗲 -01

••𝗚𝗨𝗧𝗧𝗘𝗗••

There is a word fishermen’s children learn before they learn to read: “শুঁটকি-Dried fish.“ Preservation by surrender — letting the sea’s catch hang open under the sky until all softness is gone, until only the essential remains.
That is what this coast does to its people too.
GUTTED was never just about fish.
To gut something is to hollow it out — to reach inside and remove what cannot survive the long journey. But gutting is also how you preserve. How you make something last. The communities photographed here — along the dried fish yards of coastal Bangladesh — have been gutted by poverty, by tide, by time. And yet they remain. Hanging on. Hardened. Essential.
The woman in green moves through the racks like she is walking through a cathedral of her own . She is both worker and warden. The sea provided. She arranges its offering.
The old man holds the fish outward like a fisherman-priest presenting an offering, his face framed by the very harvest that has shaped every line on it. His eyes do not ask for pity. They simply state — this is what a life looks like when it has been lived in full.
And then the boys. Perhaps the most gutting frame of all. Young enough to still smile while sorting fish with bare hands. Old enough to already be inside the cycle. The sea does not wait for childhood to end before it asks for labour.
The final image — fish heads hanging downward, eyes still open, still watching — is the series looking back at you. Every mouth slightly open. Every eye hollow and glassed.
Who is really being preserved here? Who is being dried out by the sun?

GUTTED is about the sea as author. About how a coastline writes its people — their posture, their silence, their early mornings and salted skin. About craft that has no gallery, no applause, only the next tide. About the dignity that lives not in comfort, but in continuation.
The sea took everything soft from these lives long ago.
What remains is real.

🅱🅰🅽🅳🅰🆁🅱🅰🅽 : 🆃🅷🅴 🅺🅴🅴🅿🅴🆁 🅾🅵 🆂🅰🅽🅶🆄🆅🅾🅻🆄🅼🅴 -2Where the Sangu narrows into canyon and shadow, the river does not invite — it s...
27/02/2026

🅱🅰🅽🅳🅰🆁🅱🅰🅽 : 🆃🅷🅴 🅺🅴🅴🅿🅴🆁 🅾🅵 🆂🅰🅽🅶🆄

🆅🅾🅻🆄🅼🅴 -2

Where the Sangu narrows into canyon and shadow, the river does not invite — it summons. Every journey to Debotakhum begins here, at the mercy of the current. The Sangu has never been a backdrop for these communities. It is the floor beneath their feet, the source in their hands, the reason they are here at all. When the dry season pulls the river back, the exposed shallows become the village’s second street — a place where the day’s work and the water’s rhythm are one and the same.

Some faces hold the entire history of a river. He has known the Sangu through its floods and its silences, its generosity and its indifference . The boatmen of the Sangu do not romanticize the water. They read it, negotiate with it, and move through it the way one moves through any enduring relationship — carefully, and with respect. Life in the villages along the Sangu does not pause for the unfamiliar. It continues, as it always has, on its own terms and at its own pace. She has not yet learned the name of what surrounds her. But the river is already shaping her — the way it has shaped everyone who has ever been born within sound of its current.

From above, the settlement looks small against the hills. But the Sangu does not measure its people by scale. It measures them by how long they have stayed.

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Khulna

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