Thrill Noir

Thrill Noir Fresh film & photography experiences that will make you fall in love with yourself.

Before reading through essentially my wikipedia entry, let me touch on how working with me
will help you achieve the images you're trying to create. Whether I am shooting portraits in an intimate setting, or creating images for large print campaigns, having fun on set is paramount to achieving great images, you'll know what I mean after we work together. Not everyone loves shooting in a stuffy stu

dio, not everyone loves working on location, just know, wherever we are creating, my only job is to make sure everyone in front of my camera looks good,
sometimes ill have to push people to get those perfect moments; but it will be worth it.................................................................................................................................................................................................

Starting his career managing a studio in Perth he was granted mentoring from other top creatives in Australia,
Leading Benjamin into working with GQ Australia, Shooting the cover of Maxim, Black Magazine, MTV, Sony, Forrest Chase. Transperth, TAB, Smart homes, St Johns Ambulance, Rio Tinto, Mens Botanics, Bank West, Bendigo Bank, Royal Life Saving, Neil Degrasse Tyson, Montaigne, Tony Hawk, Scott Ludlam, Nick Waterhouse, Habitat, Future Music, Stereosonic, Origin, All My Friends, Listen Out and many more. He is the father of 2 daughters, a fan of political satire and does not own a single pair of plain socks. Living by a hard and fast rule holding pre production more important than almost anything else, allows all eyes to be focused on creating beautiful, organic images. His approach to the people he is shooting is immersive, flexible and filled with banter, working on set with Benjamin has been described as a gym session in a 70s disco.

27/08/2026

I first saw The Rocky Horror Picture Show when I was about 12 years old, and I’ve watched it every year since.

Which, in hindsight, probably explains a few things.

By my 17th birthday, I was committed enough to the cause that I threw a full Rocky Horror party. What I didn’t realise then was just how long its influence would stay with me.

It followed me into the events company I later owned. Into the worlds I liked to create. Into my photography. Into my fascination with pageantry, glamour, confidence, and people having the freedom to be a little more outrageous than they’re supposed to be.

Looking through my work now, the lineage seems almost embarrassingly obvious.

Rocky Horror showed me very early that being great doesn’t have to mean being serious. That humour and spectacle can sit alongside glamour and danger. That gender could be played with. And that being provocative didn’t require taking yourself terribly seriously.

And at the centre of all of that was Tim Curry.

Frank-N-Furter was outrageous, seductive, ridiculous, commanding and completely unapologetic. That performance left fingerprints all over popular culture and, as it turns out, quite a few over my own creative life.

So these photographs feel like the appropriate way for me to say goodbye.

Twelve-year-old me certainly didn’t understand everything he was watching.

But apparently he was taking notes.

Thank you for the influence, Tim. 🖤

18/08/2026

How to pose and inspire your models when shooting bo***ir. 😉

18/08/2026

Hanging out in the country making some cool content with some cowboys, check out the wild antics we got up to.

16/03/2026

It’s the direction that makes the fire photoshoot

07/11/2025

Let’s shoot

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Perth, WA
6000

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