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Jacaranda Full Moon? 🤔
26/10/2026

Jacaranda Full Moon? 🤔

**Dual-Band SHO Processing in PixInsight — Sharing My Workflow**A few people have asked me to share my workflow for crea...
25/10/2026

**Dual-Band SHO Processing in PixInsight — Sharing My Workflow**

A few people have asked me to share my workflow for creating **SHO-style astrophotography images using two dual-narrowband filters**, so I thought I’d share the process with the community.

This is a workflow I have developed and refined through my own processing experience. It can be used to create **Hubble, Foraxx and other custom colour palettes** from dual-band data.

I’ve included a workflow graphic to make the process easier to follow. **Please download it and use it as a reference whenever you need it.**

# # # My 6-Step Workflow

**1. Capture & Stack**
Capture separate datasets using your **L-eX / L-Para (Hα + OIII)** and **OIII-SII (OIII + SII)** dual-narrowband filters. Stack each dataset using your preferred software.

**2. XTerminator Processing**
Apply **BlurXTerminator and NoiseXTerminator** as appropriate to your linear images.
**Important: Do NOT stretch the images before DBExtract.** Stretching at this stage can blow out the Hα channel.

**3. Extract the Channels**
Use **DBExtract** from *Script → Suite Astrositas* to extract the individual Hα, OIII and SII channels from the dual-band data.

**4. LinearFit the Channels**
Use **Statistics** (*Image → Statistics*) to compare the median values of the extracted channels. I normally use the channel with the **lowest median** as the reference for LinearFit, then bring the other channels into alignment.

**5. Create Your SHO Palette**
Use **LRGBCombination** to combine the extracted channels. From here, you can create a **Hubble, Foraxx or completely custom palette**. Experiment with the channel assignments and parameters to develop your own colour interpretation.

**6. Refine & Create Your Final Image**
Continue with your preferred PixInsight processing — colour balancing, contrast, saturation, star processing, masks, sharpening and other finishing techniques — until you achieve the result you are looking for.

# # # Now comes the fun part!

These steps are **not a recipe for producing one particular look**. They are a starting point.

The same data can produce dramatically different results depending on how you combine the channels and process the image. **Be creative, experiment with different palettes and don't be afraid to break the rules.**

If you find this workflow useful, **please download the guide, try it with your own data and share your creations with us.** I'd love to see what you come up with.

And if this has helped you, please **give it a Like and Subscribe to my channel** for more PixInsight tips, astrophotography techniques and interesting astrophotography compilations.

Also, have a look through my **previous posts and videos on the channel** — there are plenty of processing tips and examples to explore.

Clear skies and happy processing!

**Astroman.au**
*Hawthorne Deep Sky Observatory*

23/10/2026

Acrylic expo prints are now available on Astroman.au and Market place.

LMC — Now in SHO!After the amazing response to yesterday’s LMC image, I had to take it one step further…Using the **same...
22/10/2026

LMC — Now in SHO!

After the amazing response to yesterday’s LMC image, I had to take it one step further…

Using the **same Askar FRA400 + 0.7× reducer and ASI585MC Pro**, I added SII–OIII dual-band data and extracted the individual **SII, Hα and OIII channels** from both narrowband datasets.

I then combined them in the **Hubble SHO palette** — and voilà!

**A completely different view of the Large Magellanic Cloud.**

The result reveals a whole new level of structure and contrast in the enormous emission regions scattered across the LMC.

And yes… this was captured **from my Brisbane backyard** with a colour camera!

Yesterday’s image showed what the LMC can look like in natural colour.
**Today, we go full Hubble palette.**

What do you think — **natural colour or SHO?**

Large Magellanic Cloud — Captured from BrisbaneThe Large Magellanic Cloud (LMC), captured from my Brisbane backyard obse...
21/10/2026

Large Magellanic Cloud — Captured from Brisbane

The Large Magellanic Cloud (LMC), captured from my Brisbane backyard observatory during a handful of rare clear nights in October.

The LMC is a challenging target from suburban Brisbane, but even with limited clear nights, this combination managed to capture a surprising amount of detail.

**Capture setup**
- Askar FRA400 + 0.7× reducer
- ZWO AM5
- ASI585MC Pro — 2.9 µm pixels
- 34 × 300s with L-ex filter
- 30 × 3s with UV filter for the stars

For processing, I extracted the **Hα signal from the L-Ex data and used it as the luminance layer**, bringing out the extensive hydrogen emission regions scattered throughout the LMC while retaining the natural colour of the galaxy.

All captured from my backyard observatory in Brisbane — a reminder of what can be achieved under suburban skies with the right combination of equipment and processing.

**Can you tell this was captured from a city backyard?**

A few hours under a truly dark sky can reveal an incredible amount of detail.I put the new Seestar S30 Pro through anoth...
19/10/2026

A few hours under a truly dark sky can reveal an incredible amount of detail.

I put the new Seestar S30 Pro through another test, this time at Reset Elqui in Chile’s Elqui Valley. Using the S30 Pro’s mosaic mode, I captured and stacked this image over just a few hours.

The data was processed initially in Seestar, then refined in PixInsight to bring out the finer structure and detail.

This is a great example of how far smart telescopes have come — compact, automated and capable of producing serious deep-sky results when paired with a good dark-sky location.



19/10/2026

A few hours under a truly dark sky can reveal an incredible amount of detail.

I put the new Seestar S30 Pro through another test, this time at Reset Elqui in Chile’s Elqui Valley. Using the S30 Pro’s mosaic mode, I captured and stacked this image over just a few hours.

The data was processed initially in Seestar, then refined in PixInsight to bring out the finer structure and detail.

This is a great example of how far smart telescopes have come — compact, automated and capable of producing serious deep-sky results when paired with a good dark-sky location.

Reset Elqui

18/10/2026

Inside Chile’s Astronomical Frontier

Earlier this year, I had the incredible opportunity to visit two of the world’s great astronomical facilities in Chile — Cerro Tololo Inter-American Observatory and the Vera C. Rubin Observatory.

At Cerro Tololo, around 2,200 metres above sea level, I saw the historic 1.5-metre telescope, where high-resolution spectroscopy is used to study stars, exoplanets and stellar systems, and the 4-metre Víctor M. Blanco Telescope.

The Blanco has an extraordinary scientific legacy. Observations from Cerro Tololo contributed to the discovery that the expansion of the Universe is accelerating, leading to the concept of dark energy and contributing to the 2011 Nobel Prize in Physics.

Just a short distance away, on Cerro Pachón at 2,647 metres, is the remarkable Vera C. Rubin Observatory.

Its 8.4-metre telescope is equipped with the world’s largest astronomical digital camera — an astonishing 3.2 billion pixels. Rubin’s Legacy Survey of Space and Time will repeatedly photograph the southern sky for 10 years, creating what is essentially a time-lapse movie of the Universe.

I was fortunate to visit Rubin during its commissioning phase, before the full survey began.

I took these photographs and video during my visit, including footage of the massive telescope structures moving inside their domes.

From telescopes studying individual stars and galaxies to Rubin’s vision of watching billions of objects change over time — this visit gave me a fascinating glimpse into the past, present and future of astronomy.

Turn up the volume, watch the video, and take a journey with me to the astronomical frontier of Chile.

16/10/2026

For an astrophotographer, that dream becomes a journey — searching for distant worlds, capturing ancient photons and turning the invisible Universe into art.

**COSMIC PERSPECTIVES — A Journey Through the Universe**

My exhibition film, accompanied by my original song **“A Journey Through the Cosmos.”**

🎬 **Watch the full journey — https://youtu.be/dF6GTwpylB0?si=U5XyrtW8oFlRV9LV
PS: I have created this movie with my asto pics and have composed this song with AI's help.


Sudath Wijeratne

My iPhone just surprised me under the starsWhile photographing the Milky Way at Lake Moogerah last Friday night, I point...
15/10/2026

My iPhone just surprised me under the stars

While photographing the Milky Way at Lake Moogerah last Friday night, I pointed my iPhone 15 Pro at the sky.

Initially, Night mode offered about 10 seconds.

Then I placed the phone firmly against my tripod. The iPhone detected the increased stability and automatically extended the available Night mode exposure to 30 seconds.

The difference was remarkable.

The stars were sharp, round and surprisingly clean. So I started wondering: how is a tiny phone sensor doing this?

The answer is computational astrophotography.

Rather than simply taking one conventional 30-second exposure, the iPhone uses multiple frames, aligns and combines them, reduces noise and processes the result automatically.

Essentially, it’s doing a miniature version of what we astrophotographers do with dedicated cameras:
Capture. Align. Stack. Process.

I’ve included the original and my processed version.

Maybe the most impressive astrophotography camera is the one already sitting in your pocket.

Have you ever tried your iPhone for astrophotography? What results have you managed to get?

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